{"id":527,"date":"2002-09-24T15:28:24","date_gmt":"2002-09-24T14:28:24","guid":{"rendered":"http:\/\/test.niepce.com\/?p=527"},"modified":"2024-12-03T18:41:44","modified_gmt":"2024-12-03T17:41:44","slug":"un-daguerreotype-refait-par-mark-osterman","status":"publish","type":"post","link":"https:\/\/bicentennial-of-photography.org\/fr\/2002\/09\/24\/un-daguerreotype-refait-par-mark-osterman\/","title":{"rendered":"Un daguerr\u00e9otype refait par Mark Osterman"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"alignright\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"240\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/02\/evenement-niepce-maison-daguerreotype-refait01-300x240.jpg\" alt=\"evenement- niepce-maison-daguerreotype-refait01\" class=\"wp-image-974\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/02\/evenement-niepce-maison-daguerreotype-refait01-300x240.jpg 300w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/02\/evenement-niepce-maison-daguerreotype-refait01.jpg 400w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><strong>L&rsquo;un des premiers daguerr\u00e9otypes de Paris chez Nic\u00e9phore Ni\u00e9pce &#8211; <em>\u00e0 l&rsquo;occasion des Journ\u00e9es du patrimoine 2002<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Celui-l\u00e0 m\u00eame qui fut pr\u00e9sent\u00e9 \u00e0 Arago \u00e0 l&rsquo;Acad\u00e9mie des Sciences en 1839, \u00e9tait gr\u00e2ce \u00e0 la collaboration du Mus\u00e9e Hyacinthe Rigaud pr\u00e9sent\u00e9 dans la maison de Saint-Loup-de-Varennes o\u00f9 Daguerre s\u00e9journa 8 semaines.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ce daguerr\u00e9otype fut pris par Daguerre depuis son appartement parisien.<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image wp-image-23245\">\n<figure class=\"alignleft\"><img loading=\"lazy\" decoding=\"async\" width=\"233\" height=\"350\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2002\/09\/bdagu-fen1.jpg\" alt=\"\" class=\"wp-image-23245\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2002\/09\/bdagu-fen1.jpg 233w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2002\/09\/bdagu-fen1-200x300.jpg 200w\" sizes=\"auto, (max-width: 233px) 100vw, 233px\" \/><figcaption class=\"wp-element-caption\">Appartement de Daguerre<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\">Jean-Louis Marignier et Pierre-Yves Mah\u00e9\/Maison Ni\u00e9pce, se sont alors remis \u00e0 chercher, comme dans la Maison de Nic\u00e9phore Ni\u00e9pce, l&rsquo;endroit d&rsquo;o\u00f9 avit \u00e9t\u00e9 prise cette photographie.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"wp-block-paragraph\">L&rsquo;endroit n&rsquo;a pas chang\u00e9 ou presque, et Maison Ni\u00e9pce, en collaboration avec la George Eastman House, refait actuellement des daguerr\u00e9otypes \u00e0 partir des fen\u00eatres, sous la direction de Grant Romer et Mark Osterman.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class=\"wp-block-image\">\n<figure class=\"alignright\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/02\/evenement-niepce-maison-daguerreotype-refait04.jpg\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"225\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/02\/evenement-niepce-maison-daguerreotype-refait04-300x225.jpg\" alt=\"Grant Romer \u00e0 la fen\u00eatre\" class=\"wp-image-973\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/02\/evenement-niepce-maison-daguerreotype-refait04-300x225.jpg 300w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/02\/evenement-niepce-maison-daguerreotype-refait04-600x450.jpg 600w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/02\/evenement-niepce-maison-daguerreotype-refait04-580x435.jpg 580w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/02\/evenement-niepce-maison-daguerreotype-refait04.jpg 670w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption class=\"wp-element-caption\">Grant Romer \u00e0 la fen\u00eatre<\/figcaption><\/figure>\n<\/div><\/div>\n<\/div>\n\n\n<div class=\"wp-block-image size-full wp-image-18361\">\n<figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"480\" height=\"367\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/02\/evenement-niepce-maison-daguerreotype-refait02.jpg\" alt=\"\" class=\"wp-image-18361\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/02\/evenement-niepce-maison-daguerreotype-refait02.jpg 480w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/02\/evenement-niepce-maison-daguerreotype-refait02-300x229.jpg 300w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><figcaption class=\"wp-element-caption\">Daguerr\u00e9otype by Mark Osterman<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Premier Daguerr\u00e9otype refait par Mark Osterman du m\u00eame paysage \u00e0 partir de la fen\u00eatre de l&rsquo;appartement de Daguerre.<br>La m\u00e9thode utilis\u00e9e par Mark Osterman est la m\u00eame que celle de Daguerre \u00e0 l&rsquo;\u00e9poque.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>L\u2019un des premiers daguerr\u00e9otypes de Paris chez Nic\u00e9phore Ni\u00e9pce \u00e0 l\u2019occasion des Journ\u00e9es du patrimoine 2002<\/p>\n","protected":false},"author":1,"featured_media":23257,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[47],"tags":[],"class_list":["post-527","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exposition"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Un daguerr\u00e9otype refait par Mark Osterman - Bicentenaire de la photographie<\/title>\n<meta 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