{"id":40,"date":"2015-01-07T17:30:44","date_gmt":"2015-01-07T16:30:44","guid":{"rendered":"http:\/\/test.niepce.com\/?page_id=40"},"modified":"2025-01-13T19:04:35","modified_gmt":"2025-01-13T18:04:35","slug":"catalogue-oeuvres-niepce","status":"publish","type":"page","link":"https:\/\/bicentennial-of-photography.org\/fr\/catalogue-oeuvres-niepce\/","title":{"rendered":"Catalogue des \u0153uvres de Ni\u00e9pce"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Catalogue des h\u00e9liographies de Ni\u00e9pce, reprenant en grande partie celui \u00e9tabli par P. Jay et S. Charles auquel sont ajout\u00e9es les h\u00e9liographies et tirages dont nous avons trouv\u00e9 mention ainsi que les images retrouv\u00e9es depuis la parution de l\u2019ouvrage de P. Jay.<\/p>\n\n\n<style>.kt-accordion-id40_4d204c-13 .kt-accordion-inner-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:8px;}.kt-accordion-id40_4d204c-13 .kt-accordion-panel-inner{border-top:0px solid transparent;border-right:0px solid transparent;border-bottom:0px solid transparent;border-left:0px solid transparent;background:var(--global-palette9, #ffffff);padding-top:var(--global-kb-spacing-md, 2rem);padding-right:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);padding-left:var(--global-kb-spacing-sm, 1.5rem);}.kt-accordion-id40_4d204c-13 > .kt-accordion-inner-wrap > .wp-block-kadence-pane > .kt-accordion-header-wrap > .kt-blocks-accordion-header{border-top:0px solid #f2f2f2;border-right:0px solid #f2f2f2;border-bottom:1px solid #f2f2f2;border-left:0px solid #f2f2f2;border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;background:#ffffff;font-size:var(--global-kb-font-size-md, 1.25rem);line-height:1.6em;color:var(--global-palette3, #1A202C);padding-top:14px;padding-right:10px;padding-bottom:14px;padding-left:16px;}.kt-accordion-id40_4d204c-13:not( .kt-accodion-icon-style-basiccircle ):not( .kt-accodion-icon-style-xclosecircle ):not( .kt-accodion-icon-style-arrowcircle )  > .kt-accordion-inner-wrap > .wp-block-kadence-pane > .kt-accordion-header-wrap .kt-blocks-accordion-icon-trigger:after, .kt-accordion-id40_4d204c-13:not( .kt-accodion-icon-style-basiccircle ):not( .kt-accodion-icon-style-xclosecircle ):not( .kt-accodion-icon-style-arrowcircle )  > .kt-accordion-inner-wrap > .wp-block-kadence-pane > .kt-accordion-header-wrap .kt-blocks-accordion-icon-trigger:before{background:var(--global-palette4, #2D3748);}.kt-accordion-id40_4d204c-13:not( .kt-accodion-icon-style-basic ):not( .kt-accodion-icon-style-xclose ):not( .kt-accodion-icon-style-arrow ) .kt-blocks-accordion-icon-trigger{background:var(--global-palette4, #2D3748);}.kt-accordion-id40_4d204c-13:not( .kt-accodion-icon-style-basic ):not( .kt-accodion-icon-style-xclose ):not( .kt-accodion-icon-style-arrow ) .kt-blocks-accordion-icon-trigger:after, .kt-accordion-id40_4d204c-13:not( .kt-accodion-icon-style-basic ):not( .kt-accodion-icon-style-xclose ):not( .kt-accodion-icon-style-arrow ) .kt-blocks-accordion-icon-trigger:before{background:#ffffff;}.kt-accordion-id40_4d204c-13 > .kt-accordion-inner-wrap > .wp-block-kadence-pane > .kt-accordion-header-wrap > .kt-blocks-accordion-header:hover, \n\t\t\t\tbody:not(.hide-focus-outline) .kt-accordion-id40_4d204c-13 .kt-blocks-accordion-header:focus-visible{color:var(--global-palette1, #3182CE);background:var(--global-palette8, #F7FAFC);border-top-color:#eeeeee;border-top-style:solid;border-right-color:#eeeeee;border-right-style:solid;border-bottom-color:#eeeeee;border-bottom-style:solid;border-left-color:#eeeeee;border-left-style:solid;}.kt-accordion-id40_4d204c-13:not( .kt-accodion-icon-style-basiccircle ):not( .kt-accodion-icon-style-xclosecircle ):not( .kt-accodion-icon-style-arrowcircle ) .kt-accordion-header-wrap .kt-blocks-accordion-header:hover .kt-blocks-accordion-icon-trigger:after, .kt-accordion-id40_4d204c-13:not( .kt-accodion-icon-style-basiccircle ):not( .kt-accodion-icon-style-xclosecircle ):not( .kt-accodion-icon-style-arrowcircle ) .kt-accordion-header-wrap .kt-blocks-accordion-header:hover .kt-blocks-accordion-icon-trigger:before, body:not(.hide-focus-outline) .kt-accordion-id40_4d204c-13:not( .kt-accodion-icon-style-basiccircle ):not( .kt-accodion-icon-style-xclosecircle ):not( .kt-accodion-icon-style-arrowcircle ) .kt-blocks-accordion--visible .kt-blocks-accordion-icon-trigger:after, body:not(.hide-focus-outline) .kt-accordion-id40_4d204c-13:not( .kt-accodion-icon-style-basiccircle ):not( .kt-accodion-icon-style-xclosecircle ):not( .kt-accodion-icon-style-arrowcircle ) .kt-blocks-accordion-header:focus-visible .kt-blocks-accordion-icon-trigger:before{background:var(--global-palette1, #3182CE);}.kt-accordion-id40_4d204c-13:not( .kt-accodion-icon-style-basic ):not( .kt-accodion-icon-style-xclose ):not( .kt-accodion-icon-style-arrow ) .kt-accordion-header-wrap .kt-blocks-accordion-header:hover .kt-blocks-accordion-icon-trigger, body:not(.hide-focus-outline) .kt-accordion-id40_4d204c-13:not( .kt-accodion-icon-style-basic ):not( .kt-accodion-icon-style-xclose ):not( .kt-accodion-icon-style-arrow ) .kt-accordion-header-wrap .kt-blocks-accordion-header:focus-visible .kt-blocks-accordion-icon-trigger{background:var(--global-palette1, #3182CE);}.kt-accordion-id40_4d204c-13:not( .kt-accodion-icon-style-basic ):not( .kt-accodion-icon-style-xclose ):not( .kt-accodion-icon-style-arrow ) .kt-accordion-header-wrap .kt-blocks-accordion-header:hover .kt-blocks-accordion-icon-trigger:after, .kt-accordion-id40_4d204c-13:not( .kt-accodion-icon-style-basic ):not( .kt-accodion-icon-style-xclose ):not( .kt-accodion-icon-style-arrow ) .kt-accordion-header-wrap .kt-blocks-accordion-header:hover .kt-blocks-accordion-icon-trigger:before, body:not(.hide-focus-outline) .kt-accordion-id40_4d204c-13:not( .kt-accodion-icon-style-basic ):not( .kt-accodion-icon-style-xclose ):not( .kt-accodion-icon-style-arrow ) .kt-accordion-header-wrap .kt-blocks-accordion-header:focus-visible .kt-blocks-accordion-icon-trigger:after, body:not(.hide-focus-outline) .kt-accordion-id40_4d204c-13:not( .kt-accodion-icon-style-basic ):not( .kt-accodion-icon-style-xclose ):not( .kt-accodion-icon-style-arrow ) .kt-accordion-header-wrap .kt-blocks-accordion-header:focus-visible .kt-blocks-accordion-icon-trigger:before{background:var(--global-palette8, #F7FAFC);}.kt-accordion-id40_4d204c-13 .kt-accordion-header-wrap .kt-blocks-accordion-header:focus-visible,\n\t\t\t\t.kt-accordion-id40_4d204c-13 > .kt-accordion-inner-wrap > .wp-block-kadence-pane > .kt-accordion-header-wrap > .kt-blocks-accordion-header.kt-accordion-panel-active{color:#333333;background:var(--global-palette8, #F7FAFC);border-top-color:var(--global-palette1, #3182CE);border-top-style:solid;border-right-color:var(--global-palette1, #3182CE);border-right-style:solid;border-bottom-color:var(--global-palette1, #3182CE);border-bottom-style:solid;border-left-color:var(--global-palette1, #3182CE);border-left-style:solid;}.kt-accordion-id40_4d204c-13:not( .kt-accodion-icon-style-basiccircle ):not( .kt-accodion-icon-style-xclosecircle ):not( .kt-accodion-icon-style-arrowcircle )  > .kt-accordion-inner-wrap > .wp-block-kadence-pane > .kt-accordion-header-wrap > .kt-blocks-accordion-header.kt-accordion-panel-active .kt-blocks-accordion-icon-trigger:after, .kt-accordion-id40_4d204c-13:not( .kt-accodion-icon-style-basiccircle ):not( .kt-accodion-icon-style-xclosecircle ):not( .kt-accodion-icon-style-arrowcircle )  > .kt-accordion-inner-wrap > .wp-block-kadence-pane > .kt-accordion-header-wrap > .kt-blocks-accordion-header.kt-accordion-panel-active .kt-blocks-accordion-icon-trigger:before{background:#333333;}.kt-accordion-id40_4d204c-13:not( .kt-accodion-icon-style-basic ):not( .kt-accodion-icon-style-xclose ):not( .kt-accodion-icon-style-arrow ) .kt-blocks-accordion-header.kt-accordion-panel-active .kt-blocks-accordion-icon-trigger{background:#333333;}.kt-accordion-id40_4d204c-13:not( .kt-accodion-icon-style-basic ):not( .kt-accodion-icon-style-xclose ):not( .kt-accodion-icon-style-arrow ) .kt-blocks-accordion-header.kt-accordion-panel-active .kt-blocks-accordion-icon-trigger:after, .kt-accordion-id40_4d204c-13:not( .kt-accodion-icon-style-basic ):not( .kt-accodion-icon-style-xclose ):not( .kt-accodion-icon-style-arrow ) .kt-blocks-accordion-header.kt-accordion-panel-active .kt-blocks-accordion-icon-trigger:before{background:var(--global-palette8, #F7FAFC);}@media all and (max-width: 1024px){.kt-accordion-id40_4d204c-13 .kt-accordion-panel-inner{border-top:0px solid transparent;border-right:0px solid transparent;border-bottom:0px solid transparent;border-left:0px solid transparent;}}@media all and (max-width: 1024px){.kt-accordion-id40_4d204c-13 > .kt-accordion-inner-wrap > .wp-block-kadence-pane > .kt-accordion-header-wrap > .kt-blocks-accordion-header{border-top:0px solid #f2f2f2;border-right:0px solid #f2f2f2;border-bottom:1px solid #f2f2f2;border-left:0px solid #f2f2f2;}}@media all and (max-width: 1024px){.kt-accordion-id40_4d204c-13 > .kt-accordion-inner-wrap > .wp-block-kadence-pane > .kt-accordion-header-wrap > .kt-blocks-accordion-header:hover, \n\t\t\t\tbody:not(.hide-focus-outline) .kt-accordion-id40_4d204c-13 .kt-blocks-accordion-header:focus-visible{border-top-color:#eeeeee;border-top-style:solid;border-right-color:#eeeeee;border-right-style:solid;border-bottom-color:#eeeeee;border-bottom-style:solid;border-left-color:#eeeeee;border-left-style:solid;}}@media all and (max-width: 1024px){.kt-accordion-id40_4d204c-13 .kt-accordion-header-wrap .kt-blocks-accordion-header:focus-visible,\n\t\t\t\t.kt-accordion-id40_4d204c-13 > .kt-accordion-inner-wrap > .wp-block-kadence-pane > .kt-accordion-header-wrap > .kt-blocks-accordion-header.kt-accordion-panel-active{border-top-color:var(--global-palette1, #3182CE);border-top-style:solid;border-right-color:var(--global-palette1, #3182CE);border-right-style:solid;border-bottom-color:var(--global-palette1, #3182CE);border-bottom-style:solid;border-left-color:var(--global-palette1, #3182CE);border-left-style:solid;}}@media all and (max-width: 767px){.kt-accordion-id40_4d204c-13 .kt-accordion-inner-wrap{display:block;}.kt-accordion-id40_4d204c-13 .kt-accordion-inner-wrap .kt-accordion-pane:not(:first-child){margin-top:8px;}.kt-accordion-id40_4d204c-13 .kt-accordion-panel-inner{border-top:0px solid transparent;border-right:0px solid transparent;border-bottom:0px solid transparent;border-left:0px solid transparent;}.kt-accordion-id40_4d204c-13 > .kt-accordion-inner-wrap > .wp-block-kadence-pane > .kt-accordion-header-wrap > .kt-blocks-accordion-header{border-top:0px solid #f2f2f2;border-right:0px solid #f2f2f2;border-bottom:1px solid #f2f2f2;border-left:0px solid #f2f2f2;}.kt-accordion-id40_4d204c-13 > .kt-accordion-inner-wrap > .wp-block-kadence-pane > .kt-accordion-header-wrap > .kt-blocks-accordion-header:hover, \n\t\t\t\tbody:not(.hide-focus-outline) .kt-accordion-id40_4d204c-13 .kt-blocks-accordion-header:focus-visible{border-top-color:#eeeeee;border-top-style:solid;border-right-color:#eeeeee;border-right-style:solid;border-bottom-color:#eeeeee;border-bottom-style:solid;border-left-color:#eeeeee;border-left-style:solid;}.kt-accordion-id40_4d204c-13 .kt-accordion-header-wrap .kt-blocks-accordion-header:focus-visible,\n\t\t\t\t.kt-accordion-id40_4d204c-13 > .kt-accordion-inner-wrap > .wp-block-kadence-pane > .kt-accordion-header-wrap > .kt-blocks-accordion-header.kt-accordion-panel-active{border-top-color:var(--global-palette1, #3182CE);border-top-style:solid;border-right-color:var(--global-palette1, #3182CE);border-right-style:solid;border-bottom-color:var(--global-palette1, #3182CE);border-bottom-style:solid;border-left-color:var(--global-palette1, #3182CE);border-left-style:solid;}}<\/style>\n<div class=\"wp-block-kadence-accordion alignnone\"><div class=\"kt-accordion-wrap kt-accordion-id40_4d204c-13 kt-accordion-has-16-panes kt-active-pane-0 kt-accordion-block kt-pane-header-alignment-left kt-accodion-icon-style-arrow kt-accodion-icon-side-left\" style=\"max-width:none\"><div class=\"kt-accordion-inner-wrap\" data-allow-multiple-open=\"true\" data-start-open=\"none\">\n<div class=\"wp-block-kadence-pane kt-accordion-pane kt-accordion-pane-2 kt-pane40_139dfa-28\"><h2 class=\"kt-accordion-header-wrap\"><button class=\"kt-blocks-accordion-header kt-acccordion-button-label-show\" type=\"button\"><span class=\"kt-blocks-accordion-title-wrap\"><span class=\"kt-blocks-accordion-title\">\u00c9preuves conserv\u00e9es actuellement<\/span><\/span><span class=\"kt-blocks-accordion-icon-trigger\"><\/span><\/button><\/h2><div class=\"kt-accordion-panel kt-accordion-panel-hidden\"><div class=\"kt-accordion-panel-inner\">\n<h3 class=\"wp-block-heading\"><strong>1<\/strong><\/h3>\n\n\n<style>.kb-row-layout-id40_f81de4-ec > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id40_f81de4-ec > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id40_f81de4-ec > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-bottom:var(--global-kb-spacing-md, 2rem);grid-template-columns:minmax(0, calc(70% - ((var(--global-kb-gap-md, 2rem) * 1 )\/2)))minmax(0, calc(30% - ((var(--global-kb-gap-md, 2rem) * 1 )\/2)));}.kb-row-layout-id40_f81de4-ec > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id40_f81de4-ec > .kt-row-column-wrap{grid-template-columns:minmax(0, 2fr) minmax(0, 1fr);}}@media all and (max-width: 767px){.kb-row-layout-id40_f81de4-ec > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id40_f81de4-ec alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-left-golden kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column40_707517-45 > .kt-inside-inner-col,.kadence-column40_707517-45 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column40_707517-45 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column40_707517-45 > .kt-inside-inner-col{flex-direction:column;}.kadence-column40_707517-45 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column40_707517-45 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column40_707517-45{position:relative;}@media all and (max-width: 1024px){.kt-row-column-wrap.kt-tab-layout-three-grid > .kadence-column40_707517-45, .kt-row-column-wrap.kt-tab-layout-two-grid > .kadence-column40_707517-45, .kt-row-column-wrap.kt-tab-layout-row > .kadence-column40_707517-45{order:2;}}@media all and (max-width: 1024px){.kadence-column40_707517-45 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kt-row-column-wrap.kt-mobile-layout-three-grid > .kadence-column40_707517-45, .kt-row-column-wrap.kt-mobile-layout-two-grid > .kadence-column40_707517-45, .kt-row-column-wrap.kt-mobile-layout-row > .kadence-column40_707517-45{order:2 !important;}.kadence-column40_707517-45 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column40_707517-45\"><div class=\"kt-inside-inner-col\">\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : Paysage \u00e0 Saint-Loup de Varennes (1827)<br><strong>Type<\/strong> : Point de vue d&rsquo;apr\u00e8s nature<br><strong>Support<\/strong> : Etain pur<br><strong>Technique<\/strong> : H\u00e9liographie au bitume positive\/n\u00e9gative, non grav\u00e9e<br><strong>Dimension<\/strong>s : Plaque 16,2 x 20,2 cm<br><strong>Lieu<\/strong> : Austin (Texas): Harry Ransom Humanities Research Center. Coll. H. Gernsheim.<br><strong>Provenance<\/strong> : F. Bauer<br><strong>Bibliographie<\/strong> : RH(30) ; MBP(325) ; JCC(1894) ; CPPE ; GP(162) ; HGa ; HAG(118) ; CBN(88) ; PJa(86) ; PJb ; HGb(50).<\/p>\n<\/div><\/div>\n\n\n<style>.kadence-column40_0d4e98-11 > .kt-inside-inner-col,.kadence-column40_0d4e98-11 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column40_0d4e98-11 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column40_0d4e98-11 > .kt-inside-inner-col{flex-direction:column;}.kadence-column40_0d4e98-11 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column40_0d4e98-11 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column40_0d4e98-11{position:relative;}@media all and (max-width: 1024px){.kt-row-column-wrap.kt-tab-layout-three-grid > .kadence-column40_0d4e98-11, .kt-row-column-wrap.kt-tab-layout-two-grid > .kadence-column40_0d4e98-11, .kt-row-column-wrap.kt-tab-layout-row > .kadence-column40_0d4e98-11{order:1;}}@media all and (max-width: 1024px){.kadence-column40_0d4e98-11 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kt-row-column-wrap.kt-mobile-layout-three-grid > .kadence-column40_0d4e98-11, .kt-row-column-wrap.kt-mobile-layout-two-grid > .kadence-column40_0d4e98-11, .kt-row-column-wrap.kt-mobile-layout-row > .kadence-column40_0d4e98-11{order:1 !important;}.kadence-column40_0d4e98-11 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column40_0d4e98-11\"><div class=\"kt-inside-inner-col\">\n<figure class=\"wp-block-image is-resized\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-View_Le_Gras.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"209\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-View_Le_Gras-300x209.jpg\" alt=\"Point de vue du Gras, premi\u00e8re photographie par Nic\u00e9phore Ni\u00e9pce\" class=\"wp-image-620\" style=\"width:200px\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-View_Le_Gras-300x209.jpg 300w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-View_Le_Gras-600x417.jpg 600w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-View_Le_Gras-580x403.jpg 580w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-View_Le_Gras.jpg 670w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/figure>\n<\/div><\/div>\n\n<\/div><\/div>\n\n\n<p class=\"wp-block-paragraph\"><strong>Histoire de la premi\u00e8re photographie parvenue jusqu\u2019\u00e0 nous<\/strong> :<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ce \u00ab point de vue depuis la fen\u00eatre \u00bb a \u00e9t\u00e9 r\u00e9alis\u00e9 par Nic\u00e9phore Ni\u00e9pce en juillet 1827. Quelques mois plus tard, lorsqu\u2019il se rend en Angleterre, Ni\u00e9pce en fait cadeau au botaniste Franz Bauer. Apr\u00e8s la mort de ce dernier, l\u2019image est vendue aux ench\u00e8res chez Christie\u2019s. Robert Brown, conservateur au British Museum en devient l\u2019acqu\u00e9reur. \u00c0 sa mort en 1858, son assistant, J.J. Bennet, entre en possession de la plaque. Cette derni\u00e8re reste dans la famille Bennett jusqu\u2019\u00e0 ce que celle-ci d\u00e9cide de la vendre aux ench\u00e8res en 1884. La plaque est alors achet\u00e9e par l\u2019\u00e9diteur du journal Photographic News, H.Baden-Pritchard, qui d\u00e9c\u00e8de deux semaines apr\u00e8s l\u2019achat.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sa femme conserve la plaque. Elle d\u00e9c\u00e8de en 1917. En pleine guerre, le fils Pritchard a 3 jours de cong\u00e9 pour enterrer sa m\u00e8re dont il rassemble les effets personnels dans une malle qu\u2019il laisse dans un d\u00e9p\u00f4t \u00e0 Londres, avant de repartir \u00e0 l\u2019arm\u00e9e. En 1950, Helmut Gernsheim retrouve la trace du fils Pritchard qui affirme que la famille ne poss\u00e8de plus la plaque : elle ne lui a pas \u00e9t\u00e9 rendue apr\u00e8s avoir \u00e9t\u00e9 pr\u00eat\u00e9e pour une exposition. Le fils Pritchard d\u00e9c\u00e8de en 1951. L\u2019\u00e9pouse de ce dernier retrouve dans ses papiers le re\u00e7u de d\u00e9p\u00f4t de la malle de 1917. Elle contient, entre autres, la fameuse image de Ni\u00e9pce.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Gernsheim la re\u00e7oit en don en f\u00e9vrier 1952. En 1964, il vend sa collection \u00e0 l\u2019Universit\u00e9 du Texas, en y ajoutant \u00ab Le point de vue depuis la fen\u00eatre \u00bb qui demeure depuis au Harry Ransom Humanities Research Center \u00e0 Austin (Texas).<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>2<\/strong><\/h3>\n\n\n<style>.kb-row-layout-id40_e63578-3c > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id40_e63578-3c > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id40_e63578-3c > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);grid-template-columns:minmax(0, calc(75% - ((var(--global-kb-gap-md, 2rem) * 1 )\/2)))minmax(0, calc(25% - ((var(--global-kb-gap-md, 2rem) * 1 )\/2)));}.kb-row-layout-id40_e63578-3c > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id40_e63578-3c > .kt-row-column-wrap{grid-template-columns:minmax(0, 2fr) minmax(0, 1fr);}}@media all and (max-width: 767px){.kb-row-layout-id40_e63578-3c > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id40_e63578-3c alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-left-golden kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column40_6a62b0-cc > .kt-inside-inner-col,.kadence-column40_6a62b0-cc > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column40_6a62b0-cc > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column40_6a62b0-cc > .kt-inside-inner-col{flex-direction:column;}.kadence-column40_6a62b0-cc > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column40_6a62b0-cc > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column40_6a62b0-cc{position:relative;}@media all and (max-width: 1024px){.kt-row-column-wrap.kt-tab-layout-three-grid > .kadence-column40_6a62b0-cc, .kt-row-column-wrap.kt-tab-layout-two-grid > .kadence-column40_6a62b0-cc, .kt-row-column-wrap.kt-tab-layout-row > .kadence-column40_6a62b0-cc{order:2;}}@media all and (max-width: 1024px){.kadence-column40_6a62b0-cc > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kt-row-column-wrap.kt-mobile-layout-three-grid > .kadence-column40_6a62b0-cc, .kt-row-column-wrap.kt-mobile-layout-two-grid > .kadence-column40_6a62b0-cc, .kt-row-column-wrap.kt-mobile-layout-row > .kadence-column40_6a62b0-cc{order:2 !important;}.kadence-column40_6a62b0-cc > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column40_6a62b0-cc\"><div class=\"kt-inside-inner-col\">\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : Vieillard au turban de profil, le regard dirig\u00e9 sur la gauche<br><strong>Type<\/strong> : Reproduction d&rsquo;un dessin par contact.<br><strong>Support<\/strong> : cuivre<br><strong>Technique<\/strong> : Gravure \u00e0 l&rsquo;acide<br><strong>Dimensions<\/strong> : dessin 13,5 x 10,4 cm plaque 15,7 X 12,3 cm<br><strong>Lieu<\/strong> : Paris \u2014 Coll. J. Niepce<br><strong>Bibliographie<\/strong> : PJc<\/p>\n<\/div><\/div>\n\n\n<style>.kadence-column40_3b4fa4-18 > .kt-inside-inner-col,.kadence-column40_3b4fa4-18 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column40_3b4fa4-18 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column40_3b4fa4-18 > .kt-inside-inner-col{flex-direction:column;}.kadence-column40_3b4fa4-18 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column40_3b4fa4-18 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column40_3b4fa4-18{position:relative;}@media all and (max-width: 1024px){.kt-row-column-wrap.kt-tab-layout-three-grid > .kadence-column40_3b4fa4-18, .kt-row-column-wrap.kt-tab-layout-two-grid > .kadence-column40_3b4fa4-18, .kt-row-column-wrap.kt-tab-layout-row > .kadence-column40_3b4fa4-18{order:1;}}@media all and (max-width: 1024px){.kadence-column40_3b4fa4-18 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kt-row-column-wrap.kt-mobile-layout-three-grid > .kadence-column40_3b4fa4-18, .kt-row-column-wrap.kt-mobile-layout-two-grid > .kadence-column40_3b4fa4-18, .kt-row-column-wrap.kt-mobile-layout-row > .kadence-column40_3b4fa4-18{order:1 !important;}.kadence-column40_3b4fa4-18 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column40_3b4fa4-18\"><div class=\"kt-inside-inner-col\">\n<figure class=\"wp-block-image is-resized\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-vieillard-turban.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" width=\"234\" height=\"293\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-vieillard-turban.jpg\" alt=\"catalogue-Niepce-vieillard-turban\" class=\"wp-image-622\" style=\"width:140px\"\/><\/a><\/figure>\n<\/div><\/div>\n\n<\/div><\/div>\n\n\n<h3 class=\"wp-block-heading\"><strong>3<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : Le Cardinal d&rsquo;Amboise (1826)<br>Inscription au dos \u201cobtenue par Joseph-Nic\u00e9phore Ni\u00e9pce en 1824\u201d (erreur au lieu de 1826)<br><strong>Type<\/strong> :&nbsp;&nbsp; &nbsp;Reproduction d&rsquo;un dessin par contact.<br><strong>Support<\/strong> : Etain<br><strong>Technique<\/strong> : Gravure \u00e0 l&rsquo;acide<br><strong>Dimensions<\/strong> : Image 16,6 x 13,6 cm. Plaque 17,9&#215;14,1 cm.<br><strong>Lieu<\/strong> : Mus\u00e9e Ni\u00e9pce. LAC 984 N\u00b06<br><strong>Provenance<\/strong> : Don d&rsquo;Isidore Ni\u00e9pce (vers 1864).<br><strong>Bibliographie<\/strong> :&nbsp;&nbsp; &nbsp;BSFPf(294n\u00b07) ; BSFPi(299) ; GPa(158n\u00b06,107) ; LAC(984n\u00b06); CBN(76B) ; PJa(81) ; PJb(143).<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>4<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : Le Cardinal d&rsquo;Amboise (1826)<br><strong>Type<\/strong> :&nbsp;&nbsp; &nbsp;Reproduction d&rsquo;un dessin par contact.<br><strong>Support<\/strong> : Etain<br><strong>Technique<\/strong> : Gravure \u00e0 l&rsquo;acide<br><strong>Dimensions<\/strong> : Image 16,6 x 13 cm. Plaque 19,8 x 13,2 cm<br><strong>Lieu<\/strong> : Mus\u00e9e Ni\u00e9pce. LAC 985 N\u00b07<br><strong>Provenance<\/strong> : (vers 1864) don d\u2019Isidore Ni\u00e9pce<br><strong>Bibliographie<\/strong> :&nbsp;&nbsp; &nbsp;BSFPf(294) ; GPa(158) ; LAC(985n\u00b07) ; CBN(76c) ; PJa(41).<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>5<\/strong><\/h3>\n\n\n<style>.kb-row-layout-id40_93bb7e-69 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id40_93bb7e-69 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id40_93bb7e-69 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);grid-template-columns:minmax(0, calc(75% - ((var(--global-kb-gap-md, 2rem) * 1 )\/2)))minmax(0, calc(25% - ((var(--global-kb-gap-md, 2rem) * 1 )\/2)));}.kb-row-layout-id40_93bb7e-69 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id40_93bb7e-69 > .kt-row-column-wrap{grid-template-columns:minmax(0, 2fr) minmax(0, 1fr);}}@media all and (max-width: 767px){.kb-row-layout-id40_93bb7e-69 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id40_93bb7e-69 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-left-golden kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column40_149c56-b4 > .kt-inside-inner-col,.kadence-column40_149c56-b4 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column40_149c56-b4 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column40_149c56-b4 > .kt-inside-inner-col{flex-direction:column;}.kadence-column40_149c56-b4 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column40_149c56-b4 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column40_149c56-b4{position:relative;}@media all and (max-width: 1024px){.kt-row-column-wrap.kt-tab-layout-three-grid > .kadence-column40_149c56-b4, .kt-row-column-wrap.kt-tab-layout-two-grid > .kadence-column40_149c56-b4, .kt-row-column-wrap.kt-tab-layout-row > .kadence-column40_149c56-b4{order:2;}}@media all and (max-width: 1024px){.kadence-column40_149c56-b4 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kt-row-column-wrap.kt-mobile-layout-three-grid > .kadence-column40_149c56-b4, .kt-row-column-wrap.kt-mobile-layout-two-grid > .kadence-column40_149c56-b4, .kt-row-column-wrap.kt-mobile-layout-row > .kadence-column40_149c56-b4{order:2 !important;}.kadence-column40_149c56-b4 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column40_149c56-b4\"><div class=\"kt-inside-inner-col\">\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : Le Cardinal d&rsquo;Amboise (1826)<br><strong>Type<\/strong> :&nbsp;&nbsp; &nbsp;Reproduction d&rsquo;un dessin par contact.<br><strong>Support<\/strong> : Etain<br><strong>Technique<\/strong> : Gravure \u00e0 l&rsquo;acide<br><strong>Dimensions<\/strong> : image 16,6 x 13,1 cm. plaque 18 x 13,9 cm.<br><strong>Lieu<\/strong> : Royal Photographic Society (Bath)<br><strong>Provenance<\/strong> : Don de M. R. W. Robinson (1924) \u00e0 la R.P. S.<br><strong>Bibliographie<\/strong> :&nbsp;&nbsp; &nbsp;RH(30) ; JCC(201) ; CBN(76g) ; PJb(143).<\/p>\n<\/div><\/div>\n\n\n<style>.kadence-column40_5033dd-90 > .kt-inside-inner-col,.kadence-column40_5033dd-90 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column40_5033dd-90 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column40_5033dd-90 > .kt-inside-inner-col{flex-direction:column;}.kadence-column40_5033dd-90 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column40_5033dd-90 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column40_5033dd-90{position:relative;}@media all and (max-width: 1024px){.kt-row-column-wrap.kt-tab-layout-three-grid > .kadence-column40_5033dd-90, .kt-row-column-wrap.kt-tab-layout-two-grid > .kadence-column40_5033dd-90, .kt-row-column-wrap.kt-tab-layout-row > .kadence-column40_5033dd-90{order:1;}}@media all and (max-width: 1024px){.kadence-column40_5033dd-90 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kt-row-column-wrap.kt-mobile-layout-three-grid > .kadence-column40_5033dd-90, .kt-row-column-wrap.kt-mobile-layout-two-grid > .kadence-column40_5033dd-90, .kt-row-column-wrap.kt-mobile-layout-row > .kadence-column40_5033dd-90{order:1 !important;}.kadence-column40_5033dd-90 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column40_5033dd-90\"><div class=\"kt-inside-inner-col\">\n<figure class=\"wp-block-image size-medium is-resized\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-cardinal-Amboise.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" width=\"233\" height=\"300\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-cardinal-Amboise-233x300.jpg\" alt=\"Oeuvre de Nic\u00e9phore Ni\u00e9pce\" class=\"wp-image-625\" style=\"width:140px\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-cardinal-Amboise-233x300.jpg 233w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-cardinal-Amboise.jpg 521w\" sizes=\"auto, (max-width: 233px) 100vw, 233px\" \/><\/a><\/figure>\n<\/div><\/div>\n\n<\/div><\/div>\n\n\n<h3 class=\"wp-block-heading\"><strong>6<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : La Sainte Famille (1826-1827). Inscription au verso: \u201cgravure h\u00e9liographique par Monsieur N. Ni\u00e9pce l&rsquo;auteur \u00e0 M. Daguerre\u201d<br><strong>Type<\/strong> :&nbsp;&nbsp; &nbsp;Reproduction d&rsquo;un dessin par contact.<br><strong>Support<\/strong> : Etain<br><strong>Technique<\/strong> : Gravure \u00e0 l&rsquo;acide<br><strong>Dimensions<\/strong> : image 22,5 x 18,5 cm. plaque enti\u00e8re 26,7 x 19,9 cm<br><strong>Lieu<\/strong> : Soci\u00e9t\u00e9 Fran\u00e7aise de Photographie<br><strong>Provenance<\/strong> : Don de M. Forest ( 1875)<br><strong>Bibliographie<\/strong> :&nbsp;&nbsp; &nbsp;BSFPe(117) ; BSFPj(59) ; GPa(160n\u00b01) ; RL(13) ; CBN(78b) ; PJb(143)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>7<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : La Sainte Famille (1826-1827). (trois trous sur les bords du dessin grav\u00e9 : sup. gauche et droit ; inf. gauche)<br><strong>Type<\/strong> :&nbsp;&nbsp; &nbsp;Reproduction d&rsquo;un dessin par contact.<br><strong>Support<\/strong> : Etain<br><strong>Technique<\/strong> : Gravure \u00e0 l&rsquo;acide<br><strong>Dimensions<\/strong> : image 22,5 x 18,4 cm. plaque 26,6 x 19,7 cm<br><strong>Lieu<\/strong> : Mus\u00e9e Nic\u00e9phore Ni\u00e9pce LAC 986 N\u00b08<br><strong>Bibliographie<\/strong> : BSFPf(292n\u00b012) ; GPa(158n\u00b08) ; LAC(986n\u00b08) ; CBN(78c) ; PJa(35) ; PJb(143)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>8<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : Paysage d&rsquo;apr\u00e8s une gravure de Claude Le Lorrain<br><strong>Type<\/strong> : Reproduction d&rsquo;un dessin par contact.<br><strong>Support<\/strong> : Etain<br><strong>Technique<\/strong> : Gravure \u00e0 l&rsquo;acide<br><strong>Dimensions<\/strong> : image 11,9x 17,8 cm. plaque 14,2 x 20,8 cm.<br><strong>Lieu<\/strong> : Mus\u00e9e Ni\u00e9pce. LA.C. 986 N\u00b09<br><strong>Bibliographie<\/strong> : JC(13n\u00b07) ; BSFPd(294n\u00b016) ; Gpa(158n\u00b09) ; RL(13) ; LAC(986n\u00b09) ; CBN(73b) ; PJa(35) ; PJb(143)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>9<\/strong><\/h3>\n\n\n<style>.kb-row-layout-id40_2aef30-96 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id40_2aef30-96 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id40_2aef30-96 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);grid-template-columns:minmax(0, calc(75% - ((var(--global-kb-gap-md, 2rem) * 1 )\/2)))minmax(0, calc(25% - ((var(--global-kb-gap-md, 2rem) * 1 )\/2)));}.kb-row-layout-id40_2aef30-96 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id40_2aef30-96 > .kt-row-column-wrap{grid-template-columns:minmax(0, 2fr) minmax(0, 1fr);}}@media all and (max-width: 767px){.kb-row-layout-id40_2aef30-96 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id40_2aef30-96 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-left-golden kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column40_b0c663-45 > .kt-inside-inner-col,.kadence-column40_b0c663-45 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column40_b0c663-45 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column40_b0c663-45 > .kt-inside-inner-col{flex-direction:column;}.kadence-column40_b0c663-45 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column40_b0c663-45 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column40_b0c663-45{position:relative;}@media all and (max-width: 1024px){.kt-row-column-wrap.kt-tab-layout-three-grid > .kadence-column40_b0c663-45, .kt-row-column-wrap.kt-tab-layout-two-grid > .kadence-column40_b0c663-45, .kt-row-column-wrap.kt-tab-layout-row > .kadence-column40_b0c663-45{order:2;}}@media all and (max-width: 1024px){.kadence-column40_b0c663-45 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kt-row-column-wrap.kt-mobile-layout-three-grid > .kadence-column40_b0c663-45, .kt-row-column-wrap.kt-mobile-layout-two-grid > .kadence-column40_b0c663-45, .kt-row-column-wrap.kt-mobile-layout-row > .kadence-column40_b0c663-45{order:2 !important;}.kadence-column40_b0c663-45 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column40_b0c663-45\"><div class=\"kt-inside-inner-col\">\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : Un homme debout, les cheveux \u00e9bouriff\u00e9s. \u201cLe joueur\u201d gravure de Charlet (1828)<br><strong>Type<\/strong> : Reproduction d&rsquo;un dessin par contact.<br><strong>Support<\/strong> : Etain<br><strong>Technique<\/strong> :&nbsp;&nbsp; &nbsp;Gravure \u00e0 l&rsquo;acide<br><strong>Dimensions<\/strong> : image 15,2 x 10,6 cm. plaque 20,5 x 13,8 cm<br><strong>Lieu<\/strong> : Soci\u00e9t\u00e9 Fran\u00e7aise de Photo-graphie.<br><strong>Provenance<\/strong> : Don Eug\u00e8ne Ni\u00e9pce (2 mai 1890)<br><strong>Bibliographie<\/strong> : BSFPg(148) ; BSFPj(59) ; GPa(160n\u00b02) ; CBN(81a).<\/p>\n<\/div><\/div>\n\n\n<style>.kadence-column40_98c31f-3f > .kt-inside-inner-col,.kadence-column40_98c31f-3f > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column40_98c31f-3f > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column40_98c31f-3f > .kt-inside-inner-col{flex-direction:column;}.kadence-column40_98c31f-3f > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column40_98c31f-3f > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column40_98c31f-3f{position:relative;}@media all and (max-width: 1024px){.kt-row-column-wrap.kt-tab-layout-three-grid > .kadence-column40_98c31f-3f, .kt-row-column-wrap.kt-tab-layout-two-grid > .kadence-column40_98c31f-3f, .kt-row-column-wrap.kt-tab-layout-row > .kadence-column40_98c31f-3f{order:1;}}@media all and (max-width: 1024px){.kadence-column40_98c31f-3f > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kt-row-column-wrap.kt-mobile-layout-three-grid > .kadence-column40_98c31f-3f, .kt-row-column-wrap.kt-mobile-layout-two-grid > .kadence-column40_98c31f-3f, .kt-row-column-wrap.kt-mobile-layout-row > .kadence-column40_98c31f-3f{order:1 !important;}.kadence-column40_98c31f-3f > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column40_98c31f-3f\"><div class=\"kt-inside-inner-col\">\n<figure class=\"wp-block-image size-medium is-resized\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-joueur-Charlet.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" width=\"212\" height=\"300\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-joueur-Charlet-212x300.jpg\" alt=\"Un homme debout, les cheveux \u00e9bouriff\u00e9s. \u201cLe joueur\u201d gravure de Charlet (1828).\" class=\"wp-image-627\" style=\"width:140px\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-joueur-Charlet-212x300.jpg 212w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-joueur-Charlet.jpg 473w\" sizes=\"auto, (max-width: 212px) 100vw, 212px\" \/><\/a><\/figure>\n<\/div><\/div>\n\n<\/div><\/div>\n\n\n<h3 class=\"wp-block-heading\"><strong>10<\/strong><\/h3>\n\n\n<style>.kb-row-layout-id40_5abb9e-09 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id40_5abb9e-09 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id40_5abb9e-09 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);grid-template-columns:minmax(0, calc(70% - ((var(--global-kb-gap-md, 2rem) * 1 )\/2)))minmax(0, calc(30% - ((var(--global-kb-gap-md, 2rem) * 1 )\/2)));}.kb-row-layout-id40_5abb9e-09 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id40_5abb9e-09 > .kt-row-column-wrap{grid-template-columns:minmax(0, 2fr) minmax(0, 1fr);}}@media all and (max-width: 767px){.kb-row-layout-id40_5abb9e-09 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id40_5abb9e-09 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-left-golden kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column40_ab3d73-97 > .kt-inside-inner-col,.kadence-column40_ab3d73-97 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column40_ab3d73-97 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column40_ab3d73-97 > .kt-inside-inner-col{flex-direction:column;}.kadence-column40_ab3d73-97 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column40_ab3d73-97 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column40_ab3d73-97{position:relative;}@media all and (max-width: 1024px){.kt-row-column-wrap.kt-tab-layout-three-grid > .kadence-column40_ab3d73-97, .kt-row-column-wrap.kt-tab-layout-two-grid > .kadence-column40_ab3d73-97, .kt-row-column-wrap.kt-tab-layout-row > .kadence-column40_ab3d73-97{order:2;}}@media all and (max-width: 1024px){.kadence-column40_ab3d73-97 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kt-row-column-wrap.kt-mobile-layout-three-grid > .kadence-column40_ab3d73-97, .kt-row-column-wrap.kt-mobile-layout-two-grid > .kadence-column40_ab3d73-97, .kt-row-column-wrap.kt-mobile-layout-row > .kadence-column40_ab3d73-97{order:2 !important;}.kadence-column40_ab3d73-97 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column40_ab3d73-97\"><div class=\"kt-inside-inner-col\">\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : Ruines d\u2019une abbaye. Inscriptions: sur le cadre de Ni\u00e9pce: \u201cH\u00e9liograph from a print by Ni\u00e9pce in 1827\u201d. Au dos du cadre: 1. \u201cH\u00e9liographie. Les premiers r\u00e9sultats obtenus spontan\u00e9ment par l&rsquo;action de la lumi\u00e8re Par Monsieur Ni\u00e9pse (sic) de Chalon-sur-Saone\u201d ; 2. Une \u00e9tiquette avec l&rsquo;inscription de la main de Francis Bauer: \u201cfrom a print about 21\/2 feet long F. Bauer Kew Green\u201d<br><strong>Type<\/strong> : Reproduction d&rsquo;un dessin par contact.<br><strong>Support<\/strong> : Etain<br><strong>Technique<\/strong> : Gravure \u00e0 l&rsquo;acide<br><strong>Dimensions<\/strong> : image 10,3 x 13,4 cm. plaque 14 x 16,5 cm environ<br><strong>Lieu<\/strong> : Royal Photographic Soclety (Bath)<br><strong>Provenance<\/strong> : Don de R. W. Robinson en 1924<br><strong>Bibliographie<\/strong> : RH(29n\u00b01) ; PJ(231) ; JCC(201) ; CBN(77)<\/p>\n<\/div><\/div>\n\n\n<style>.kadence-column40_6851c9-c4 > .kt-inside-inner-col,.kadence-column40_6851c9-c4 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column40_6851c9-c4 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column40_6851c9-c4 > .kt-inside-inner-col{flex-direction:column;}.kadence-column40_6851c9-c4 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column40_6851c9-c4 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column40_6851c9-c4{position:relative;}@media all and (max-width: 1024px){.kt-row-column-wrap.kt-tab-layout-three-grid > .kadence-column40_6851c9-c4, .kt-row-column-wrap.kt-tab-layout-two-grid > .kadence-column40_6851c9-c4, .kt-row-column-wrap.kt-tab-layout-row > .kadence-column40_6851c9-c4{order:1;}}@media all and (max-width: 1024px){.kadence-column40_6851c9-c4 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kt-row-column-wrap.kt-mobile-layout-three-grid > .kadence-column40_6851c9-c4, .kt-row-column-wrap.kt-mobile-layout-two-grid > .kadence-column40_6851c9-c4, .kt-row-column-wrap.kt-mobile-layout-row > .kadence-column40_6851c9-c4{order:1 !important;}.kadence-column40_6851c9-c4 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column40_6851c9-c4\"><div class=\"kt-inside-inner-col\">\n<figure class=\"wp-block-image size-medium is-resized\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-ruines-abbaye.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"235\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-ruines-abbaye-300x235.jpg\" alt=\"Oeuvre de Nic\u00e9phore Ni\u00e9pce- Ruines d\u2019une abbaye Inscriptions: sur le cadre de Ni\u00e9pce: \u201cH\u00e9liograph from a print by Ni\u00e9pce in 1827\u201d. Au dos du cadre: 1. \u201cH\u00e9liographie. Les premiers r\u00e9sultats obtenus spontan\u00e9ment par l'action de la lumi\u00e8re Par Monsieur Ni\u00e9pse (sic) de Chalon-sur-Saone\u201d ; 2. Une \u00e9tiquette avec l'inscription de la main de Francis Bauer: \u201cfrom a print about 21\/2 feet long F. Bauer Kew Green\u201d. Reproduction d'un dessin par contact.\" class=\"wp-image-628\" style=\"width:200px\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-ruines-abbaye-300x235.jpg 300w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-ruines-abbaye-600x469.jpg 600w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-ruines-abbaye-580x454.jpg 580w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-ruines-abbaye.jpg 670w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/figure>\n<\/div><\/div>\n\n<\/div><\/div>\n\n\n<h3 class=\"wp-block-heading\"><strong>11<\/strong><\/h3>\n\n\n<style>.kb-row-layout-id40_03fb11-ba > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id40_03fb11-ba > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id40_03fb11-ba > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);grid-template-columns:minmax(0, calc(75% - ((var(--global-kb-gap-md, 2rem) * 1 )\/2)))minmax(0, calc(25% - ((var(--global-kb-gap-md, 2rem) * 1 )\/2)));}.kb-row-layout-id40_03fb11-ba > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id40_03fb11-ba > .kt-row-column-wrap{grid-template-columns:minmax(0, 2fr) minmax(0, 1fr);}}@media all and (max-width: 767px){.kb-row-layout-id40_03fb11-ba > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id40_03fb11-ba alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-left-golden kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column40_2a17b6-9d > .kt-inside-inner-col,.kadence-column40_2a17b6-9d > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column40_2a17b6-9d > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column40_2a17b6-9d > .kt-inside-inner-col{flex-direction:column;}.kadence-column40_2a17b6-9d > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column40_2a17b6-9d > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column40_2a17b6-9d{position:relative;}@media all and (max-width: 1024px){.kt-row-column-wrap.kt-tab-layout-three-grid > .kadence-column40_2a17b6-9d, .kt-row-column-wrap.kt-tab-layout-two-grid > .kadence-column40_2a17b6-9d, .kt-row-column-wrap.kt-tab-layout-row > .kadence-column40_2a17b6-9d{order:2;}}@media all and (max-width: 1024px){.kadence-column40_2a17b6-9d > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kt-row-column-wrap.kt-mobile-layout-three-grid > .kadence-column40_2a17b6-9d, .kt-row-column-wrap.kt-mobile-layout-two-grid > .kadence-column40_2a17b6-9d, .kt-row-column-wrap.kt-mobile-layout-row > .kadence-column40_2a17b6-9d{order:2 !important;}.kadence-column40_2a17b6-9d > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column40_2a17b6-9d\"><div class=\"kt-inside-inner-col\">\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : Le Christ portant sa croix (vers 1827 ?)<br><strong>Type<\/strong> : Reproduction d&rsquo;un dessin par contact.<br><strong>Support<\/strong> : Etain<br><strong>Technique<\/strong> : Gravure \u00e0 l\u2019acide<br><strong>Dimensions<\/strong> : Dessin 11,3 x 8,3 cm. Plaque enti\u00e8re 19,8 x 13,3 cm.<br><strong>Lieu<\/strong> : Royal Photographic Society n\u00b0 15 428.<br><strong>Provenance<\/strong> : Don de Ralph W. Robinson (1924)<br><strong>Bibliographie<\/strong> : RH(30n\u00b03) ; JCC(201) ; CBN(75b) ; NN.<\/p>\n<\/div><\/div>\n\n\n<style>.kadence-column40_1d48cc-ac > .kt-inside-inner-col,.kadence-column40_1d48cc-ac > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column40_1d48cc-ac > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column40_1d48cc-ac > .kt-inside-inner-col{flex-direction:column;}.kadence-column40_1d48cc-ac > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column40_1d48cc-ac > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column40_1d48cc-ac{position:relative;}@media all and (max-width: 1024px){.kt-row-column-wrap.kt-tab-layout-three-grid > .kadence-column40_1d48cc-ac, .kt-row-column-wrap.kt-tab-layout-two-grid > .kadence-column40_1d48cc-ac, .kt-row-column-wrap.kt-tab-layout-row > .kadence-column40_1d48cc-ac{order:1;}}@media all and (max-width: 1024px){.kadence-column40_1d48cc-ac > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kt-row-column-wrap.kt-mobile-layout-three-grid > .kadence-column40_1d48cc-ac, .kt-row-column-wrap.kt-mobile-layout-two-grid > .kadence-column40_1d48cc-ac, .kt-row-column-wrap.kt-mobile-layout-row > .kadence-column40_1d48cc-ac{order:1 !important;}.kadence-column40_1d48cc-ac > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column40_1d48cc-ac\"><div class=\"kt-inside-inner-col\">\n<figure class=\"wp-block-image is-resized\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-Christ-portant-croix.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" width=\"448\" height=\"670\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-Christ-portant-croix.jpg\" alt=\"Oeuvre de Nic\u00e9phore Ni\u00e9pce - Le Christ portant sa croix (vers 1827 ?) - Reproduction d'un dessin par contact.\" class=\"wp-image-626\" style=\"width:140px\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-Christ-portant-croix.jpg 448w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-Christ-portant-croix-201x300.jpg 201w\" sizes=\"auto, (max-width: 448px) 100vw, 448px\" \/><\/a><\/figure>\n<\/div><\/div>\n\n<\/div><\/div>\n\n\n<h3 class=\"wp-block-heading\"><strong>12<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : Un moine accompagne un jeune homme ; ils s&rsquo;\u00e9loignent d&rsquo;une maison, une femme joint les mains (mai 1829 selon Isidore Ni\u00e9pce et sa femme)<br><strong>Type<\/strong> : Reproduction d\u2019un dessin par contact<br><strong>Support<\/strong> : Cuivre argent\u00e9.<br><strong>Technique<\/strong> : ?<br><strong>Dimensions<\/strong> : Dessin : 6 x 4,5 cm, Plaque : 8,1 x 6,7 cm.<br><strong>Lieu<\/strong> : Coll. Mus\u00e9e Denon (1950) LAC 979 N\u00b01\u2014&gt; Mus\u00e9e Ni\u00e9pce en 2000.<br><strong>Provenance<\/strong> : Don de M. Grozellier, propri\u00e9taire \u00e0 Lux, en 1874.<br><strong>Bibliographie<\/strong> : BSFPf(293n\u00b02) ; GPa(157n\u00b01) ; LAC(979n\u00b01) ; CBN(80) ; PJa(35) ; PJb) ; PM..<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>13<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : Un Grec et une Grecque<br><strong>Type<\/strong> : Reproduction d\u2019une lithographie (selon Armant-Caillat)<br><strong>Support<\/strong> : Cuivre argent\u00e9 (\u00e9preuve au miroitage prononc\u00e9. CBN)<br><strong>Technique<\/strong> : ?<br><strong>Dimensions<\/strong> : Dessin : 9 x 7 cm, Plaque : 10 x 15,2 cm<br><strong>Lieu<\/strong> : Coll. Mus\u00e9e Denon (1950) LAC 980 N\u00b02\u2014&gt; Mus\u00e9e Ni\u00e9pce en 2000.<br><strong>Provenance<\/strong> : Don Isidore Ni\u00e9pce<br><strong>Bibliographie<\/strong> : JC(13n\u00b08) ; BSFPf(293n\u00b03) ; GPa(157n\u00b02) ; LAC(980n\u00b02) ; CBN(79) ; PJb(143) ; PM.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>14<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : Paysage avec figure\u2014forme ronde.<br><strong>Type<\/strong> : Reproduction d&rsquo;un dessin par contact<br><strong>Support<\/strong> : ?<br><strong>Technique<\/strong> : ?<br><strong>Dimensions<\/strong> : Dessin : \u00d8= 12 cm, Plaque : 19,2 x 15,2 cm.<br><strong>Lieu<\/strong> : Coll. Mus\u00e9e Denon (1950) LAC 982 N\u00b04 &gt; Mus\u00e9e Ni\u00e9pce en 2000<br><strong>Provenance<\/strong> : Don d&rsquo;lsidore Ni\u00e9pce<br><strong>Bibliographie<\/strong> : BSFPf(294n\u00b05) ; GPa(158n\u00b04) ; LAC(982) ; PJa(35) ; PM.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>15<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : Le Christ portant sa croix (1826 ) Inscription grav\u00e9e au dos de la plaque : \u201cDessin h\u00e9liographique invent\u00e9 par M. J.N Ni\u00e9pce, 1825. Don de M. Isidore Ni\u00e9pce\u201d<br><strong>Type<\/strong> : Reproduction d&rsquo;un dessin par contact.<br><strong>Support<\/strong> : \u00e9tain ou zinc<br><strong>Technique<\/strong> : ?<br><strong>Dimensions<\/strong> : Dessin : 12 x 8 cm, Plaque : 16,1 x 13,6 cm.<br><strong>Lieu<\/strong> : Coll. Mus\u00e9e Denon (1950) LAC 981 N\u00b03 &gt; Mus\u00e9e Ni\u00e9pce en 2000.<br><strong>Provenance<\/strong> : Donn\u00e9 par Nic\u00e9phore Ni\u00e9pce \u00e0 Mr de Champmartin beau-p\u00e8re d\u2019Isidore. A la mort de son beau-p\u00e8re, Isidore en h\u00e9rita et en fit don au Mus\u00e9e Denon \u00e0 la demande de son conservateur vers 1864.<br><strong>Bibliographie<\/strong> : EC (79), JC(13n\u00b07) ; VF((246-1) ; BSFPf(293n\u00b04) ; GPa(158n\u00b03) ; LAC(981n\u00b03) ; CBN575a) ; PJa(35) ; PJb(143) ; PM.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>16<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : Paysage (1823 selon LAC)<br><strong>Type<\/strong> : Reproduction d&rsquo;un dessin par contact<br><strong>Support<\/strong> : ?<br><strong>Technique<\/strong> : ?<br><strong>Dimensions<\/strong> : Dessin : 6 x 7 cm, Plaque : 8,1 x 8,1 cm.<br><strong>Lieu<\/strong> : Coll. Mus\u00e9e Denon (1950) LAC 983 N\u00b05 &gt; Mus\u00e9e Ni\u00e9pce en 2000.<br><strong>Provenance<\/strong> :<br><strong>Bibliographie<\/strong> : EC (79), BSFPf(294n\u00b06) ; GPa(158n\u00b04) ; LAC(983) ; PJa(35) ) ; PM.<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-kadence-pane kt-accordion-pane kt-accordion-pane-11 kt-pane40_553467-93\"><h2 class=\"kt-accordion-header-wrap\"><button class=\"kt-blocks-accordion-header kt-acccordion-button-label-show\" type=\"button\"><span class=\"kt-blocks-accordion-title-wrap\"><span class=\"kt-blocks-accordion-title\">\u00c9preuves recens\u00e9es dans des collections, mais aujourd\u2032hui disparues<\/span><\/span><span class=\"kt-blocks-accordion-icon-trigger\"><\/span><\/button><\/h2><div class=\"kt-accordion-panel kt-accordion-panel-hidden\"><div class=\"kt-accordion-panel-inner\">\n<h3 class=\"wp-block-heading\"><strong>17<\/strong><\/h3>\n\n\n<style>.kb-row-layout-id40_0c2366-db > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id40_0c2366-db > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id40_0c2366-db > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);grid-template-columns:minmax(0, calc(60% - ((var(--global-kb-gap-md, 2rem) * 1 )\/2)))minmax(0, calc(40% - ((var(--global-kb-gap-md, 2rem) * 1 )\/2)));}.kb-row-layout-id40_0c2366-db > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id40_0c2366-db > .kt-row-column-wrap{grid-template-columns:minmax(0, 2fr) minmax(0, 1fr);}}@media all and (max-width: 767px){.kb-row-layout-id40_0c2366-db > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id40_0c2366-db alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-left-golden kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column40_f74ec6-0a > .kt-inside-inner-col,.kadence-column40_f74ec6-0a > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column40_f74ec6-0a > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column40_f74ec6-0a > .kt-inside-inner-col{flex-direction:column;}.kadence-column40_f74ec6-0a > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column40_f74ec6-0a > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column40_f74ec6-0a{position:relative;}@media all and (max-width: 1024px){.kt-row-column-wrap.kt-tab-layout-three-grid > .kadence-column40_f74ec6-0a, .kt-row-column-wrap.kt-tab-layout-two-grid > .kadence-column40_f74ec6-0a, .kt-row-column-wrap.kt-tab-layout-row > .kadence-column40_f74ec6-0a{order:2;}}@media all and (max-width: 1024px){.kadence-column40_f74ec6-0a > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kt-row-column-wrap.kt-mobile-layout-three-grid > .kadence-column40_f74ec6-0a, .kt-row-column-wrap.kt-mobile-layout-two-grid > .kadence-column40_f74ec6-0a, .kt-row-column-wrap.kt-mobile-layout-row > .kadence-column40_f74ec6-0a{order:2 !important;}.kadence-column40_f74ec6-0a > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column40_f74ec6-0a\"><div class=\"kt-inside-inner-col\">\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : La table servie (nature morte) 1823-1825 selon A. Davanne et Eug\u00e8ne Ni\u00e9pce, petit-fils de N. Ni\u00e9pce. 1832 selon J. L. Marignier<br><strong>Type<\/strong> : Nature morte \u00e0 la chambre obscure<br><strong>Support<\/strong> : verre<br><strong>Technique<\/strong> : Physautotype (selon J.L. Marignier)<br><strong>Dimensions<\/strong> : 7 x 11,7 cm (selon J.L. Marignier)<br><strong>Lieu<\/strong> : Cette plaque a disparu des collections de la SFP au d\u00e9but du XXe si\u00e8cle<br><strong>Provenance<\/strong> : Don d&rsquo;Eug\u00e8ne Ni\u00e9pce \u00e0 A. Davanne qui l&rsquo;offrit \u00e0 la SFP le 25 novembre 1891<br><strong>Bibliographie<\/strong> : BSFPg(146),; BSFPh(423) ; AD ; BSFPj(59) ; GPa(161); PJa(31) ; PJb(23,143) ; BL ; JLM.<\/p>\n<\/div><\/div>\n\n\n<style>.kadence-column40_d6d606-eb > .kt-inside-inner-col,.kadence-column40_d6d606-eb > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column40_d6d606-eb > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column40_d6d606-eb > .kt-inside-inner-col{flex-direction:column;}.kadence-column40_d6d606-eb > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column40_d6d606-eb > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column40_d6d606-eb{position:relative;}@media all and (max-width: 1024px){.kt-row-column-wrap.kt-tab-layout-three-grid > .kadence-column40_d6d606-eb, .kt-row-column-wrap.kt-tab-layout-two-grid > .kadence-column40_d6d606-eb, .kt-row-column-wrap.kt-tab-layout-row > .kadence-column40_d6d606-eb{order:1;}}@media all and (max-width: 1024px){.kadence-column40_d6d606-eb > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kt-row-column-wrap.kt-mobile-layout-three-grid > .kadence-column40_d6d606-eb, .kt-row-column-wrap.kt-mobile-layout-two-grid > .kadence-column40_d6d606-eb, .kt-row-column-wrap.kt-mobile-layout-row > .kadence-column40_d6d606-eb{order:1 !important;}.kadence-column40_d6d606-eb > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column40_d6d606-eb\"><div class=\"kt-inside-inner-col\">\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-table-servie.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"670\" height=\"403\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-table-servie.jpg\" alt=\"La table servie (nature morte) 1823-1825 selon A. Davanne et Eug\u00e8ne Ni\u00e9pce, petit-fils de N. Ni\u00e9pce. 1832 selon J. L. Marignier\" class=\"wp-image-632\" style=\"object-fit:cover\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-table-servie.jpg 670w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-table-servie-300x180.jpg 300w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-table-servie-600x361.jpg 600w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-table-servie-580x349.jpg 580w\" sizes=\"auto, (max-width: 670px) 100vw, 670px\" \/><\/a><\/figure>\n<\/div><\/div>\n\n<\/div><\/div>\n\n\n<h3 class=\"wp-block-heading\"><strong>18<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : Le Cardinal d&rsquo;Amboise (1826)<br><strong>Type<\/strong> : Reproduction d&rsquo;un dessin par contact.<br><strong>Support<\/strong> : Etain ?<br><strong>Technique<\/strong> : Gravure \u00e0 l&rsquo;acide<br><strong>Dimensions<\/strong> : Dimensions inconnues<br><strong>Lieu<\/strong> : Aujourd&rsquo;hui disparue.<br><strong>Provenance<\/strong> : Coll. F. Lema\u00eetre (?). Les articles publi\u00e9s dans les trois bulletins de la Soci\u00e9t\u00e9 Fran\u00e7aise de Photographie mentionnent une gravure repr\u00e9sentant le Cardinal d&rsquo;Amboise (\u201cune gravure sur \u00e9tain\u201d Bulletin de 1856), Cette plaque n&rsquo;est r\u00e9f\u00e9renc\u00e9e dans aucune collection.<br><strong>Bibliographie<\/strong> : BSFPb(185) ; BSFPa(41) ; BSFPc(252) ; CSFP(1) ; CBN(75b).<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>19<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : Paysage d&rsquo;apr\u00e8s une gravure de Claude Le Lorrain (vers 1826).<br><strong>Type<\/strong> : Reproduction d&rsquo;un dessin par contact.<br><strong>Support<\/strong> : ?<br><strong>Technique<\/strong> : ?<br><strong>Dimensions<\/strong> : ?<br><strong>Lieu<\/strong> : Aujourd&rsquo;hui disparue.<br><strong>Provenance<\/strong> : Coll. particuli\u00e8re Joseph Ellis de Brighton en 1862<br><strong>Bibliographie<\/strong> : RH(30n\u00b05) ; PN(336) ; GPa(162) ; CBN573b)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>20<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : Le Christ portant sa croix (sans date).<br><strong>Type<\/strong> : Reproduction d&rsquo;un dessin par contact.<br><strong>Support<\/strong> : ?<br><strong>Technique<\/strong> : ?<br><strong>Dimensio<\/strong>ns : Dimensions inconnues<br><strong>Lieu<\/strong> : Aujourd&rsquo;hui disparue<br><strong>Provenance<\/strong> : Coll. Laguiche.<br><strong>Bibliographie<\/strong> : CRAS(207) ; GPa(162).<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>21<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : Le Christ portant sa croix (sans date)<br><strong>Type<\/strong> :&nbsp;&nbsp; &nbsp;Reproduction d&rsquo;un dessin par contact.<br><strong>Support<\/strong> : ?<br><strong>Technique<\/strong> : ?<br><strong>Dimensions<\/strong> : Dimensions inconnues.<br><strong>Lieu<\/strong> : Aujourd&rsquo;hui disparue.<br><strong>Provenance<\/strong> : Charles Chevalier &gt; Arago &gt; Acad\u00e9mie des Sciences &gt; Archives de l&rsquo;institut en 1839.<br><strong>Bibliographie<\/strong> : AC(20) ; GPa(161)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>22<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : Jeune fille filant sa quenouille<br><strong>Type<\/strong> : Reproduction d&rsquo;un dessin par contact.<br><strong>Support<\/strong> : Probablement \u00e9tain<br><strong>Technique<\/strong> : Gravure \u00e0 l\u2019acide<br><strong>Dimensions<\/strong> : ?<br><strong>Lieu<\/strong> : Aujourd\u2019hui disparue<br><strong>Provenance<\/strong> : Colonel David Niepce,<br><strong>Bibliographie<\/strong> : VF(118) ; EC (80) ; GPb(37)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2022 Selon le journal La Lumi\u00e8re du 28 mai 1853, E. Chevreul d\u00e9posa sur le bureau de l\u2019Acad\u00e9mie des Sciences le 23 mai pr\u00e9c\u00e9dent, \u201c les deux planches grav\u00e9es sur \u00e9tain par Nic\u00e9phore Ni\u00e9pce envoy\u00e9es par le c\u00e9l\u00e8bre inventeur \u201cde Chalon-sur-Sa\u00f4ne, le 2 f\u00e9vrier 1827\u201d, imprim\u00e9es depuis par M . Lemaitre [\u2026]\u201d. Ce jour l\u00e0 Ni\u00e9pce avait envoy\u00e9 cinq planches d\u2019\u00e9tain au graveur parisien. Il expliquait : \u201cLa plus grande de ces cinq planches, est la copie d&rsquo;une gravure repr\u00e9sentant la Vierge, l&rsquo;enfant J\u00e9sus et St. Joseph. Les 4 autres, plus petites, sont une double copie d&rsquo;un portrait et d&rsquo;un paysage.\u201d Le portrait \u00e9tait celui du Cardinal d\u2019Amboise. Ces cinq planches lui furent retourn\u00e9es par Lemaitre d\u00e8s le 5 mars. Comment deux de ces plaques se retrouv\u00e8rent-elles entre les mains de Chevreul? Que sont-elles devenues?<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-kadence-pane kt-accordion-pane kt-accordion-pane-12 kt-pane40_5d6dde-a1\"><h2 class=\"kt-accordion-header-wrap\"><button class=\"kt-blocks-accordion-header kt-acccordion-button-label-show\" type=\"button\"><span class=\"kt-blocks-accordion-title-wrap\"><span class=\"kt-blocks-accordion-title\">Gravures rendues translucides au moyen d\u2032un vernis<\/span><\/span><span class=\"kt-blocks-accordion-icon-trigger\"><\/span><\/button><\/h2><div class=\"kt-accordion-panel kt-accordion-panel-hidden\"><div class=\"kt-accordion-panel-inner\">\n<h3 class=\"wp-block-heading\"><strong>23<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : Le Cardinal d&rsquo;Amboise<br><strong>Dimensions<\/strong> : 16,8 x 13,5 cm<br><strong>Lieu<\/strong> : Coll. Mus\u00e9e Ni\u00e9pce LAC N\u00b0989<br><strong>Provenance<\/strong> : Don d&rsquo;Isidore Ni\u00e9pce<br><strong>Bibliographie<\/strong> : JC(12n\u00b05) ; BSFPf(294n\u00b09) ; GPa(159n\u00b02); LAC(989) ; CBN(76a) ; PJa(41).<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>24<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : Paysage d&rsquo;apr\u00e8s Claude Le Lorrain<br><strong>Dimensions<\/strong> : 12 x 16,5 cm<br><strong>Lieu<\/strong> : Coll. Janine Niepce &#8211; Paris<br><strong>Provenance<\/strong> : ?<br><strong>Bibliographie<\/strong> : BSFPj(60) ; CBN(74).<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>25<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : Un groupe de trois personnes devant une rivi\u00e8re travers\u00e9e par un pont et une passerelle<br><strong>Dimensions<\/strong> : 9,5 x 16,5 cm<br><strong>Lieu<\/strong> : Coll. Janine Niepce &#8211; Paris<br><strong>Provenance<\/strong> : ?<br><strong>Bibliographie<\/strong> : BSFPj(60) ; CBN(74).<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>26<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : Un Clair de Lune<br><strong>Dimensions<\/strong> : 10,3 x 14,4 cm<br><strong>Lieu<\/strong> : Coll. Mus\u00e9e du Cin\u00e9ma &#8211; Paris<br><strong>Provenance<\/strong> : ?<br><strong>R\u00e9f\u00e9rences<\/strong> : Cette gravure ne se trouve dans aucun des catalogues ou recensements de papier vernis ayant appartenu \u00e0 Ni\u00e9pce. Identifi\u00e9e par J.L. Marignier, le 4 avril 1995<br><strong>Bibliographie<\/strong> : JLM.<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-kadence-pane kt-accordion-pane kt-accordion-pane-13 kt-pane40_197095-bb\"><h2 class=\"kt-accordion-header-wrap\"><button class=\"kt-blocks-accordion-header kt-acccordion-button-label-show\" type=\"button\"><span class=\"kt-blocks-accordion-title-wrap\"><span class=\"kt-blocks-accordion-title\">Gravures rendues translucides au moyen d\u2032un vernis, aujourd\u2032hui disparues<\/span><\/span><span class=\"kt-blocks-accordion-icon-trigger\"><\/span><\/button><\/h2><div class=\"kt-accordion-panel kt-accordion-panel-hidden\"><div class=\"kt-accordion-panel-inner\">\n<h3 class=\"wp-block-heading\"><strong>27<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : La Sainte Famille<br><strong>Dimensions<\/strong> : 27 x 20 cm environ<br><strong>Lieu<\/strong> : Coll. Mus\u00e9e Denon (1950) LAC 989<br><strong>Provenance<\/strong> : Don d&rsquo;Isidore Ni\u00e9pce<br><strong>Bibliographie<\/strong> : JC(12n\u00b05) ; BSFPf(294n\u00b019) ; GPa(159n\u00b02) ; LAC(989) ; CBN(78a) ; PJb(75)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>28<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : Un vieillard \u00e0 mi-corps<br><strong>Dimensions<\/strong> : 23 x 16 cm<br><strong>Lieu<\/strong> : Coll. Mus\u00e9e Denon (1950) LAC 989<br><strong>Provenance<\/strong> : Don d&rsquo;Isidore Ni\u00e9pce<br><strong>Bibliographie<\/strong> : JC(12n\u00b05) ; BSFPf(294n\u00b015) ; GPa(159n\u00b02) ; LAC(989) ; CBN(83).<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>29<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : Un prisonnier : un homme agenouill\u00e9 aux poignets li\u00e9s.<br><strong>Dimensions<\/strong> : 23 x 17 cm<br><strong>Lieu<\/strong> : Coll. Mus\u00e9e Denon (1950) LAC 989<br><strong>Provenance<\/strong> : Don d&rsquo;Isidore Ni\u00e9pce<br><strong>Bibliographie<\/strong> : JC(12n\u00b05) ; BSFPf(294n\u00b014) ; GPa(159n\u00b02) ; LAC(989) ; CBN&rsquo;82).<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-kadence-pane kt-accordion-pane kt-accordion-pane-14 kt-pane40_7f93f2-cb\"><h2 class=\"kt-accordion-header-wrap\"><button class=\"kt-blocks-accordion-header kt-acccordion-button-label-show\" type=\"button\"><span class=\"kt-blocks-accordion-title-wrap\"><span class=\"kt-blocks-accordion-title\">\u00c9preuves sur papier r\u00e9alis\u00e9es du vivant de Ni\u00e9pce \u00e0 partir d\u2032une plaque h\u00e9liographique<\/span><\/span><span class=\"kt-blocks-accordion-icon-trigger\"><\/span><\/button><\/h2><div class=\"kt-accordion-panel kt-accordion-panel-hidden\"><div class=\"kt-accordion-panel-inner\">\n<p class=\"wp-block-paragraph\">\u2022 Il existe un certain nombre de tirages d&rsquo;\u00e9preuves sur papier effectu\u00e9s \u00e0 partir de plaques de Ni\u00e9pce apr\u00e8s sa mort. Il ne faudrait pas les confondre avec ceux r\u00e9alis\u00e9s \u00e0 la demande de Ni\u00e9pce lui-m\u00eame. On en trouvera la liste dans l\u2019ouvrage de P. Jay Ni\u00e9pce Gen\u00e8se d\u2019une invention. La bibliographie de ces tirages est la suivante : BSFPd ; BSFPe(117) ; BSFPf( XX et 294) ; BSFPj(59, 60) ; BSFPj(60) ; GPa(159, 159n\u00b02, 160, 160n\u00b05,161) ; CBN(76e, 76f, 78b) ; LAC(988n\u00b02) ; catalogue n\u00b0 S9 de la Galerie Sotheby \u00e0 Londres \u2014Octobre 1982).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tous les tirages suivants ont \u00e9t\u00e9 effectu\u00e9s par Lemaitre<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>30<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : Cardinal D\u2019Amboise<br><strong>Dimensions<\/strong> : ?<br><strong>Lieu<\/strong> : aujourd\u2019hui disparue<br><strong>Provenance<\/strong> : I. Ni\u00e9pce &gt; La Blanch\u00e8re<br><strong>Bibliographie<\/strong> : BSFPg(148) ; GPa(159n\u00b01) ; CBN(76d)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>31<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : Cardinal D\u2019Amboise<br><strong>Dimensions<\/strong> : ?<br><strong>Lieu<\/strong> : Coll. Mus\u00e9e de Lyon. aujourd\u2019hui disparue<br><strong>Provenance<\/strong> :<br><strong>Bibliographie<\/strong> : BSFPg(148) ; GPa(159n\u00b01) ; CBN(76d)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>32<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : Cardinal D\u2019Amboise \u00e0 partir de la plaque LAC 984 N\u00b06.<br>Inscription manuscrite d&rsquo;l. Ni\u00e9pce au verso: \u201cLe Cardinal d&rsquo;Amboise, premier r\u00e9sultat h\u00e9liographique de feu M. J.N. Ni\u00e9pce 1824*\u201d. Inscription manuscrite sign\u00e9e (I.N.) au recto dans la marge inf\u00e9rieure sur l&rsquo;\u00e9preuve papier: \u201cA Monsieur Jules Chevrier Souvenirs affectueux Is. Ni\u00e9pce\u201d<br><strong>Dimensions<\/strong> : Image 17,2 x 13,2 cm. feuille : 19,1 x 14 cm.<br><strong>Lieu<\/strong> : Coll. Mus\u00e9e Ni\u00e9pce LAC 987 N\u00b01<br><strong>Provenance<\/strong> : I. Ni\u00e9pce puis J. Chevrier<br><strong>Bibliographie<\/strong> : BSFPf(294n\u00b010) ; GPa(159n\u00b01) ; LAC(987) ; CBN(76d).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">* Erreur de date de la part d\u2019Isidore. Il s\u2019agit de 1826.P. Jay indique que \u201cle filigrane comporte de fines rayures espac\u00e9es de 2,5 cm dans le sens vertical (6 sur l&rsquo;\u00e9preuve; le dessin d&rsquo;une cloche pris entre 2 rayures appara\u00eet &#8211; dimensions de la cloche: H. 4 X 1. 2,5 cm\u201d.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>33<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : Cardinal D\u2019Amboise, \u00e0 partir de LAC 984 N\u00b06<br><strong>Dimensions<\/strong> : dessin 16,3x 12,9 cm. cuvette 17,7 X 13,8 cm.<br><strong>Lieu<\/strong> : Coll. S.F.P. 314\/3<br><strong>Provenance<\/strong> : I. Ni\u00e9pce &gt; E. Ni\u00e9pce don en 1890<br><strong>Bibliographie<\/strong> : BSFPg(148) ; BSFPi(300) ; BSFPj(60) ; GPa(159n\u00b01,160n\u00b03) ; RL(14) ; CBN(76d)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>34<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : Cardinal D\u2019Amboise. Inscription: R\u00e9sultat h\u00e9liographique obtenu en 1824 par J. Nic\u00e9phore Ni\u00e9pce: \u201c Lib\u00e9ralement offert \u00e0 M. Blanquart-Evrard par M. Jules Chevrier de Chalon-sur-Sa\u00f4ne propri\u00e9taire de la planche originale. \u201d<br><strong>Dimensions<\/strong> : ?<br><strong>Lieu<\/strong> : Coll. CNAM<br><strong>Provenance<\/strong> : J. Chevier &gt; Blanquart Evrard<br><strong>Bibliographie<\/strong> : BSFPi(299) ; GPa(161) ; CBN(76d).<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>35<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : Cardinal D\u2019Amboise. Au verso de l&rsquo;\u00e9preuve, inscription de la main de Bauer: \u201c Impression from a pewter plate of heliographic drawings, by Mons: Nic\u00e9phore Ni\u00e9pce of Chalon-sur- Sa\u00f4ne received from him at Kew November 22d 1827. F. Bauer<br><strong>Dimensions<\/strong> : Dessin 19,6 x 13 cm. Support papier 28,7 x 21,2 cm.<br><strong>Lieu<\/strong> : Coll. RPS (Bath) 15 489 PF10<br><strong>Provenance<\/strong> : F. Bauer<br><strong>Bibliographie<\/strong> : RH(30n\u00b04) ; JCC(201) ; CBN(76b).<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>36<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : Le Cardinal d\u2019Amboise<br><strong>Dimensions<\/strong> : 20,3 x 14 cm<br><strong>Lieu<\/strong> : Coll. HRHRC Austin Texas<br><strong>Provenance<\/strong> : Collection h. Gernsheim<br><strong>Bibliographie<\/strong> : MBP(325) ; HAG ; CBN576h)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>37<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : Paysage, d&rsquo;apr\u00e8s une gravure de Claude Le Lorrain.<br><strong>Dimensions<\/strong> : dessin 16,5x 11,5cm.<br><strong>Lieu<\/strong> : Expos\u00e9 au Camera Club de Londres en 1894 aujourd\u2019hui disparue<br><strong>Provenance<\/strong> : ?<br><strong>Bibliographie<\/strong> : RH(30n\u00b05) ; MBP(325) ; JCC(201) ; CBN(73)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>38<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : La jeune fille filant sa quenouille<br><strong>Dimensions<\/strong> : ?<br><strong>Lieu<\/strong> : Coll. Particuli\u00e8re<br><strong>Provenance<\/strong> : ?<br><strong>R\u00e9f\u00e9rences<\/strong> : ?<br><strong>Bibliographie<\/strong> : VF (118), JLM.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2022 Nous ajouterons \u00e0 cette liste les deux autres tirages suivant :<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>39<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : <strong>Le Cardinal d\u2019Amboise.<\/strong> Imprim\u00e9 au recto en gros caract\u00e8res d\u2019imprimerie au-dessus du dessin : NIC\u00c9PHORE NIEPCE, 1824<br>Inscription au recto au-dessous du dessin de la main de Chevrier : \u201cPremier r\u00e9sultat H\u00e9liographique obtenu en 1824 par J. Nic\u00e9phore Ni\u00e9pce. Epreuve obtenue sur la plaque originale appartenant \u00e0 M. Jules Chevrier de Chalon sur Sa\u00f4ne<br>Offerte \u00e0 la Direction du conservatoire National des Arts et m\u00e9tiers. Chalon s\/Sa\u00f4ne 25 mars 1881. Sign\u00e9 J. Chevrier.<br><strong>Dimension<\/strong> : cuvette 17,4&#215;13,9 cm<br><strong>Lieu<\/strong> : Coll. CNAM en 1989<br><strong>Provenance<\/strong> : Don de J. Chevrier<br><strong>Bibliographie<\/strong> : DAF (4)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>40<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : Le Cardinal d\u2019Amboise<br><strong>Dimensions<\/strong> : ?<br><strong>Lieu<\/strong> : Coll. E. Chevreul en 1873<br><strong>Provenance<\/strong> : Don de Ni\u00e9pce de Saint-Victor<br><strong>R\u00e9f\u00e9rences<\/strong> :<br><strong>Bibliographie<\/strong> :&nbsp; EC (79)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>41<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : Un cheval et son conducteur<br><strong>Dimensions<\/strong> : 14,7 X 10 cm<br><strong>Lieu<\/strong> : Biblioth\u00e8que Nationale de France<br><strong>Provenance<\/strong> : Andr\u00e9 Jammes<br><strong>R\u00e9f\u00e9rences<\/strong> : ?<br><strong>Bibliographie<\/strong> : LM<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-kadence-pane kt-accordion-pane kt-accordion-pane-15 kt-pane40_389b63-9e\"><h2 class=\"kt-accordion-header-wrap\"><button class=\"kt-blocks-accordion-header kt-acccordion-button-label-show\" type=\"button\"><span class=\"kt-blocks-accordion-title-wrap\"><span class=\"kt-blocks-accordion-title\">Gravures originales<\/span><\/span><span class=\"kt-blocks-accordion-icon-trigger\"><\/span><\/button><\/h2><div class=\"kt-accordion-panel kt-accordion-panel-hidden\"><div class=\"kt-accordion-panel-inner\">\n<h3 class=\"wp-block-heading\"><strong>42<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : Le Joueur, estampe de Charlet<br><strong>Dimensions<\/strong> : Dessin 15,2 x 10,6 cm. Support en-tier 27 x 21 cm.<br><strong>Lieu<\/strong> : Coll. Mus\u00e9e Ni\u00e9pce MNN 78-95<br><strong>Provenance<\/strong> : Don Andr\u00e9 Jammes ( 1978)<br><strong>Bibliographie<\/strong> : JPc<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>43<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : Georges Cardinal d&rsquo;Amboise grand Ministre d&rsquo;Estat et L\u00e9gat en France , Gravure de Briot<br><strong>Dimensions<\/strong> : Dessin 16,9 x 13,2 cm. Cuvette 19 x 13,4 cm.<br><strong>Lieu<\/strong> : Coll. Mus\u00e9e Ni\u00e9pce MNN 22.01 76 n\u00b0161<br><strong>Provenance<\/strong> : Don Bernard Lefebvre (1976)<br><strong>Bibliographie<\/strong> : JPc<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>44<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : Georges Cardinal d&rsquo;Amboise grand Ministre d&rsquo;Estat et L\u00e9gat en France , Gravure de Isaac Briot<br><strong>Dimensions<\/strong> : ?<br><strong>Lieu<\/strong> : Coll. Van Deren Coke. San Francisco.<br><strong>Provenance<\/strong> : ?<br><strong>Bibliographie<\/strong> : BNb (14)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>45<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : Un Clair de Lune L.J.M. Daguerre.<br><strong>Dimensions<\/strong> : ?<br><strong>Lieu<\/strong> : G. Eastman House &#8211; Rochester<br><strong>Provenance<\/strong> : Coll. G. Cromer<br><strong>R\u00e9f\u00e9rences<\/strong> : ?<br><strong>Bibliographie<\/strong> : BN (36), JLM.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>46<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : Un Clair de Lune. Peinture originale de L.J.M. Daguerre<br><strong>Dimensions<\/strong> : ?<br><strong>Lieu<\/strong> : Coll. Hans P. Kraus Jr.- New-York<br><strong>Provenance<\/strong> : ?<br><strong>R\u00e9f\u00e9rences<\/strong> : ?<br><strong>Bibliographie<\/strong> : communication priv\u00e9e<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>47<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Image<\/strong> : Un Clair de Lune L.J.M. Daguerre<br><strong>Dimensions<\/strong> : ?<br><strong>Lieu<\/strong> : Coll. J. Rocquencourt<br><strong>Provenance<\/strong> : ?<br><strong>Bibliographie<\/strong> : JR<\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-kadence-pane kt-accordion-pane kt-accordion-pane-16 kt-pane40_68bcf3-1c\"><h2 class=\"kt-accordion-header-wrap\"><button class=\"kt-blocks-accordion-header kt-acccordion-button-label-show\" type=\"button\"><span class=\"kt-blocks-accordion-title-wrap\"><span class=\"kt-blocks-accordion-title\">Bibliographie<\/span><\/span><span class=\"kt-blocks-accordion-icon-trigger\"><\/span><\/button><\/h2><div class=\"kt-accordion-panel kt-accordion-panel-hidden\"><div class=\"kt-accordion-panel-inner\">\n<ul class=\"wp-block-list\">\n<li><strong>AC 1862<\/strong> \u2014 A. CHEVALIER, \u00c9tude sur la vie et les travaux scientifiques de Ch Chevalier, p 20<\/li>\n\n\n\n<li><strong>AD 1893<\/strong> \u2014 A. DAVANNE, Conf\u00e9rences Publiques sur la Photographie<\/li>\n\n\n\n<li><strong>BL 1984<\/strong> \u2014 B. LEFEBVRE, Abel Ni\u00e9pce de St Victor et la table servie.<\/li>\n\n\n\n<li><strong>BN 1967<\/strong> \u2014 B. NEWHALL, Latent Image, Doubleday, New-York<\/li>\n\n\n\n<li><strong>BNb 1982<\/strong> \u2014 B. NEWHALL, The History of Photography, New-York<\/li>\n\n\n\n<li><strong>BSFP(1850) 1850<\/strong> \u2014 Bulletin Soci\u00e9t\u00e9 Fran\u00e7aise de Photographie, p 41<\/li>\n\n\n\n<li><strong>BSFP(1855) 1855<\/strong> \u2014 Bulletin Soci\u00e9t\u00e9 Fran\u00e7aise de Photographie, p. 185.<\/li>\n\n\n\n<li><strong>BSFP(1857) 1857<\/strong> \u2014 Bulletin Soci\u00e9t\u00e9 Fran\u00e7aise de Photographie, p 252.<\/li>\n\n\n\n<li><strong>BSFP(1865) 1865<\/strong> \u2014 Bulletin Soci\u00e9t\u00e9 Fran\u00e7aise de Photographie n\u00b0 11, p. 294 .<\/li>\n\n\n\n<li><strong>BSFP(1875) 1875<\/strong> \u2014 Bulletin Soci\u00e9t\u00e9 Fran\u00e7aise de Photographie, p. 117.<\/li>\n\n\n\n<li><strong>BSFP(1885) 1885<\/strong> \u2014 M. MEULIEN, Bulletin Soci\u00e9t\u00e9 Fran\u00e7aise de Photographie, n\u00b0 11 , p 293<\/li>\n\n\n\n<li><strong>BSFP(1890) 1890<\/strong> \u2014 Bulletin Soci\u00e9t\u00e9 Fran\u00e7aise de Photographie, (Mai), p. 148.<\/li>\n\n\n\n<li><strong>BSFP(1891) 1891<\/strong> \u2014 Bulletin Soci\u00e9t\u00e9 Fran\u00e7aise de Photographie, p. 423.<\/li>\n\n\n\n<li><strong>BSFP(1919) 1919<\/strong> \u2014 Bulletin Soci\u00e9t\u00e9 Fran\u00e7aise de Photographie, (Septembre), p. 300.<\/li>\n\n\n\n<li><strong>BSFP(1920) 1920<\/strong> \u2014 Bulletin Soci\u00e9t\u00e9 Fran\u00e7aise de Photographie, (Mars) , p 59.<\/li>\n\n\n\n<li><strong>CBN 1967<\/strong> \u2014 Catalogue Biblioth\u00e8que Nationale.<\/li>\n\n\n\n<li><strong>CBSFP 1857<\/strong> \u2014 Catalogue de la Soci\u00e9t\u00e9 Fran\u00e7aise de Photographie: deuxi\u00e8me exposition annuelle des \u0153uvres, appareils et produits, pi\u00e8ces historiques p. 1.<\/li>\n\n\n\n<li><strong>CPP 1898<\/strong> \u2014 Crystal Palace Photography Exhibition.<\/li>\n\n\n\n<li><strong>CRAS 1839<\/strong> \u2014 Compte rendu hebdomadaire de l&rsquo;Acad\u00e9mie des Sciences ler trimestre p 207<\/li>\n\n\n\n<li><strong>DAF 1989<\/strong> \u2014 De Andere Fotografie. Catalogue de l\u2019exposition au Zeeuws Museum \u00e0 Middelburg<\/li>\n\n\n\n<li><strong>EC 1873<\/strong> \u2014 E. CHEVREUL, La v\u00e9rit\u00e9 sur l&rsquo;invention de la photographie . J.des Savants. Fevrier<\/li>\n\n\n\n<li><strong>GPa 1925<\/strong> \u2014 G. POTONNIEE, Histoire de la D\u00e9couverte de la Photographie.<\/li>\n\n\n\n<li><strong>GPb 1940<\/strong> \u2014 G. POTONNIEE, Cent ans de Photographie.<\/li>\n\n\n\n<li><strong>HAG 1952<\/strong> \u2014 H.et A. GERNSHEIM, \u2014The Photographic Journal (Mai), 92.<\/li>\n\n\n\n<li><strong>HGa 1952<\/strong> \u2014 H. GERNSHEIM, \u2014The Photographic Journal (Janvier).<\/li>\n\n\n\n<li><strong>HGb 1984<\/strong> \u2014 H. GERNSHEIM, in 1833-1983\u2014Un temps pour la Photographie.<\/li>\n\n\n\n<li><strong>JC 1861<\/strong> \u2014 J. CHEVRIER, Note \u00e0 propos de J N. Ni\u00e9pce et du d\u00e9p\u00f4t de ses instruments et de ses premi\u00e8res \u00e9preuves dans le mus\u00e9e de Chalon-sur Sa\u00f4ne , p. 13<\/li>\n\n\n\n<li><strong>JCC 1894<\/strong> \u2014 The Journal of the Camera Club (D\u00e9cembre), p. 201-202.<\/li>\n\n\n\n<li><strong>JLM 1999<\/strong> \u2014 J.L. MARIGNIER. Ni\u00e9pce, l\u2019invention de la photographie. Editions Belin. Paris<\/li>\n\n\n\n<li><strong>JR 1998<\/strong> \u2014 J. ROQUENCOURT, Vivre en Val d\u2019Oise N\u00b0 48, p. 17 et Etudes Photographiques N\u00b05<\/li>\n\n\n\n<li><strong>LAC 1950<\/strong> \u2014 L. ARMAND-CALLIAT, Catalogue<\/li>\n\n\n\n<li><strong>LM 2002<\/strong> \u2014 Le Monde, 24 janvier 2002, p.33<\/li>\n\n\n\n<li><strong>MBP 1884<\/strong> \u2014 M.BADEN- PRITCHARD The Photographic News, (23 mai), p.325-327.<\/li>\n\n\n\n<li><strong>NN 1974<\/strong> \u2014 N. NIEPCE, Correspondances 1825-1829.<\/li>\n\n\n\n<li><strong>PJ 1862<\/strong> \u2014 The Photographic Journal section A,(Juillet), p 231<\/li>\n\n\n\n<li><strong>PJa 1978<\/strong> \u2014 P. Jay, Ni\u00e9pce Premiers outils, premiers r\u00e9sultats,.<\/li>\n\n\n\n<li><strong>PJb 1983<\/strong> \u2014 P. JAY, in N. Ni\u00e9pce , Coll. Photo-poche, p.143<\/li>\n\n\n\n<li><strong>PJc 1988<\/strong> \u2014 P. JAY, Ni\u00e9pce, Gen\u00e8se d&rsquo;une invention.<\/li>\n\n\n\n<li><strong>PM 2000<\/strong> \u2014 Paris-Match, 19 octobre 2000, p.94<\/li>\n\n\n\n<li><strong>PN 1862<\/strong> \u2014 The Photographic News (11 juillet), p. 336<\/li>\n\n\n\n<li><strong>RH 1844<\/strong> \u2014 Robert HUNT, Researches on light.<\/li>\n\n\n\n<li><strong>RL 1945<\/strong> \u2014 R. LECUYER, Histoire de la Photographie.<\/li>\n\n\n\n<li><strong>VF 1867<\/strong> \u2014 V. FOUQUE, La v\u00e9rit\u00e9 sur l&rsquo;invention de la photographie.<\/li>\n<\/ul>\n<\/div><\/div><\/div>\n<\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Catalogue des h\u00e9liographies de Ni\u00e9pce, reprenant en grande partie celui \u00e9tabli par P. Jay et S. Charles auquel sont ajout\u00e9es les h\u00e9liographies et tirages dont nous avons trouv\u00e9 mention ainsi que les images retrouv\u00e9es depuis la parution de l\u2019ouvrage de P. Jay.<\/p>\n","protected":false},"author":1,"featured_media":26630,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"class_list":["post-40","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Catalogue des \u0152uvres de Nic\u00e9phore Ni\u00e9pce : H\u00e9ritage des 200 Ans de Photographie<\/title>\n<meta name=\"description\" content=\"Explorez le catalogue des 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