{"id":111,"date":"2015-01-08T11:30:18","date_gmt":"2015-01-08T10:30:18","guid":{"rendered":"http:\/\/test.niepce.com\/?page_id=111"},"modified":"2025-01-13T11:17:14","modified_gmt":"2025-01-13T10:17:14","slug":"restauration-maison-niepce","status":"publish","type":"page","link":"https:\/\/bicentennial-of-photography.org\/fr\/restauration-maison-niepce\/","title":{"rendered":"La restauration de la maison"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>En 1999<\/strong>, Pierre-Yves Mah\u00e9, fondateur de l\u2019\u00e9cole de photographie&nbsp;<a href=\"https:\/\/speos-photo.com\/fr\/\" target=\"_blank\" rel=\"noreferrer noopener\">Sp\u00e9os<\/a>, devient locataire, au domaine \u00ab Le Gras \u00bb, de la partie de la maison o\u00f9 Ni\u00e9pce avait install\u00e9 son atelier-laboratoire, \u00e0 Saint-Loup-de-Varennes.<\/p>\n\n\n<div class=\"wp-block-image wp-image-22867 size-full\">\n<figure class=\"aligncenter\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/11\/propriete-gras.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"405\" height=\"279\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/11\/propriete-gras.jpg\" alt=\"\" class=\"wp-image-22867\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/11\/propriete-gras.jpg 405w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/11\/propriete-gras-300x207.jpg 300w\" sizes=\"auto, (max-width: 405px) 100vw, 405px\" \/><\/a><figcaption class=\"wp-element-caption\">Propri\u00e9t\u00e9 du Gras. H\u00e9liographie selon le proc\u00e9d\u00e9 de Ni\u00e9pce.<br>\u00a9 Jean-Louis Marignier\/speos.fr<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Pierre-Yves Mah\u00e9 est le premier photographe \u00e0 investir les lieux depuis la mort de l\u2019inventeur en 1833. Cette demeure historique \u00e9tait jusqu\u2019ici rest\u00e9e inexplor\u00e9e, tout juste contempl\u00e9e de l\u2019ext\u00e9rieur par quelques curieux.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Avec Jean-Louis Marignier, chercheur au CNRS, ils ont reconstitu\u00e9 les conditions de travail de Ni\u00e9pce, et gr\u00e2ce \u00e0 des fouilles m\u00e9thodiques ont retrouv\u00e9 le cadre de ses exp\u00e9riences.<\/p>\n\n\n<style>.kb-row-layout-id111_0597e8-f7 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id111_0597e8-f7 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id111_0597e8-f7 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr);}.kb-row-layout-id111_0597e8-f7 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id111_0597e8-f7 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}@media all and (max-width: 767px){.kb-row-layout-id111_0597e8-f7 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id111_0597e8-f7 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-1-columns kt-row-layout-equal kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column111_42cb6d-59 > .kt-inside-inner-col{display:flex;}.kadence-column111_42cb6d-59 > .kt-inside-inner-col,.kadence-column111_42cb6d-59 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column111_42cb6d-59 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column111_42cb6d-59 > .kt-inside-inner-col{flex-direction:column;align-items:center;}.kadence-column111_42cb6d-59 > .kt-inside-inner-col > .kb-image-is-ratio-size{align-self:stretch;}.kadence-column111_42cb6d-59 > .kt-inside-inner-col > .wp-block-kadence-advancedgallery{align-self:stretch;}.kadence-column111_42cb6d-59 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column111_42cb6d-59 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column111_42cb6d-59{position:relative;}@media all and (max-width: 1024px){.kadence-column111_42cb6d-59 > .kt-inside-inner-col{flex-direction:column;justify-content:center;align-items:center;}}@media all and (max-width: 767px){.kadence-column111_42cb6d-59 > .kt-inside-inner-col{flex-direction:column;justify-content:center;align-items:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column111_42cb6d-59\"><div class=\"kt-inside-inner-col\"><style>.wp-block-kadence-advancedheading.kt-adv-heading111_4ea24f-c1, .wp-block-kadence-advancedheading.kt-adv-heading111_4ea24f-c1[data-kb-block=\"kb-adv-heading111_4ea24f-c1\"]{margin-bottom:var(--global-kb-spacing-xs, 1rem);font-size:16px;font-style:normal;}.wp-block-kadence-advancedheading.kt-adv-heading111_4ea24f-c1[data-kb-block=\"kb-adv-heading111_4ea24f-c1\"]{display:flex;gap:0.25em;align-items:center;}.wp-block-kadence-advancedheading.kt-adv-heading111_4ea24f-c1[data-kb-block=\"kb-adv-heading111_4ea24f-c1\"] .kb-adv-heading-icon svg{width:1em;height:1em;}.wp-block-kadence-advancedheading.kt-adv-heading111_4ea24f-c1[data-kb-block=\"kb-adv-heading111_4ea24f-c1\"] .kb-adv-heading-icon{color:var(--global-palette3, #1A202C);padding-right:var(--global-kb-spacing-xxs, 0.5rem);}.wp-block-kadence-advancedheading.kt-adv-heading111_4ea24f-c1 mark.kt-highlight, .wp-block-kadence-advancedheading.kt-adv-heading111_4ea24f-c1[data-kb-block=\"kb-adv-heading111_4ea24f-c1\"] mark.kt-highlight{font-style:normal;color:#f76a0c;-webkit-box-decoration-break:clone;box-decoration-break:clone;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;}.wp-block-kadence-advancedheading.kt-adv-heading111_4ea24f-c1 img.kb-inline-image, .wp-block-kadence-advancedheading.kt-adv-heading111_4ea24f-c1[data-kb-block=\"kb-adv-heading111_4ea24f-c1\"] img.kb-inline-image{width:150px;vertical-align:baseline;}<\/style><p class=\"kt-adv-heading111_4ea24f-c1 wp-block-kadence-advancedheading kt-adv-heading-has-icon has-theme-palette3-color has-text-color\" data-kb-block=\"kb-adv-heading111_4ea24f-c1\"><span class=\"kb-svg-icon-wrap kb-adv-heading-icon kb-svg-icon-fa_youtube kb-adv-heading-icon-side-left\"><svg viewBox=\"0 0 576 512\"  fill=\"currentColor\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"  aria-hidden=\"true\"><path d=\"M549.655 124.083c-6.281-23.65-24.787-42.276-48.284-48.597C458.781 64 288 64 288 64S117.22 64 74.629 75.486c-23.497 6.322-42.003 24.947-48.284 48.597-11.412 42.867-11.412 132.305-11.412 132.305s0 89.438 11.412 132.305c6.281 23.65 24.787 41.5 48.284 47.821C117.22 448 288 448 288 448s170.78 0 213.371-11.486c23.497-6.321 42.003-24.171 48.284-47.821 11.412-42.867 11.412-132.305 11.412-132.305s0-89.438-11.412-132.305zm-317.51 213.508V175.185l142.739 81.205-142.739 81.201z\"\/><\/svg><\/span><span class=\"kb-adv-text-inner\">Voir la video sur la fouille du puits de la Maison:<\/span><\/p>\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Fouille des puits\" width=\"720\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/WA1GIhN3ygQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div><\/div>\n\n<\/div><\/div>\n\n<style>.kb-row-layout-id111_7ad102-78 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id111_7ad102-78 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id111_7ad102-78 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}.kb-row-layout-id111_7ad102-78 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id111_7ad102-78 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}}@media all and (max-width: 767px){.kb-row-layout-id111_7ad102-78 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id111_7ad102-78 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-right-golden kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column111_2698c4-f5 > .kt-inside-inner-col{display:flex;}.kadence-column111_2698c4-f5 > .kt-inside-inner-col,.kadence-column111_2698c4-f5 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column111_2698c4-f5 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column111_2698c4-f5 > .kt-inside-inner-col{flex-direction:column;align-items:center;}.kadence-column111_2698c4-f5 > .kt-inside-inner-col > .kb-image-is-ratio-size{align-self:stretch;}.kadence-column111_2698c4-f5 > .kt-inside-inner-col > .wp-block-kadence-advancedgallery{align-self:stretch;}.kadence-column111_2698c4-f5 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column111_2698c4-f5 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column111_2698c4-f5{text-align:center;}.kadence-column111_2698c4-f5{position:relative;}@media all and (max-width: 1024px){.kadence-column111_2698c4-f5 > .kt-inside-inner-col{flex-direction:column;justify-content:center;align-items:center;}}@media all and (max-width: 767px){.kadence-column111_2698c4-f5 > .kt-inside-inner-col{flex-direction:column;justify-content:center;align-items:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column111_2698c4-f5\"><div class=\"kt-inside-inner-col\">\n<figure class=\"wp-block-image\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-View_Le_Gras.jpg\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"209\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-View_Le_Gras-300x209.jpg\" alt=\"\" class=\"wp-image-18169\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-View_Le_Gras-300x209.jpg 300w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-View_Le_Gras.jpg 670w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption class=\"wp-element-caption\">La premi\u00e8re photographie, \u00ab point de vue de la fenetre \u00bb<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n<style>.kadence-column111_4c75f1-ef > .kt-inside-inner-col,.kadence-column111_4c75f1-ef > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column111_4c75f1-ef > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column111_4c75f1-ef > .kt-inside-inner-col{flex-direction:column;}.kadence-column111_4c75f1-ef > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column111_4c75f1-ef > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column111_4c75f1-ef{position:relative;}@media all and (max-width: 1024px){.kadence-column111_4c75f1-ef > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column111_4c75f1-ef > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column111_4c75f1-ef\"><div class=\"kt-inside-inner-col\">\n<p class=\"wp-block-paragraph\">Pierre-Yves Mah\u00e9 et Jean-Louis Marignier, \u00e0 quelques ann\u00e9es d\u2019intervalle, se sont rendus au Harry Ransom Center d\u2019Austin (Texas). L\u2019un comme l\u2019autre ont tenu entre leurs mains la plus ancienne photographie de l\u2019histoire, \u00ab&nbsp;<em>Le point de vue de la fen\u00eatre<\/em> \u00bb&nbsp;, que Nic\u00e9phore Ni\u00e9pce r\u00e9alisa en 1827. <br>L\u2019un comme l\u2019autre ont \u00e9t\u00e9 boulevers\u00e9s et ont voulu aller plus loin : marcher sur les traces de Ni\u00e9pce, et retrouver l\u2019\u00e9motion de celui qui r\u00e9alisa les toutes premi\u00e8res photographies.<\/p>\n<\/div><\/div>\n\n<\/div><\/div>\n\n<style>.kb-row-layout-id111_e3b508-de > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id111_e3b508-de > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id111_e3b508-de > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, calc(60% - ((var(--global-kb-gap-md, 2rem) * 1 )\/2)))minmax(0, calc(40% - ((var(--global-kb-gap-md, 2rem) * 1 )\/2)));}.kb-row-layout-id111_e3b508-de > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id111_e3b508-de > .kt-row-column-wrap{grid-template-columns:minmax(0, 2fr) minmax(0, 1fr);}}@media all and (max-width: 767px){.kb-row-layout-id111_e3b508-de > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id111_e3b508-de alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-left-golden kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column111_c7d6e3-b7 > .kt-inside-inner-col,.kadence-column111_c7d6e3-b7 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column111_c7d6e3-b7 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column111_c7d6e3-b7 > .kt-inside-inner-col{flex-direction:column;}.kadence-column111_c7d6e3-b7 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column111_c7d6e3-b7 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column111_c7d6e3-b7{position:relative;}@media all and (max-width: 1024px){.kadence-column111_c7d6e3-b7 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column111_c7d6e3-b7 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column111_c7d6e3-b7\"><div class=\"kt-inside-inner-col\">\n<p class=\"wp-block-paragraph\">Pierre-Yves Mah\u00e9 et Jean-Louis Marignier se lancent dans des fouilles arch\u00e9ologiques de l\u2019ancien atelier-laboratoire de Ni\u00e9pce.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Afin de remettre en \u00e9tat la pi\u00e8ce telle que Ni\u00e9pce la connaissait, des laboratoires analysent les rev\u00eatements des sols et des murs. Ils v\u00e9rifient la th\u00e9orie de Marignier qui laisse supposer que la fen\u00eatre depuis laquelle \u00ab&nbsp;Le point de vue de la fen\u00eatre&nbsp;\u00bb a \u00e9t\u00e9 photographi\u00e9 \u00e9tait d\u00e9cal\u00e9e de 70 centim\u00e8tres par rapport \u00e0 la fen\u00eatre d\u2019aujourd\u2019hui. En soulevant les lattes du parquet actuel, ils retrouvent le plancher sur lequel Ni\u00e9pce marchait, ainsi que l\u2019emplacement exact de la fen\u00eatre initiale.<\/p>\n<\/div><\/div>\n\n\n<style>.kadence-column111_e3c232-5f > .kt-inside-inner-col{display:flex;}.kadence-column111_e3c232-5f > .kt-inside-inner-col,.kadence-column111_e3c232-5f > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column111_e3c232-5f > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column111_e3c232-5f > .kt-inside-inner-col{flex-direction:column;align-items:center;}.kadence-column111_e3c232-5f > .kt-inside-inner-col > .kb-image-is-ratio-size{align-self:stretch;}.kadence-column111_e3c232-5f > .kt-inside-inner-col > .wp-block-kadence-advancedgallery{align-self:stretch;}.kadence-column111_e3c232-5f > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column111_e3c232-5f > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column111_e3c232-5f{position:relative;}@media all and (max-width: 1024px){.kadence-column111_e3c232-5f > .kt-inside-inner-col{flex-direction:column;justify-content:center;align-items:center;}}@media all and (max-width: 767px){.kadence-column111_e3c232-5f > .kt-inside-inner-col{flex-direction:column;justify-content:center;align-items:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column111_e3c232-5f\"><div class=\"kt-inside-inner-col\">\n<figure class=\"wp-block-image\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/03\/musee-maison-niepce-photographie-03.jpg\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/03\/musee-maison-niepce-photographie-03-300x200.jpg\" alt=\"\" class=\"wp-image-18460\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/03\/musee-maison-niepce-photographie-03-300x200.jpg 300w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/03\/musee-maison-niepce-photographie-03-768x512.jpg 768w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/03\/musee-maison-niepce-photographie-03-1024x683.jpg 1024w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/03\/musee-maison-niepce-photographie-03-600x400.jpg 600w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/03\/musee-maison-niepce-photographie-03-860x573.jpg 860w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/03\/musee-maison-niepce-photographie-03-580x387.jpg 580w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/03\/musee-maison-niepce-photographie-03-1160x773.jpg 1160w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/03\/musee-maison-niepce-photographie-03.jpg 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption class=\"wp-element-caption\">Grenier de la Maison<\/figcaption><\/figure>\n<\/div><\/div>\n\n<\/div><\/div>\n\n<style>.kb-row-layout-id111_0dd38c-2a > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id111_0dd38c-2a > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id111_0dd38c-2a > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:repeat(2, minmax(0, 1fr));}.kb-row-layout-id111_0dd38c-2a > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id111_0dd38c-2a > .kt-row-column-wrap{grid-template-columns:repeat(2, minmax(0, 1fr));}}@media all and (max-width: 767px){.kb-row-layout-id111_0dd38c-2a > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id111_0dd38c-2a alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-equal kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column111_a7fecb-87 > .kt-inside-inner-col,.kadence-column111_a7fecb-87 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column111_a7fecb-87 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column111_a7fecb-87 > .kt-inside-inner-col{flex-direction:column;}.kadence-column111_a7fecb-87 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column111_a7fecb-87 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column111_a7fecb-87{position:relative;}@media all and (max-width: 1024px){.kadence-column111_a7fecb-87 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column111_a7fecb-87 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column111_a7fecb-87\"><div class=\"kt-inside-inner-col\"><style>.wp-block-kadence-advancedheading.kt-adv-heading111_587954-22, .wp-block-kadence-advancedheading.kt-adv-heading111_587954-22[data-kb-block=\"kb-adv-heading111_587954-22\"]{margin-bottom:var(--global-kb-spacing-xs, 1rem);font-size:16px;font-style:normal;}.wp-block-kadence-advancedheading.kt-adv-heading111_587954-22[data-kb-block=\"kb-adv-heading111_587954-22\"]{display:flex;gap:0.25em;align-items:center;}.wp-block-kadence-advancedheading.kt-adv-heading111_587954-22[data-kb-block=\"kb-adv-heading111_587954-22\"] .kb-adv-heading-icon svg{width:1em;height:1em;}.wp-block-kadence-advancedheading.kt-adv-heading111_587954-22[data-kb-block=\"kb-adv-heading111_587954-22\"] .kb-adv-heading-icon{color:var(--global-palette3, #1A202C);padding-right:var(--global-kb-spacing-xxs, 0.5rem);}.wp-block-kadence-advancedheading.kt-adv-heading111_587954-22 mark.kt-highlight, .wp-block-kadence-advancedheading.kt-adv-heading111_587954-22[data-kb-block=\"kb-adv-heading111_587954-22\"] mark.kt-highlight{font-style:normal;color:#f76a0c;-webkit-box-decoration-break:clone;box-decoration-break:clone;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;}.wp-block-kadence-advancedheading.kt-adv-heading111_587954-22 img.kb-inline-image, .wp-block-kadence-advancedheading.kt-adv-heading111_587954-22[data-kb-block=\"kb-adv-heading111_587954-22\"] img.kb-inline-image{width:150px;vertical-align:baseline;}<\/style><p class=\"kt-adv-heading111_587954-22 wp-block-kadence-advancedheading kt-adv-heading-has-icon has-theme-palette3-color has-text-color\" data-kb-block=\"kb-adv-heading111_587954-22\"><span class=\"kb-svg-icon-wrap kb-adv-heading-icon kb-svg-icon-fa_youtube kb-adv-heading-icon-side-left\"><svg viewBox=\"0 0 576 512\"  fill=\"currentColor\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"  aria-hidden=\"true\"><path d=\"M549.655 124.083c-6.281-23.65-24.787-42.276-48.284-48.597C458.781 64 288 64 288 64S117.22 64 74.629 75.486c-23.497 6.322-42.003 24.947-48.284 48.597-11.412 42.867-11.412 132.305-11.412 132.305s0 89.438 11.412 132.305c6.281 23.65 24.787 41.5 48.284 47.821C117.22 448 288 448 288 448s170.78 0 213.371-11.486c23.497-6.321 42.003-24.171 48.284-47.821 11.412-42.867 11.412-132.305 11.412-132.305s0-89.438-11.412-132.305zm-317.51 213.508V175.185l142.739 81.205-142.739 81.201z\"\/><\/svg><\/span><span class=\"kb-adv-text-inner\">Vid\u00e9o sur le d\u00e9placement de la fen\u00eatre<\/span><\/p>\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"D\u00e9placement de la fen\u00eatre\" width=\"720\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/dpsqvgMar_c?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div><\/div>\n\n\n<style>.kadence-column111_edc844-36 > .kt-inside-inner-col,.kadence-column111_edc844-36 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column111_edc844-36 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column111_edc844-36 > .kt-inside-inner-col{flex-direction:column;}.kadence-column111_edc844-36 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column111_edc844-36 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column111_edc844-36{position:relative;}@media all and (max-width: 1024px){.kadence-column111_edc844-36 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column111_edc844-36 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column111_edc844-36\"><div class=\"kt-inside-inner-col\"><style>.wp-block-kadence-advancedheading.kt-adv-heading111_f169e4-00, .wp-block-kadence-advancedheading.kt-adv-heading111_f169e4-00[data-kb-block=\"kb-adv-heading111_f169e4-00\"]{margin-bottom:var(--global-kb-spacing-xs, 1rem);font-size:16px;font-style:normal;}.wp-block-kadence-advancedheading.kt-adv-heading111_f169e4-00[data-kb-block=\"kb-adv-heading111_f169e4-00\"]{display:flex;gap:0.25em;align-items:center;}.wp-block-kadence-advancedheading.kt-adv-heading111_f169e4-00[data-kb-block=\"kb-adv-heading111_f169e4-00\"] .kb-adv-heading-icon svg{width:1em;height:1em;}.wp-block-kadence-advancedheading.kt-adv-heading111_f169e4-00[data-kb-block=\"kb-adv-heading111_f169e4-00\"] .kb-adv-heading-icon{color:var(--global-palette3, #1A202C);padding-right:var(--global-kb-spacing-xxs, 0.5rem);}.wp-block-kadence-advancedheading.kt-adv-heading111_f169e4-00 mark.kt-highlight, .wp-block-kadence-advancedheading.kt-adv-heading111_f169e4-00[data-kb-block=\"kb-adv-heading111_f169e4-00\"] mark.kt-highlight{font-style:normal;color:#f76a0c;-webkit-box-decoration-break:clone;box-decoration-break:clone;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;}.wp-block-kadence-advancedheading.kt-adv-heading111_f169e4-00 img.kb-inline-image, .wp-block-kadence-advancedheading.kt-adv-heading111_f169e4-00[data-kb-block=\"kb-adv-heading111_f169e4-00\"] img.kb-inline-image{width:150px;vertical-align:baseline;}<\/style><p class=\"kt-adv-heading111_f169e4-00 wp-block-kadence-advancedheading kt-adv-heading-has-icon has-theme-palette3-color has-text-color\" data-kb-block=\"kb-adv-heading111_f169e4-00\"><span class=\"kb-svg-icon-wrap kb-adv-heading-icon kb-svg-icon-fa_youtube kb-adv-heading-icon-side-left\"><svg viewBox=\"0 0 576 512\"  fill=\"currentColor\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"  aria-hidden=\"true\"><path d=\"M549.655 124.083c-6.281-23.65-24.787-42.276-48.284-48.597C458.781 64 288 64 288 64S117.22 64 74.629 75.486c-23.497 6.322-42.003 24.947-48.284 48.597-11.412 42.867-11.412 132.305-11.412 132.305s0 89.438 11.412 132.305c6.281 23.65 24.787 41.5 48.284 47.821C117.22 448 288 448 288 448s170.78 0 213.371-11.486c23.497-6.321 42.003-24.171 48.284-47.821 11.412-42.867 11.412-132.305 11.412-132.305s0-89.438-11.412-132.305zm-317.51 213.508V175.185l142.739 81.205-142.739 81.201z\"\/><\/svg><\/span><span class=\"kb-adv-text-inner\">Reconstitution de la Maison Ni\u00e9pce en 3D<\/span><\/p>\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Maison Ni\u00e9pce (le Gras) en 3D\" width=\"720\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/M3HkbW1M7fc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div><\/div>\n\n<\/div><\/div>\n\n\n<h2 class=\"wp-block-heading\">Un film sur la restauration et les recherches dans la Maison Ni\u00e9pce<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/speos-photo.com\/fr\/\" target=\"_blank\" rel=\"noreferrer noopener\">Sp\u00e9os Paris Photographic Institute<\/a>\u00a0vous pr\u00e9sente un film de 11 min sur la Maison Nic\u00e9phore Ni\u00e9pce. Ce film pr\u00e9sent\u00e9 en avant premi\u00e8re au th\u00e9atre antique d\u2019Arles \u00e0 l\u2019occasion des Rencontres Internationales de la Photographie 2000, a \u00e9t\u00e9 nomin\u00e9 au Festival International du Film Scientifique \u00e0 Orsay en 2001, ainsi qu\u2019au 7eme festival du fim de chercheur \u00e0 Nancy en 2002 , puis projet\u00e9 lors du congr\u00e8s international d\u00e9di\u00e9 \u00e0 Nic\u00e9phore Ni\u00e9pce \u00ab At First Light \u00bb organis\u00e9 par le Getty Research Institute et le Harry Ransom Humanities Research Center , Austin Texas in 2003.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Sp\u00e9os presents the house of the FIRST Photo, Mus\u00e9e Nicephore Niepce, 2007 (version fran\u00e7aise)\" width=\"720\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/MxQSlzl5Uo4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Galerie photo<\/h2>\n\n\n<style>.wp-block-kadence-advancedgallery .kb-gallery-type-grid.kb-gallery-id-111_cd08a7-9c{margin:-15px;}.kb-gallery-type-grid.kb-gallery-id-111_cd08a7-9c .kadence-blocks-gallery-item{padding:15px;}.kb-gallery-id-111_cd08a7-9c .kadence-blocks-gallery-item .kb-gal-image-radius, .kb-gallery-id-111_cd08a7-9c .kb-slide-item .kb-gal-image-radius img{border-radius:0px 0px 0px 0px;;}.wp-block-kadence-advancedgallery.kb-gallery-wrap-id-111_cd08a7-9c{overflow:visible;}.kb-gallery-id-111_cd08a7-9c .kadence-blocks-gallery-item .kb-gal-image-radius, .kb-gallery-id-111_cd08a7-9c .kadence-blocks-gallery-thumb-item .kb-gal-image-radius{box-shadow:4px 2px 14px 0px rgba(0, 0, 0, 0.2);}.kb-gallery-id-111_cd08a7-9c .kadence-blocks-gallery-item:hover .kb-gal-image-radius, .kb-gallery-id-111_cd08a7-9c .kadence-blocks-gallery-thumb-item:hover .kb-gal-image-radius{box-shadow:4px 2px 14px 0px rgba(0, 0, 0, 0.2);}.kb-gallery-id-111_cd08a7-9c .kadence-blocks-gallery-item .kadence-blocks-gallery-item-inner .kadence-blocks-gallery-item__caption{color:var(--global-palette4, #2D3748);}.kb-gallery-caption-style-cover-hover.kb-gallery-id-111_cd08a7-9c .kadence-blocks-gallery-item .kadence-blocks-gallery-item-inner .kadence-blocks-gallery-item__caption, .kb-gallery-caption-style-below.kb-gallery-id-111_cd08a7-9c .kadence-blocks-gallery-item .kadence-blocks-gallery-item-inner .kadence-blocks-gallery-item__caption{background:var(--global-palette8, #F7FAFC);}<\/style><div class=\"kb-gallery-wrap-id-111_cd08a7-9c alignnone wp-block-kadence-advancedgallery\"><ul class=\"kb-gallery-ul kb-gallery-non-static kb-gallery-type-grid kb-gallery-id-111_cd08a7-9c kb-gallery-caption-style-below kb-gallery-filter-none kb-gallery-magnific-init\" data-image-filter=\"none\" data-item-selector=\".kadence-blocks-gallery-item\" data-lightbox-caption=\"true\" data-columns-xxl=\"2\" data-columns-xl=\"2\" data-columns-md=\"2\" data-columns-sm=\"2\" data-columns-xs=\"1\" data-columns-ss=\"1\"><li class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kb-gallery-item-has-link kadence-blocks-gallery-item-has-caption\" style=\"max-width:400px;\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/1-Restoration-plans.jpg\" data-description=\"\u00a9 Pierre-Yves MAHE\/Speos.fr Jean-Louis Marignier, Bernard et Eric Dodard comparent une lithographie de la Maison faite par Isidore (?) avec une photographie prise en 1850 par Petiot-Groffier.\" class=\"kb-gallery-item-link\"   role=\"button\" aria-haspopup=\"dialog\"><div class=\"kb-gal-image-radius\" style=\"max-width:400px;\"><div class=\"kb-gallery-image-contain kadence-blocks-gallery-intrinsic kb-gallery-image-ratio-inherit kb-has-image-ratio-inherit\" style=\"padding-bottom:67%;\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/1-Restoration-plans.jpg\" width=\"400\" height=\"269\" alt=\"\" data-full-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/1-Restoration-plans.jpg\" data-light-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/1-Restoration-plans.jpg\" data-id=\"20730\" class=\"wp-image-20730\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/1-Restoration-plans.jpg 400w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/1-Restoration-plans-300x202.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/div><\/div><div class=\"kadence-blocks-gallery-item__caption\">\u00a9 Pierre-Yves MAHE\/Speos.fr <br><br>Jean-Louis Marignier, Bernard et Eric Dodard comparent une lithographie de la Maison faite par Isidore (?) avec une photographie prise en 1850 par Petiot-Groffier.<\/div><\/a><\/figure><\/div><\/li><li class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kb-gallery-item-has-link kadence-blocks-gallery-item-has-caption\" style=\"max-width:400px;\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/2-Restoration-plancher.jpg\" data-description=\"\u00a9 Pierre-Yves MAHE\/Speos.fr Mise \u00e0 jour du plancher de Ni\u00e9pce dans son atelier.\" class=\"kb-gallery-item-link\"   role=\"button\" aria-haspopup=\"dialog\"><div class=\"kb-gal-image-radius\" style=\"max-width:400px;\"><div class=\"kb-gallery-image-contain kadence-blocks-gallery-intrinsic kb-gallery-image-ratio-inherit kb-has-image-ratio-inherit\" style=\"padding-bottom:65%;\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/2-Restoration-plancher.jpg\" width=\"400\" height=\"261\" alt=\"\" data-full-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/2-Restoration-plancher.jpg\" data-light-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/2-Restoration-plancher.jpg\" data-id=\"20733\" class=\"wp-image-20733\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/2-Restoration-plancher.jpg 400w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/2-Restoration-plancher-300x196.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/div><\/div><div class=\"kadence-blocks-gallery-item__caption\">\u00a9 Pierre-Yves MAHE\/Speos.fr <br><br>Mise \u00e0 jour du plancher de Ni\u00e9pce dans son atelier.<br><\/div><\/a><\/figure><\/div><\/li><li class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kb-gallery-item-has-link kadence-blocks-gallery-item-has-caption\" style=\"max-width:400px;\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/3-Restoration-pym.jpg\" data-description=\"\u00a9 Jean-Louis MARIGNIER\/Speos.fr Pierre-Yves Mah\u00e9 recherche des traces du d\u00e9placement de la fen\u00eatre d\u2019o\u00f9 fut prise la premi\u00e8re photographie du monde.\" class=\"kb-gallery-item-link\"   role=\"button\" aria-haspopup=\"dialog\"><div class=\"kb-gal-image-radius\" style=\"max-width:400px;\"><div class=\"kb-gallery-image-contain kadence-blocks-gallery-intrinsic kb-gallery-image-ratio-inherit kb-has-image-ratio-inherit\" style=\"padding-bottom:65%;\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/3-Restoration-pym.jpg\" width=\"400\" height=\"261\" alt=\"\" data-full-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/3-Restoration-pym.jpg\" data-light-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/3-Restoration-pym.jpg\" data-id=\"20736\" class=\"wp-image-20736\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/3-Restoration-pym.jpg 400w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/3-Restoration-pym-300x196.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/div><\/div><div class=\"kadence-blocks-gallery-item__caption\">\u00a9 Jean-Louis MARIGNIER\/Speos.fr <br><br>Pierre-Yves Mah\u00e9 recherche des traces du d\u00e9placement de la fen\u00eatre d\u2019o\u00f9 fut prise la premi\u00e8re photographie du monde.<\/div><\/a><\/figure><\/div><\/li><li class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kb-gallery-item-has-link kadence-blocks-gallery-item-has-caption\" style=\"max-width:400px;\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/4-Restoration-bois.jpg\" data-description=\"\u00a9 Jean-Louis MARIGNIER\/Speos.fr Bernard Wala, \u00e9b\u00e9niste restaurateur, met au jour les planchers datant de l\u2019\u00e9poque de Ni\u00e9pce.\" class=\"kb-gallery-item-link\"   role=\"button\" aria-haspopup=\"dialog\"><div class=\"kb-gal-image-radius\" style=\"max-width:400px;\"><div class=\"kb-gallery-image-contain kadence-blocks-gallery-intrinsic kb-gallery-image-ratio-inherit kb-has-image-ratio-inherit\" style=\"padding-bottom:66%;\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/4-Restoration-bois.jpg\" width=\"400\" height=\"264\" alt=\"\" data-full-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/4-Restoration-bois.jpg\" data-light-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/4-Restoration-bois.jpg\" data-id=\"20739\" class=\"wp-image-20739\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/4-Restoration-bois.jpg 400w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/4-Restoration-bois-300x198.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/div><\/div><div class=\"kadence-blocks-gallery-item__caption\">\u00a9 Jean-Louis MARIGNIER\/Speos.fr <br><br>Bernard Wala, \u00e9b\u00e9niste restaurateur, met au jour les planchers datant de l\u2019\u00e9poque de Ni\u00e9pce.<\/div><\/a><\/figure><\/div><\/li><li class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kb-gallery-item-has-link kadence-blocks-gallery-item-has-caption\" style=\"max-width:400px;\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/5-Restoration-bois2.jpg\" data-description=\"\u00a9 Pierre-Yves MAHE\/Speos.fr Bernard Wala, \u00e9b\u00e9niste restaurateur, d\u00e9monte une des portes de la maison de Ni\u00e9pce en vue de sa datation.\" class=\"kb-gallery-item-link\"   role=\"button\" aria-haspopup=\"dialog\"><div class=\"kb-gal-image-radius\" style=\"max-width:400px;\"><div class=\"kb-gallery-image-contain kadence-blocks-gallery-intrinsic kb-gallery-image-ratio-inherit kb-has-image-ratio-inherit\" style=\"padding-bottom:66%;\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/5-Restoration-bois2.jpg\" width=\"400\" height=\"266\" alt=\"\" data-full-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/5-Restoration-bois2.jpg\" data-light-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/5-Restoration-bois2.jpg\" data-id=\"20742\" class=\"wp-image-20742\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/5-Restoration-bois2.jpg 400w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/5-Restoration-bois2-300x200.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/div><\/div><div class=\"kadence-blocks-gallery-item__caption\">\u00a9 Pierre-Yves MAHE\/Speos.fr <br><br>Bernard Wala, \u00e9b\u00e9niste restaurateur, d\u00e9monte une des portes de la maison de Ni\u00e9pce en vue de sa datation.<\/div><\/a><\/figure><\/div><\/li><li class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kb-gallery-item-has-link kadence-blocks-gallery-item-has-caption\" style=\"max-width:400px;\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/6-Restoration-mur.jpg\" data-description=\"\u00a9 Pierre-Yves MAHE\/Speos.fr Traces dans les murs attestant de plusieurs am\u00e9nagements datant de diff\u00e9rentes \u00e9poques.\" class=\"kb-gallery-item-link\"   role=\"button\" aria-haspopup=\"dialog\"><div class=\"kb-gal-image-radius\" style=\"max-width:400px;\"><div class=\"kb-gallery-image-contain kadence-blocks-gallery-intrinsic kb-gallery-image-ratio-inherit kb-has-image-ratio-inherit\" style=\"padding-bottom:67%;\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/6-Restoration-mur.jpg\" width=\"400\" height=\"268\" alt=\"\" data-full-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/6-Restoration-mur.jpg\" data-light-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/6-Restoration-mur.jpg\" data-id=\"20745\" class=\"wp-image-20745\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/6-Restoration-mur.jpg 400w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/6-Restoration-mur-300x201.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/div><\/div><div class=\"kadence-blocks-gallery-item__caption\">\u00a9 Pierre-Yves MAHE\/Speos.fr <br><br>Traces dans les murs attestant de plusieurs am\u00e9nagements datant de diff\u00e9rentes \u00e9poques.<\/div><\/a><\/figure><\/div><\/li><li class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kb-gallery-item-has-link kadence-blocks-gallery-item-has-caption\" style=\"max-width:400px;\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/7-Restoration-bocaux.jpg\" data-description=\"\u00a9 Jean-Louis MARIGNIER\/Speos.fr Pr\u00e9l\u00e8vement de diff\u00e9rents mortiers en vue d\u2019\u00eatre analys\u00e9s au Centre d\u2019Etudes M\u00e9di\u00e9vales \u00e0 Auxerre (CNRS).\" class=\"kb-gallery-item-link\"   role=\"button\" aria-haspopup=\"dialog\"><div class=\"kb-gal-image-radius\" style=\"max-width:400px;\"><div class=\"kb-gallery-image-contain kadence-blocks-gallery-intrinsic kb-gallery-image-ratio-inherit kb-has-image-ratio-inherit\" style=\"padding-bottom:68%;\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/7-Restoration-bocaux.jpg\" width=\"400\" height=\"272\" alt=\"\" data-full-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/7-Restoration-bocaux.jpg\" data-light-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/7-Restoration-bocaux.jpg\" data-id=\"20700\" class=\"wp-image-20700\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/7-Restoration-bocaux.jpg 400w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/7-Restoration-bocaux-300x204.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/div><\/div><div class=\"kadence-blocks-gallery-item__caption\">\u00a9 Jean-Louis MARIGNIER\/Speos.fr <br><br>Pr\u00e9l\u00e8vement de diff\u00e9rents mortiers en vue d\u2019\u00eatre analys\u00e9s au Centre d\u2019Etudes M\u00e9di\u00e9vales \u00e0 Auxerre (CNRS).<\/div><\/a><\/figure><\/div><\/li><li class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kb-gallery-item-has-link kadence-blocks-gallery-item-has-caption\" style=\"max-width:400px;\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/8-Restoration-bois3.jpg\" data-description=\"\u00a9 Jean-Louis MARIGNIER\/Speos.fr Morceaux de bois attestant des modifications de l\u2019emplacement de la fen\u00eatre d\u2019o\u00f9 furent prises les premi\u00e8res photographies au monde.\" class=\"kb-gallery-item-link\"   role=\"button\" aria-haspopup=\"dialog\"><div class=\"kb-gal-image-radius\" style=\"max-width:400px;\"><div class=\"kb-gallery-image-contain kadence-blocks-gallery-intrinsic kb-gallery-image-ratio-inherit kb-has-image-ratio-inherit\" style=\"padding-bottom:66%;\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/8-Restoration-bois3.jpg\" width=\"400\" height=\"266\" alt=\"\" data-full-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/8-Restoration-bois3.jpg\" data-light-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/8-Restoration-bois3.jpg\" data-id=\"20703\" class=\"wp-image-20703\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/8-Restoration-bois3.jpg 400w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/8-Restoration-bois3-300x200.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/div><\/div><div class=\"kadence-blocks-gallery-item__caption\">\u00a9 Jean-Louis MARIGNIER\/Speos.fr <br><br>Morceaux de bois attestant des modifications de l\u2019emplacement de la fen\u00eatre d\u2019o\u00f9 furent prises les premi\u00e8res photographies au monde.<\/div><\/a><\/figure><\/div><\/li><li class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kb-gallery-item-has-link kadence-blocks-gallery-item-has-caption\" style=\"max-width:400px;\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/9-Restoration-datation.jpg\" data-description=\"\u00a9 Pierre-Yves MAHE\/Speos.fr Datation des bois venant de la maison de Ni\u00e9pce. (Laboratoire de Dendro-Chronologie \u2013 CNRS \u2013 Besan\u00e7on)\" class=\"kb-gallery-item-link\"   role=\"button\" aria-haspopup=\"dialog\"><div class=\"kb-gal-image-radius\" style=\"max-width:400px;\"><div class=\"kb-gallery-image-contain kadence-blocks-gallery-intrinsic kb-gallery-image-ratio-inherit kb-has-image-ratio-inherit\" style=\"padding-bottom:67%;\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/9-Restoration-datation.jpg\" width=\"400\" height=\"269\" alt=\"\" data-full-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/9-Restoration-datation.jpg\" data-light-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/9-Restoration-datation.jpg\" data-id=\"20706\" class=\"wp-image-20706\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/9-Restoration-datation.jpg 400w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/9-Restoration-datation-300x202.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/div><\/div><div class=\"kadence-blocks-gallery-item__caption\">\u00a9 Pierre-Yves MAHE\/Speos.fr <br><br>Datation des bois venant de la maison de Ni\u00e9pce. (Laboratoire de Dendro-Chronologie \u2013 CNRS \u2013 Besan\u00e7on)<\/div><\/a><\/figure><\/div><\/li><li class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kb-gallery-item-has-link kadence-blocks-gallery-item-has-caption\" style=\"max-width:400px;\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/10-Restoration-plans4.jpg\" data-description=\"\u00a9 Pierre-Yves MAHE\/Speos.fr Recherche du puits \u2013 o\u00f9 Ni\u00e9pce puisait l\u2019eau pour ses exp\u00e9riences \u2013 \u00e0 partir des plans de la Maison \u00e9tablis en 1775 et 1830.\" class=\"kb-gallery-item-link\"   role=\"button\" aria-haspopup=\"dialog\"><div class=\"kb-gal-image-radius\" style=\"max-width:400px;\"><div class=\"kb-gallery-image-contain kadence-blocks-gallery-intrinsic kb-gallery-image-ratio-inherit kb-has-image-ratio-inherit\" style=\"padding-bottom:66%;\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/10-Restoration-plans4.jpg\" width=\"400\" height=\"265\" alt=\"\" data-full-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/10-Restoration-plans4.jpg\" data-light-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/10-Restoration-plans4.jpg\" data-id=\"20709\" class=\"wp-image-20709\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/10-Restoration-plans4.jpg 400w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/10-Restoration-plans4-300x199.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/div><\/div><div class=\"kadence-blocks-gallery-item__caption\">\u00a9 Pierre-Yves MAHE\/Speos.fr <br><br>Recherche du puits \u2013 o\u00f9 Ni\u00e9pce puisait l\u2019eau pour ses exp\u00e9riences \u2013 \u00e0 partir des plans de la Maison \u00e9tablis en 1775 et 1830.<\/div><\/a><\/figure><\/div><\/li><li class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kb-gallery-item-has-link kadence-blocks-gallery-item-has-caption\" style=\"max-width:400px;\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/11-Restoration-puit2.jpg\" data-description=\"\u00a9 Jean-Louis MARIGNIER\/Speos.fr Premi\u00e8re r\u00e9ouverture du puits o\u00f9 Ni\u00e9pce puisait l\u2019eau servant \u00e0 laver ses h\u00e9liographies\u2026\" class=\"kb-gallery-item-link\"   role=\"button\" aria-haspopup=\"dialog\"><div class=\"kb-gal-image-radius\" style=\"max-width:400px;\"><div class=\"kb-gallery-image-contain kadence-blocks-gallery-intrinsic kb-gallery-image-ratio-inherit kb-has-image-ratio-inherit\" style=\"padding-bottom:65%;\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/11-Restoration-puit2.jpg\" width=\"400\" height=\"262\" alt=\"\" data-full-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/11-Restoration-puit2.jpg\" data-light-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/11-Restoration-puit2.jpg\" data-id=\"20712\" class=\"wp-image-20712\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/11-Restoration-puit2.jpg 400w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/11-Restoration-puit2-300x197.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/div><\/div><div class=\"kadence-blocks-gallery-item__caption\">\u00a9 Jean-Louis MARIGNIER\/Speos.fr <br><br>Premi\u00e8re r\u00e9ouverture du puits o\u00f9 Ni\u00e9pce puisait l\u2019eau servant \u00e0 laver ses h\u00e9liographies\u2026<\/div><\/a><\/figure><\/div><\/li><li class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kb-gallery-item-has-link kadence-blocks-gallery-item-has-caption\" style=\"max-width:400px;\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/12-Restoration-puit.jpg\" data-description=\"\u00a9 Pierre-Yves MAHE\/Speos.fr Recherche et identification de l\u2019ensemble du r\u00e9seau d\u2019irrigation de la propri\u00e9t\u00e9 du Gras remontant au moins \u00e0 1750.\" class=\"kb-gallery-item-link\"   role=\"button\" aria-haspopup=\"dialog\"><div class=\"kb-gal-image-radius\" style=\"max-width:400px;\"><div class=\"kb-gallery-image-contain kadence-blocks-gallery-intrinsic kb-gallery-image-ratio-inherit kb-has-image-ratio-inherit\" style=\"padding-bottom:73%;\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/12-Restoration-puit.jpg\" width=\"400\" height=\"295\" alt=\"\" data-full-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/12-Restoration-puit.jpg\" data-light-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/12-Restoration-puit.jpg\" data-id=\"20715\" class=\"wp-image-20715\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/12-Restoration-puit.jpg 400w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/12-Restoration-puit-300x221.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/div><\/div><div class=\"kadence-blocks-gallery-item__caption\">\u00a9 Pierre-Yves MAHE\/Speos.fr <br><br>Recherche et identification de l\u2019ensemble du r\u00e9seau d\u2019irrigation de la propri\u00e9t\u00e9 du Gras remontant au moins \u00e0 1750.<\/div><\/a><\/figure><\/div><\/li><li class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kb-gallery-item-has-link kadence-blocks-gallery-item-has-caption\" style=\"max-width:400px;\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/13-Restoration-trou.jpg\" data-description=\"\u00a9 Pierre-Yves MAHE\/Speos.fr Localisation de l\u2019emplacement du puit d\u2019o\u00f9 Ni\u00e9pce puisait l\u2019eau servant \u00e0 ses exp\u00e9riences.\" class=\"kb-gallery-item-link\"   role=\"button\" aria-haspopup=\"dialog\"><div class=\"kb-gal-image-radius\" style=\"max-width:400px;\"><div class=\"kb-gallery-image-contain kadence-blocks-gallery-intrinsic kb-gallery-image-ratio-inherit kb-has-image-ratio-inherit\" style=\"padding-bottom:66%;\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/13-Restoration-trou.jpg\" width=\"400\" height=\"266\" alt=\"\" data-full-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/13-Restoration-trou.jpg\" data-light-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/13-Restoration-trou.jpg\" data-id=\"20718\" class=\"wp-image-20718\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/13-Restoration-trou.jpg 400w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/13-Restoration-trou-300x200.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/div><\/div><div class=\"kadence-blocks-gallery-item__caption\">\u00a9 Pierre-Yves MAHE\/Speos.fr <br><br>Localisation de l\u2019emplacement du puit d\u2019o\u00f9 Ni\u00e9pce puisait l\u2019eau servant \u00e0 ses exp\u00e9riences.<\/div><\/a><\/figure><\/div><\/li><li class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kb-gallery-item-has-link kadence-blocks-gallery-item-has-caption\" style=\"max-width:400px;\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/14-Restoration-sol.jpg\" data-description=\"\u00a9 Pierre-Yves MAHE\/Speos.fr Red\u00e9couverte de sols anciens post\u00e9rieurs \u00e0 Ni\u00e9pce (vers 1870).\" class=\"kb-gallery-item-link\"   role=\"button\" aria-haspopup=\"dialog\"><div class=\"kb-gal-image-radius\" style=\"max-width:400px;\"><div class=\"kb-gallery-image-contain kadence-blocks-gallery-intrinsic kb-gallery-image-ratio-inherit kb-has-image-ratio-inherit\" style=\"padding-bottom:68%;\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/14-Restoration-sol.jpg\" width=\"400\" height=\"275\" alt=\"\" data-full-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/14-Restoration-sol.jpg\" data-light-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/14-Restoration-sol.jpg\" data-id=\"20721\" class=\"wp-image-20721\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/14-Restoration-sol.jpg 400w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/14-Restoration-sol-300x206.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/div><\/div><div class=\"kadence-blocks-gallery-item__caption\">\u00a9 Pierre-Yves MAHE\/Speos.fr <br><br>Red\u00e9couverte de sols anciens post\u00e9rieurs \u00e0 Ni\u00e9pce (vers 1870).<\/div><\/a><\/figure><\/div><\/li><li class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kb-gallery-item-has-link kadence-blocks-gallery-item-has-caption\" style=\"max-width:300px;\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/15-Restoration-mur2.jpg\" data-description=\"\u00a9 Pierre-Yves MAHE\/Speos.fr Patrick Barbottin observe les modifications des murs de la Tour de la maison.\" class=\"kb-gallery-item-link\"   role=\"button\" aria-haspopup=\"dialog\"><div class=\"kb-gal-image-radius\" style=\"max-width:300px;\"><div class=\"kb-gallery-image-contain kadence-blocks-gallery-intrinsic kb-gallery-image-ratio-inherit kb-has-image-ratio-inherit\" style=\"padding-bottom:100%;\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/15-Restoration-mur2.jpg\" width=\"300\" height=\"300\" alt=\"\" data-full-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/15-Restoration-mur2.jpg\" data-light-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/15-Restoration-mur2.jpg\" data-id=\"20724\" class=\"wp-image-20724\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/15-Restoration-mur2.jpg 300w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/15-Restoration-mur2-150x150.jpg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/div><\/div><div class=\"kadence-blocks-gallery-item__caption\">\u00a9 Pierre-Yves MAHE\/Speos.fr <br><br>Patrick Barbottin observe les modifications des murs de la Tour de la maison.<\/div><\/a><\/figure><\/div><\/li><li class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kb-gallery-item-has-link kadence-blocks-gallery-item-has-caption\" style=\"max-width:400px;\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/16-Restoration-enregistrement.jpg\" data-description=\"\u00a9 Pierre-Yves MAHE\/Speos.fr Christopher Davies, cameraman, filme l\u2019int\u00e9gralit\u00e9 des recherches sur la Maison Ni\u00e9pce (ici au laboratoire de Dendro-Chronologie \u00e0 Besan\u00e7on).\" class=\"kb-gallery-item-link\"   role=\"button\" aria-haspopup=\"dialog\"><div class=\"kb-gal-image-radius\" style=\"max-width:400px;\"><div class=\"kb-gallery-image-contain kadence-blocks-gallery-intrinsic kb-gallery-image-ratio-inherit kb-has-image-ratio-inherit\" style=\"padding-bottom:66%;\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/16-Restoration-enregistrement.jpg\" width=\"400\" height=\"264\" alt=\"\" data-full-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/16-Restoration-enregistrement.jpg\" data-light-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/16-Restoration-enregistrement.jpg\" data-id=\"20727\" class=\"wp-image-20727\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/16-Restoration-enregistrement.jpg 400w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/16-Restoration-enregistrement-300x198.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/div><\/div><div class=\"kadence-blocks-gallery-item__caption\">\u00a9 Pierre-Yves MAHE\/Speos.fr <br><br>Christopher Davies, cameraman, filme l\u2019int\u00e9gralit\u00e9 des recherches sur la Maison Ni\u00e9pce (ici au laboratoire de Dendro-Chronologie \u00e0 Besan\u00e7on).<\/div><\/a><\/figure><\/div><\/li><\/ul><\/div>","protected":false},"excerpt":{"rendered":"<p>En 1999, Pierre-Yves Mah\u00e9, fondateur de l\u2019\u00e9cole de photographie&nbsp;Sp\u00e9os, devient locataire, au domaine \u00ab Le Gras \u00bb, de la partie de la maison o\u00f9 Ni\u00e9pce avait install\u00e9 son atelier-laboratoire, \u00e0 Saint-Loup-de-Varennes. Pierre-Yves Mah\u00e9 est le premier photographe \u00e0 investir les lieux depuis la mort de l\u2019inventeur en 1833. Cette demeure historique \u00e9tait jusqu\u2019ici rest\u00e9e inexplor\u00e9e,&#8230;<\/p>\n","protected":false},"author":1,"featured_media":26636,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"class_list":["post-111","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Restauration de la Maison Nic\u00e9phore Ni\u00e9pce : C\u00e9l\u00e9bration de 200 Ans 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