{"id":1979,"date":"2015-01-08T11:30:18","date_gmt":"2015-01-08T10:30:18","guid":{"rendered":"https:\/\/bicentennial-of-photography.org\/restauration-maison-niepce-2\/"},"modified":"2024-12-16T18:31:46","modified_gmt":"2024-12-16T17:31:46","slug":"restauracion-casa-niepce","status":"publish","type":"page","link":"https:\/\/bicentennial-of-photography.org\/es\/restauracion-casa-niepce\/","title":{"rendered":"La restauraci\u00f3n de la Casa"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>En 1999<\/strong>, Pierre-Yves Mah\u00e9, fundador de la Escuela de fotograf\u00eda&nbsp;<a href=\"https:\/\/speos-photo.com\/es\/\" target=\"_blank\" rel=\"noreferrer noopener\">Sp\u00e9os<\/a>, es el nuevo inquilino, de la parte de la casa donde Ni\u00e9pce hab\u00eda instalado su taller-laboratorio, en el dominio de Gras, en Saint-Loup de Varennes.<\/p>\n\n\n<div class=\"wp-block-image wp-image-22867 size-full\">\n<figure class=\"aligncenter\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/11\/propriete-gras.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"405\" height=\"279\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/11\/propriete-gras.jpg\" alt=\"\" class=\"wp-image-22867\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/11\/propriete-gras.jpg 405w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/11\/propriete-gras-300x207.jpg 300w\" sizes=\"auto, (max-width: 405px) 100vw, 405px\" \/><\/a><figcaption class=\"wp-element-caption\">Propiedad de Gras. Heliograf\u00eda seg\u00fan el procedimiento de Ni\u00e9pce.<br>\u00a9 Jean-Louis Marignier\/speos.fr<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Pierre-Yves Mah\u00e9 es el primer fot\u00f3grafo que ocupar\u00e1 ese lugar, desde la muerte del inventor en 1833. Esta residencia hist\u00f3rica hab\u00eda quedado hasta hoy inexplorada, apenas contemplada desde el exterior por algunos curiosos.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Junto con Jean-Louis Marignier, investigador en el CNRS, reconstituyeron las condiciones de trabajo de Ni\u00e9pce, y gracias a las excavaciones met\u00f3dicas encontraron el marco de sus experiencias.<\/p>\n\n\n<style>.kb-row-layout-id1979_7ac276-63 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id1979_7ac276-63 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id1979_7ac276-63 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr);}.kb-row-layout-id1979_7ac276-63 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id1979_7ac276-63 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}@media all and (max-width: 767px){.kb-row-layout-id1979_7ac276-63 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id1979_7ac276-63 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-1-columns kt-row-layout-equal kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column1979_f2f197-f8 > .kt-inside-inner-col{display:flex;}.kadence-column1979_f2f197-f8 > .kt-inside-inner-col,.kadence-column1979_f2f197-f8 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column1979_f2f197-f8 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column1979_f2f197-f8 > .kt-inside-inner-col{flex-direction:column;align-items:center;}.kadence-column1979_f2f197-f8 > .kt-inside-inner-col > .kb-image-is-ratio-size{align-self:stretch;}.kadence-column1979_f2f197-f8 > .kt-inside-inner-col > .wp-block-kadence-advancedgallery{align-self:stretch;}.kadence-column1979_f2f197-f8 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column1979_f2f197-f8 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column1979_f2f197-f8{position:relative;}@media all and (max-width: 1024px){.kadence-column1979_f2f197-f8 > .kt-inside-inner-col{flex-direction:column;justify-content:center;align-items:center;}}@media all and (max-width: 767px){.kadence-column1979_f2f197-f8 > .kt-inside-inner-col{flex-direction:column;justify-content:center;align-items:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column1979_f2f197-f8\"><div class=\"kt-inside-inner-col\"><style>.wp-block-kadence-advancedheading.kt-adv-heading1979_ea7b06-ec, .wp-block-kadence-advancedheading.kt-adv-heading1979_ea7b06-ec[data-kb-block=\"kb-adv-heading1979_ea7b06-ec\"]{margin-bottom:var(--global-kb-spacing-xs, 1rem);font-size:16px;font-style:normal;}.wp-block-kadence-advancedheading.kt-adv-heading1979_ea7b06-ec[data-kb-block=\"kb-adv-heading1979_ea7b06-ec\"]{display:flex;gap:0.25em;align-items:center;}.wp-block-kadence-advancedheading.kt-adv-heading1979_ea7b06-ec[data-kb-block=\"kb-adv-heading1979_ea7b06-ec\"] .kb-adv-heading-icon svg{width:1em;height:1em;}.wp-block-kadence-advancedheading.kt-adv-heading1979_ea7b06-ec[data-kb-block=\"kb-adv-heading1979_ea7b06-ec\"] .kb-adv-heading-icon{color:var(--global-palette3, #1A202C);padding-right:var(--global-kb-spacing-xxs, 0.5rem);}.wp-block-kadence-advancedheading.kt-adv-heading1979_ea7b06-ec mark.kt-highlight, .wp-block-kadence-advancedheading.kt-adv-heading1979_ea7b06-ec[data-kb-block=\"kb-adv-heading1979_ea7b06-ec\"] mark.kt-highlight{font-style:normal;color:#f76a0c;-webkit-box-decoration-break:clone;box-decoration-break:clone;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;}.wp-block-kadence-advancedheading.kt-adv-heading1979_ea7b06-ec img.kb-inline-image, .wp-block-kadence-advancedheading.kt-adv-heading1979_ea7b06-ec[data-kb-block=\"kb-adv-heading1979_ea7b06-ec\"] img.kb-inline-image{width:150px;vertical-align:baseline;}<\/style><p class=\"kt-adv-heading1979_ea7b06-ec wp-block-kadence-advancedheading kt-adv-heading-has-icon has-theme-palette3-color has-text-color\" data-kb-block=\"kb-adv-heading1979_ea7b06-ec\"><span class=\"kb-svg-icon-wrap kb-adv-heading-icon kb-svg-icon-fa_youtube kb-adv-heading-icon-side-left\"><svg viewBox=\"0 0 576 512\"  fill=\"currentColor\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"  aria-hidden=\"true\"><path d=\"M549.655 124.083c-6.281-23.65-24.787-42.276-48.284-48.597C458.781 64 288 64 288 64S117.22 64 74.629 75.486c-23.497 6.322-42.003 24.947-48.284 48.597-11.412 42.867-11.412 132.305-11.412 132.305s0 89.438 11.412 132.305c6.281 23.65 24.787 41.5 48.284 47.821C117.22 448 288 448 288 448s170.78 0 213.371-11.486c23.497-6.321 42.003-24.171 48.284-47.821 11.412-42.867 11.412-132.305 11.412-132.305s0-89.438-11.412-132.305zm-317.51 213.508V175.185l142.739 81.205-142.739 81.201z\"\/><\/svg><\/span><span class=\"kb-adv-text-inner\">Ver el v\u00eddeo sobre la excavacion del pozo de la casa:<\/span><\/p>\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Fouille des puits\" width=\"720\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/WA1GIhN3ygQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div><\/div>\n\n<\/div><\/div>\n\n<style>.kb-row-layout-id1979_df40ab-c4 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id1979_df40ab-c4 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id1979_df40ab-c4 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}.kb-row-layout-id1979_df40ab-c4 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id1979_df40ab-c4 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}}@media all and (max-width: 767px){.kb-row-layout-id1979_df40ab-c4 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id1979_df40ab-c4 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-right-golden kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column1979_3e4869-ef > .kt-inside-inner-col{display:flex;}.kadence-column1979_3e4869-ef > .kt-inside-inner-col,.kadence-column1979_3e4869-ef > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column1979_3e4869-ef > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column1979_3e4869-ef > .kt-inside-inner-col{flex-direction:column;align-items:center;}.kadence-column1979_3e4869-ef > .kt-inside-inner-col > .kb-image-is-ratio-size{align-self:stretch;}.kadence-column1979_3e4869-ef > .kt-inside-inner-col > .wp-block-kadence-advancedgallery{align-self:stretch;}.kadence-column1979_3e4869-ef > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column1979_3e4869-ef > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column1979_3e4869-ef{text-align:center;}.kadence-column1979_3e4869-ef{position:relative;}@media all and (max-width: 1024px){.kadence-column1979_3e4869-ef > .kt-inside-inner-col{flex-direction:column;justify-content:center;align-items:center;}}@media all and (max-width: 767px){.kadence-column1979_3e4869-ef > .kt-inside-inner-col{flex-direction:column;justify-content:center;align-items:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column1979_3e4869-ef\"><div class=\"kt-inside-inner-col\">\n<figure class=\"wp-block-image\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-View_Le_Gras.jpg\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"209\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-View_Le_Gras-300x209.jpg\" alt=\"\" class=\"wp-image-18169\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-View_Le_Gras-300x209.jpg 300w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-View_Le_Gras.jpg 670w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption class=\"wp-element-caption\">La primera fotograf\u00eda, \u00ab punto de vista desde la ventana \u00bb<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n<style>.kadence-column1979_13d72d-4c > .kt-inside-inner-col,.kadence-column1979_13d72d-4c > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column1979_13d72d-4c > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column1979_13d72d-4c > .kt-inside-inner-col{flex-direction:column;}.kadence-column1979_13d72d-4c > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column1979_13d72d-4c > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column1979_13d72d-4c{position:relative;}@media all and (max-width: 1024px){.kadence-column1979_13d72d-4c > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column1979_13d72d-4c > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column1979_13d72d-4c\"><div class=\"kt-inside-inner-col\">\n<p class=\"wp-block-paragraph\">Pierre-Yves Mah\u00e9 y Jean-Louis Marignier, con algunos a\u00f1os de intervalo, viajaron al Harry Ransom Center de Austin (Tejas). Ambos han tenido entre sus manos la mas antigua fotograf\u00eda de la historia, \u00ab&nbsp;<em>El punto de vista desde la ventana<\/em>&nbsp;\u00bb que Nic\u00e9phore Ni\u00e9pce realiz\u00f3 en 1827. Quedaron conmovidos y quisieron ir mas lejos : seguir las huellas de Ni\u00e9pce, y rencontrar la emoci\u00f3n de aqu\u00e9l que realiz\u00f3 las primeras fotograf\u00edas.<\/p>\n<\/div><\/div>\n\n<\/div><\/div>\n\n<style>.kb-row-layout-id1979_37d108-6b > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id1979_37d108-6b > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id1979_37d108-6b > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, calc(60% - ((var(--global-kb-gap-md, 2rem) * 1 )\/2)))minmax(0, calc(40% - ((var(--global-kb-gap-md, 2rem) * 1 )\/2)));}.kb-row-layout-id1979_37d108-6b > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id1979_37d108-6b > .kt-row-column-wrap{grid-template-columns:minmax(0, 2fr) minmax(0, 1fr);}}@media all and (max-width: 767px){.kb-row-layout-id1979_37d108-6b > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id1979_37d108-6b alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-left-golden kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column1979_e23d89-21 > .kt-inside-inner-col,.kadence-column1979_e23d89-21 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column1979_e23d89-21 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column1979_e23d89-21 > .kt-inside-inner-col{flex-direction:column;}.kadence-column1979_e23d89-21 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column1979_e23d89-21 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column1979_e23d89-21{position:relative;}@media all and (max-width: 1024px){.kadence-column1979_e23d89-21 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column1979_e23d89-21 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column1979_e23d89-21\"><div class=\"kt-inside-inner-col\">\n<p class=\"wp-block-paragraph\">Pierre-Yves Mah\u00e9 y Jean-Louis Marignier se lanzan a hacer exploraciones arqueol\u00f3gicas del antiguo taller-laboratorio de Ni\u00e9pce.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Con el fin de reconstituir la pieza tal como Ni\u00e9pce la conoc\u00eda, los laboratorios analizan los revestimientos de los pisos y de las paredes. Verifican la teor\u00eda de Marignier que hace suponer que la ventana desde la cual \u00ab el punto de vista desde la ventana \u00bb ha sido fotografiada estaba corrida unos 70 cent\u00edmetros con respecto a la ventana actual. Levantando los listones del parquet actual, encuentran el piso original de Ni\u00e9pce, as\u00ed como el emplazamiento exacto de la ventana inicial.<\/p>\n<\/div><\/div>\n\n\n<style>.kadence-column1979_6cb368-bc > .kt-inside-inner-col{display:flex;}.kadence-column1979_6cb368-bc > .kt-inside-inner-col,.kadence-column1979_6cb368-bc > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column1979_6cb368-bc > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column1979_6cb368-bc > .kt-inside-inner-col{flex-direction:column;align-items:center;}.kadence-column1979_6cb368-bc > .kt-inside-inner-col > .kb-image-is-ratio-size{align-self:stretch;}.kadence-column1979_6cb368-bc > .kt-inside-inner-col > .wp-block-kadence-advancedgallery{align-self:stretch;}.kadence-column1979_6cb368-bc > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column1979_6cb368-bc > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column1979_6cb368-bc{position:relative;}@media all and (max-width: 1024px){.kadence-column1979_6cb368-bc > .kt-inside-inner-col{flex-direction:column;justify-content:center;align-items:center;}}@media all and (max-width: 767px){.kadence-column1979_6cb368-bc > .kt-inside-inner-col{flex-direction:column;justify-content:center;align-items:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column1979_6cb368-bc\"><div class=\"kt-inside-inner-col\">\n<figure class=\"wp-block-image\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/03\/musee-maison-niepce-photographie-03.jpg\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/03\/musee-maison-niepce-photographie-03-300x200.jpg\" alt=\"\" class=\"wp-image-18460\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/03\/musee-maison-niepce-photographie-03-300x200.jpg 300w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/03\/musee-maison-niepce-photographie-03-768x512.jpg 768w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/03\/musee-maison-niepce-photographie-03-1024x683.jpg 1024w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/03\/musee-maison-niepce-photographie-03-600x400.jpg 600w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/03\/musee-maison-niepce-photographie-03-860x573.jpg 860w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/03\/musee-maison-niepce-photographie-03-580x387.jpg 580w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/03\/musee-maison-niepce-photographie-03-1160x773.jpg 1160w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/03\/musee-maison-niepce-photographie-03.jpg 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption class=\"wp-element-caption\">Desv\u00e1n de la casa<\/figcaption><\/figure>\n<\/div><\/div>\n\n<\/div><\/div>\n\n<style>.kb-row-layout-id1979_48f832-34 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id1979_48f832-34 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id1979_48f832-34 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:repeat(2, minmax(0, 1fr));}.kb-row-layout-id1979_48f832-34 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id1979_48f832-34 > .kt-row-column-wrap{grid-template-columns:repeat(2, minmax(0, 1fr));}}@media all and (max-width: 767px){.kb-row-layout-id1979_48f832-34 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id1979_48f832-34 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-equal kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column1979_0a40ec-52 > .kt-inside-inner-col,.kadence-column1979_0a40ec-52 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column1979_0a40ec-52 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column1979_0a40ec-52 > .kt-inside-inner-col{flex-direction:column;}.kadence-column1979_0a40ec-52 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column1979_0a40ec-52 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column1979_0a40ec-52{position:relative;}@media all and (max-width: 1024px){.kadence-column1979_0a40ec-52 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column1979_0a40ec-52 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column1979_0a40ec-52\"><div class=\"kt-inside-inner-col\"><style>.wp-block-kadence-advancedheading.kt-adv-heading1979_ce54bb-3c, .wp-block-kadence-advancedheading.kt-adv-heading1979_ce54bb-3c[data-kb-block=\"kb-adv-heading1979_ce54bb-3c\"]{margin-bottom:var(--global-kb-spacing-xs, 1rem);font-size:16px;font-style:normal;}.wp-block-kadence-advancedheading.kt-adv-heading1979_ce54bb-3c[data-kb-block=\"kb-adv-heading1979_ce54bb-3c\"]{display:flex;gap:0.25em;align-items:center;}.wp-block-kadence-advancedheading.kt-adv-heading1979_ce54bb-3c[data-kb-block=\"kb-adv-heading1979_ce54bb-3c\"] .kb-adv-heading-icon svg{width:1em;height:1em;}.wp-block-kadence-advancedheading.kt-adv-heading1979_ce54bb-3c[data-kb-block=\"kb-adv-heading1979_ce54bb-3c\"] .kb-adv-heading-icon{color:var(--global-palette3, #1A202C);padding-right:var(--global-kb-spacing-xxs, 0.5rem);}.wp-block-kadence-advancedheading.kt-adv-heading1979_ce54bb-3c mark.kt-highlight, .wp-block-kadence-advancedheading.kt-adv-heading1979_ce54bb-3c[data-kb-block=\"kb-adv-heading1979_ce54bb-3c\"] mark.kt-highlight{font-style:normal;color:#f76a0c;-webkit-box-decoration-break:clone;box-decoration-break:clone;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;}.wp-block-kadence-advancedheading.kt-adv-heading1979_ce54bb-3c img.kb-inline-image, .wp-block-kadence-advancedheading.kt-adv-heading1979_ce54bb-3c[data-kb-block=\"kb-adv-heading1979_ce54bb-3c\"] img.kb-inline-image{width:150px;vertical-align:baseline;}<\/style><p class=\"kt-adv-heading1979_ce54bb-3c wp-block-kadence-advancedheading kt-adv-heading-has-icon has-theme-palette3-color has-text-color\" data-kb-block=\"kb-adv-heading1979_ce54bb-3c\"><span class=\"kb-svg-icon-wrap kb-adv-heading-icon kb-svg-icon-fa_youtube kb-adv-heading-icon-side-left\"><svg viewBox=\"0 0 576 512\"  fill=\"currentColor\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"  aria-hidden=\"true\"><path d=\"M549.655 124.083c-6.281-23.65-24.787-42.276-48.284-48.597C458.781 64 288 64 288 64S117.22 64 74.629 75.486c-23.497 6.322-42.003 24.947-48.284 48.597-11.412 42.867-11.412 132.305-11.412 132.305s0 89.438 11.412 132.305c6.281 23.65 24.787 41.5 48.284 47.821C117.22 448 288 448 288 448s170.78 0 213.371-11.486c23.497-6.321 42.003-24.171 48.284-47.821 11.412-42.867 11.412-132.305 11.412-132.305s0-89.438-11.412-132.305zm-317.51 213.508V175.185l142.739 81.205-142.739 81.201z\"\/><\/svg><\/span><span class=\"kb-adv-text-inner\">El desplazamiento de la ventana<\/span><\/p>\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"D\u00e9placement de la fen\u00eatre\" width=\"720\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/dpsqvgMar_c?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div><\/div>\n\n\n<style>.kadence-column1979_2d7513-24 > .kt-inside-inner-col,.kadence-column1979_2d7513-24 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column1979_2d7513-24 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column1979_2d7513-24 > .kt-inside-inner-col{flex-direction:column;}.kadence-column1979_2d7513-24 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column1979_2d7513-24 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column1979_2d7513-24{position:relative;}@media all and (max-width: 1024px){.kadence-column1979_2d7513-24 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column1979_2d7513-24 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column1979_2d7513-24\"><div class=\"kt-inside-inner-col\"><style>.wp-block-kadence-advancedheading.kt-adv-heading1979_6d1444-82, .wp-block-kadence-advancedheading.kt-adv-heading1979_6d1444-82[data-kb-block=\"kb-adv-heading1979_6d1444-82\"]{margin-bottom:var(--global-kb-spacing-xs, 1rem);font-size:16px;font-style:normal;}.wp-block-kadence-advancedheading.kt-adv-heading1979_6d1444-82[data-kb-block=\"kb-adv-heading1979_6d1444-82\"]{display:flex;gap:0.25em;align-items:center;}.wp-block-kadence-advancedheading.kt-adv-heading1979_6d1444-82[data-kb-block=\"kb-adv-heading1979_6d1444-82\"] .kb-adv-heading-icon svg{width:1em;height:1em;}.wp-block-kadence-advancedheading.kt-adv-heading1979_6d1444-82[data-kb-block=\"kb-adv-heading1979_6d1444-82\"] .kb-adv-heading-icon{color:var(--global-palette3, #1A202C);padding-right:var(--global-kb-spacing-xxs, 0.5rem);}.wp-block-kadence-advancedheading.kt-adv-heading1979_6d1444-82 mark.kt-highlight, .wp-block-kadence-advancedheading.kt-adv-heading1979_6d1444-82[data-kb-block=\"kb-adv-heading1979_6d1444-82\"] mark.kt-highlight{font-style:normal;color:#f76a0c;-webkit-box-decoration-break:clone;box-decoration-break:clone;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;}.wp-block-kadence-advancedheading.kt-adv-heading1979_6d1444-82 img.kb-inline-image, .wp-block-kadence-advancedheading.kt-adv-heading1979_6d1444-82[data-kb-block=\"kb-adv-heading1979_6d1444-82\"] img.kb-inline-image{width:150px;vertical-align:baseline;}<\/style><p class=\"kt-adv-heading1979_6d1444-82 wp-block-kadence-advancedheading kt-adv-heading-has-icon has-theme-palette3-color has-text-color\" data-kb-block=\"kb-adv-heading1979_6d1444-82\"><span class=\"kb-svg-icon-wrap kb-adv-heading-icon kb-svg-icon-fa_youtube kb-adv-heading-icon-side-left\"><svg viewBox=\"0 0 576 512\"  fill=\"currentColor\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"  aria-hidden=\"true\"><path d=\"M549.655 124.083c-6.281-23.65-24.787-42.276-48.284-48.597C458.781 64 288 64 288 64S117.22 64 74.629 75.486c-23.497 6.322-42.003 24.947-48.284 48.597-11.412 42.867-11.412 132.305-11.412 132.305s0 89.438 11.412 132.305c6.281 23.65 24.787 41.5 48.284 47.821C117.22 448 288 448 288 448s170.78 0 213.371-11.486c23.497-6.321 42.003-24.171 48.284-47.821 11.412-42.867 11.412-132.305 11.412-132.305s0-89.438-11.412-132.305zm-317.51 213.508V175.185l142.739 81.205-142.739 81.201z\"\/><\/svg><\/span><span class=\"kb-adv-text-inner\">Reconstituci\u00f3n de la Casa en computadora<\/span><\/p>\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Maison Ni\u00e9pce (le Gras) en 3D\" width=\"720\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/M3HkbW1M7fc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n<\/div><\/div>\n\n<\/div><\/div>\n\n\n<h2 class=\"wp-block-heading\">Un film (en franc\u00e9s) sobre la restauraci\u00f3n y las investigaciones en la Maison Ni\u00e9pce<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/speos-photo.com\/en\/\" target=\"_blank\" rel=\"noreferrer noopener\">Sp\u00e9os Paris Photographic Institute<\/a>&nbsp;le propone un documental de 11 minutos sobre la Maison Nic\u00e9phore Ni\u00e9pce. Esta pel\u00edcula presentada en avant premi\u00e8re en el teatro \u201cantique\u201d de Arles, con ocasi\u00f3n de los Encuentros Internacionales de la Fotograf\u00eda en 2000, ha sido nominada en el Festival Internacional del film cient\u00edfico en Orsay, en 2001, as\u00ed como tambi\u00e9n en el 7mo festival del film de investigador en Nancy en 2002, luego proyectado durante el congreso internacional dedicado a Nic\u00e9phore Ni\u00e9pce \u201cAt first light\u201d organizado por el Getty Research Institute y el Harry Ransom Humanities Research Center, Austin Texas en el 2003.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Sp\u00e9os presents the house of the FIRST Photo, Mus\u00e9e Nicephore Niepce, 2007 (version fran\u00e7aise)\" width=\"720\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/MxQSlzl5Uo4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Galer\u00eda de fotos<\/h2>\n\n\n<style>.wp-block-kadence-advancedgallery .kb-gallery-type-grid.kb-gallery-id-1979_c19620-83{margin:-15px;}.kb-gallery-type-grid.kb-gallery-id-1979_c19620-83 .kadence-blocks-gallery-item{padding:15px;}.kb-gallery-id-1979_c19620-83 .kadence-blocks-gallery-item .kb-gal-image-radius, .kb-gallery-id-1979_c19620-83 .kb-slide-item .kb-gal-image-radius img{border-radius:0px 0px 0px 0px;;}.wp-block-kadence-advancedgallery.kb-gallery-wrap-id-1979_c19620-83{overflow:visible;}.kb-gallery-id-1979_c19620-83 .kadence-blocks-gallery-item .kb-gal-image-radius, .kb-gallery-id-1979_c19620-83 .kadence-blocks-gallery-thumb-item .kb-gal-image-radius{box-shadow:4px 2px 14px 0px rgba(0, 0, 0, 0.2);}.kb-gallery-id-1979_c19620-83 .kadence-blocks-gallery-item:hover .kb-gal-image-radius, .kb-gallery-id-1979_c19620-83 .kadence-blocks-gallery-thumb-item:hover .kb-gal-image-radius{box-shadow:4px 2px 14px 0px rgba(0, 0, 0, 0.2);}.kb-gallery-id-1979_c19620-83 .kadence-blocks-gallery-item .kadence-blocks-gallery-item-inner .kadence-blocks-gallery-item__caption{color:var(--global-palette4, #2D3748);}.kb-gallery-caption-style-cover-hover.kb-gallery-id-1979_c19620-83 .kadence-blocks-gallery-item .kadence-blocks-gallery-item-inner .kadence-blocks-gallery-item__caption, .kb-gallery-caption-style-below.kb-gallery-id-1979_c19620-83 .kadence-blocks-gallery-item .kadence-blocks-gallery-item-inner .kadence-blocks-gallery-item__caption{background:var(--global-palette8, #F7FAFC);}<\/style><div class=\"kb-gallery-wrap-id-1979_c19620-83 alignnone wp-block-kadence-advancedgallery\"><ul class=\"kb-gallery-ul kb-gallery-non-static kb-gallery-type-grid kb-gallery-id-1979_c19620-83 kb-gallery-caption-style-below kb-gallery-filter-none kb-gallery-magnific-init\" data-image-filter=\"none\" data-item-selector=\".kadence-blocks-gallery-item\" data-lightbox-caption=\"true\" data-columns-xxl=\"2\" data-columns-xl=\"2\" data-columns-md=\"2\" data-columns-sm=\"2\" data-columns-xs=\"1\" data-columns-ss=\"1\"><li class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kb-gallery-item-has-link kadence-blocks-gallery-item-has-caption\" style=\"max-width:400px;\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/1-Restoration-plans.jpg\" data-description=\"\u00a9 Pierre-Yves MAHE\/Speos.fr Jean Louis Marignier, Bernard y Eric Dodard comparan una litograf\u00eda de la Casa, hecha por Isidore ( ?) con una fotograf\u00eda tomada en 1850 por Petiot-Groffier.\" class=\"kb-gallery-item-link\"   role=\"button\" aria-haspopup=\"dialog\"><div class=\"kb-gal-image-radius\" style=\"max-width:400px;\"><div class=\"kb-gallery-image-contain kadence-blocks-gallery-intrinsic kb-gallery-image-ratio-inherit kb-has-image-ratio-inherit\" style=\"padding-bottom:67%;\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/1-Restoration-plans.jpg\" width=\"400\" height=\"269\" alt=\"\" data-full-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/1-Restoration-plans.jpg\" data-light-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/1-Restoration-plans.jpg\" data-id=\"20730\" class=\"wp-image-20730\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/1-Restoration-plans.jpg 400w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/1-Restoration-plans-300x202.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/div><\/div><div class=\"kadence-blocks-gallery-item__caption\">\u00a9 Pierre-Yves MAHE\/Speos.fr <br><br>Jean Louis Marignier, Bernard y Eric Dodard comparan una litograf\u00eda de la Casa, hecha por Isidore ( ?) con una fotograf\u00eda tomada en 1850 por Petiot-Groffier.<\/div><\/a><\/figure><\/div><\/li><li class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kb-gallery-item-has-link kadence-blocks-gallery-item-has-caption\" style=\"max-width:400px;\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/2-Restoration-plancher.jpg\" data-description=\"\u00a9 Pierre-Yves MAHE\/Speos.fr Descubrimiento del piso de Ni\u00e9pce en su taller.\" class=\"kb-gallery-item-link\"   role=\"button\" aria-haspopup=\"dialog\"><div class=\"kb-gal-image-radius\" style=\"max-width:400px;\"><div class=\"kb-gallery-image-contain kadence-blocks-gallery-intrinsic kb-gallery-image-ratio-inherit kb-has-image-ratio-inherit\" style=\"padding-bottom:65%;\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/2-Restoration-plancher.jpg\" width=\"400\" height=\"261\" alt=\"\" data-full-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/2-Restoration-plancher.jpg\" data-light-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/2-Restoration-plancher.jpg\" data-id=\"20733\" class=\"wp-image-20733\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/2-Restoration-plancher.jpg 400w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/2-Restoration-plancher-300x196.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/div><\/div><div class=\"kadence-blocks-gallery-item__caption\">\u00a9 Pierre-Yves MAHE\/Speos.fr <br><br>Descubrimiento del piso de Ni\u00e9pce en su taller.<\/div><\/a><\/figure><\/div><\/li><li class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kb-gallery-item-has-link kadence-blocks-gallery-item-has-caption\" style=\"max-width:400px;\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/3-Restoration-pym.jpg\" data-description=\"\u00a9 Jean-Louis MARIGNIER\/Speos.fr Pierre Yves Mah\u00e9 busca las huellas del desplazamiento de la ventana desde donde fue tomada la primera fotograf\u00eda en el mundo.\" class=\"kb-gallery-item-link\"   role=\"button\" aria-haspopup=\"dialog\"><div class=\"kb-gal-image-radius\" style=\"max-width:400px;\"><div class=\"kb-gallery-image-contain kadence-blocks-gallery-intrinsic kb-gallery-image-ratio-inherit kb-has-image-ratio-inherit\" style=\"padding-bottom:65%;\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/3-Restoration-pym.jpg\" width=\"400\" height=\"261\" alt=\"\" data-full-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/3-Restoration-pym.jpg\" data-light-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/3-Restoration-pym.jpg\" data-id=\"20736\" class=\"wp-image-20736\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/3-Restoration-pym.jpg 400w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/3-Restoration-pym-300x196.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/div><\/div><div class=\"kadence-blocks-gallery-item__caption\">\u00a9 Jean-Louis MARIGNIER\/Speos.fr <br><br>Pierre Yves Mah\u00e9 busca las huellas del desplazamiento de la ventana desde donde fue tomada la primera fotograf\u00eda en el mundo.<\/div><\/a><\/figure><\/div><\/li><li class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kb-gallery-item-has-link kadence-blocks-gallery-item-has-caption\" style=\"max-width:400px;\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/4-Restoration-bois.jpg\" data-description=\"\u00a9 Jean-Louis MARIGNIER\/Speos.fr Bernard Wala, ebanista restaurador, descubre el piso que data de la \u00e9poca de Ni\u00e9pce.\" class=\"kb-gallery-item-link\"   role=\"button\" aria-haspopup=\"dialog\"><div class=\"kb-gal-image-radius\" style=\"max-width:400px;\"><div class=\"kb-gallery-image-contain kadence-blocks-gallery-intrinsic kb-gallery-image-ratio-inherit kb-has-image-ratio-inherit\" style=\"padding-bottom:66%;\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/4-Restoration-bois.jpg\" width=\"400\" height=\"264\" alt=\"\" data-full-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/4-Restoration-bois.jpg\" data-light-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/4-Restoration-bois.jpg\" data-id=\"20739\" class=\"wp-image-20739\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/4-Restoration-bois.jpg 400w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/4-Restoration-bois-300x198.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/div><\/div><div class=\"kadence-blocks-gallery-item__caption\">\u00a9 Jean-Louis MARIGNIER\/Speos.fr <br><br>Bernard Wala, ebanista restaurador, descubre el piso que data de la \u00e9poca de Ni\u00e9pce.<\/div><\/a><\/figure><\/div><\/li><li class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kb-gallery-item-has-link kadence-blocks-gallery-item-has-caption\" style=\"max-width:400px;\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/5-Restoration-bois2.jpg\" data-description=\"\u00a9 Pierre-Yves MAHE\/Speos.fr Bernard Wala, ebanista restaurador, desmonta una de las puertas de la casa de Ni\u00e9pce en vista de su dataci\u00f3n.\" class=\"kb-gallery-item-link\"   role=\"button\" aria-haspopup=\"dialog\"><div class=\"kb-gal-image-radius\" style=\"max-width:400px;\"><div class=\"kb-gallery-image-contain kadence-blocks-gallery-intrinsic kb-gallery-image-ratio-inherit kb-has-image-ratio-inherit\" style=\"padding-bottom:66%;\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/5-Restoration-bois2.jpg\" width=\"400\" height=\"266\" alt=\"\" data-full-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/5-Restoration-bois2.jpg\" data-light-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/5-Restoration-bois2.jpg\" data-id=\"20742\" class=\"wp-image-20742\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/5-Restoration-bois2.jpg 400w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/5-Restoration-bois2-300x200.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/div><\/div><div class=\"kadence-blocks-gallery-item__caption\">\u00a9 Pierre-Yves MAHE\/Speos.fr <br><br>Bernard Wala, ebanista restaurador, desmonta una de las puertas de la casa de Ni\u00e9pce en vista de su dataci\u00f3n.<\/div><\/a><\/figure><\/div><\/li><li class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kb-gallery-item-has-link kadence-blocks-gallery-item-has-caption\" style=\"max-width:400px;\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/6-Restoration-mur.jpg\" data-description=\"\u00a9 Pierre-Yves MAHE\/Speos.fr Huellas en los muros que atestan de arreglos datando diferentes \u00e9pocas.\" class=\"kb-gallery-item-link\"   role=\"button\" aria-haspopup=\"dialog\"><div class=\"kb-gal-image-radius\" style=\"max-width:400px;\"><div class=\"kb-gallery-image-contain kadence-blocks-gallery-intrinsic kb-gallery-image-ratio-inherit kb-has-image-ratio-inherit\" style=\"padding-bottom:67%;\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/6-Restoration-mur.jpg\" width=\"400\" height=\"268\" alt=\"\" data-full-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/6-Restoration-mur.jpg\" data-light-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/6-Restoration-mur.jpg\" data-id=\"20745\" class=\"wp-image-20745\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/6-Restoration-mur.jpg 400w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/6-Restoration-mur-300x201.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/div><\/div><div class=\"kadence-blocks-gallery-item__caption\">\u00a9 Pierre-Yves MAHE\/Speos.fr <br><br>Huellas en los muros que atestan de arreglos datando diferentes \u00e9pocas.<\/div><\/a><\/figure><\/div><\/li><li class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kb-gallery-item-has-link kadence-blocks-gallery-item-has-caption\" style=\"max-width:400px;\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/7-Restoration-bocaux.jpg\" data-description=\"\u00a9 Jean-Louis MARIGNIER\/Speos.fr Extracci\u00f3n de diferentes argamasas para ser analizadas en el centro de Estudios Medievales de Auxerre (CNRS).\" class=\"kb-gallery-item-link\"   role=\"button\" aria-haspopup=\"dialog\"><div class=\"kb-gal-image-radius\" style=\"max-width:400px;\"><div class=\"kb-gallery-image-contain kadence-blocks-gallery-intrinsic kb-gallery-image-ratio-inherit kb-has-image-ratio-inherit\" style=\"padding-bottom:68%;\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/7-Restoration-bocaux.jpg\" width=\"400\" height=\"272\" alt=\"\" data-full-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/7-Restoration-bocaux.jpg\" data-light-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/7-Restoration-bocaux.jpg\" data-id=\"20700\" class=\"wp-image-20700\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/7-Restoration-bocaux.jpg 400w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/7-Restoration-bocaux-300x204.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/div><\/div><div class=\"kadence-blocks-gallery-item__caption\">\u00a9 Jean-Louis MARIGNIER\/Speos.fr <br><br>Extracci\u00f3n de diferentes argamasas para ser analizadas en el centro de Estudios Medievales de Auxerre (CNRS).<\/div><\/a><\/figure><\/div><\/li><li class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kb-gallery-item-has-link kadence-blocks-gallery-item-has-caption\" style=\"max-width:400px;\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/8-Restoration-bois3.jpg\" data-description=\"\u00a9 Jean-Louis MARIGNIER\/Speos.fr Pedazos de madera que atestan de las modificaciones del emplazamiento de la ventana desde donde fueron tomadas las primeras fotograf\u00edas del mundo.\" class=\"kb-gallery-item-link\"   role=\"button\" aria-haspopup=\"dialog\"><div class=\"kb-gal-image-radius\" style=\"max-width:400px;\"><div class=\"kb-gallery-image-contain kadence-blocks-gallery-intrinsic kb-gallery-image-ratio-inherit kb-has-image-ratio-inherit\" style=\"padding-bottom:66%;\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/8-Restoration-bois3.jpg\" width=\"400\" height=\"266\" alt=\"\" data-full-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/8-Restoration-bois3.jpg\" data-light-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/8-Restoration-bois3.jpg\" data-id=\"20703\" class=\"wp-image-20703\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/8-Restoration-bois3.jpg 400w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/8-Restoration-bois3-300x200.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/div><\/div><div class=\"kadence-blocks-gallery-item__caption\">\u00a9 Jean-Louis MARIGNIER\/Speos.fr <br><br>Pedazos de madera que atestan de las modificaciones del emplazamiento de la ventana desde donde fueron tomadas las primeras fotograf\u00edas del mundo.<\/div><\/a><\/figure><\/div><\/li><li class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kb-gallery-item-has-link kadence-blocks-gallery-item-has-caption\" style=\"max-width:400px;\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/9-Restoration-datation.jpg\" data-description=\"\u00a9 Pierre-Yves MAHE\/Speos.fr Dataci\u00f3n de las maderas procedentes de la casa de Ni\u00e9pce (Laboratorio de Dendro-cronolog\u00eda-CNRS-Bensan\u00e7on).\" class=\"kb-gallery-item-link\"   role=\"button\" aria-haspopup=\"dialog\"><div class=\"kb-gal-image-radius\" style=\"max-width:400px;\"><div class=\"kb-gallery-image-contain kadence-blocks-gallery-intrinsic kb-gallery-image-ratio-inherit kb-has-image-ratio-inherit\" style=\"padding-bottom:67%;\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/9-Restoration-datation.jpg\" width=\"400\" height=\"269\" alt=\"\" data-full-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/9-Restoration-datation.jpg\" data-light-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/9-Restoration-datation.jpg\" data-id=\"20706\" class=\"wp-image-20706\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/9-Restoration-datation.jpg 400w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/9-Restoration-datation-300x202.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/div><\/div><div class=\"kadence-blocks-gallery-item__caption\">\u00a9 Pierre-Yves MAHE\/Speos.fr <br><br>Dataci\u00f3n de las maderas procedentes de la casa de Ni\u00e9pce (Laboratorio de Dendro-cronolog\u00eda-CNRS-Bensan\u00e7on).<\/div><\/a><\/figure><\/div><\/li><li class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kb-gallery-item-has-link kadence-blocks-gallery-item-has-caption\" style=\"max-width:400px;\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/10-Restoration-plans4.jpg\" data-description=\"\u00a9 Pierre-Yves MAHE\/Speos.fr B\u00fasqueda del pozo de donde Ni\u00e9pce extra\u00eda el agua para sus experiencias a partir de los planos de la Casa establecidos entre 1775 y 1830.\" class=\"kb-gallery-item-link\"   role=\"button\" aria-haspopup=\"dialog\"><div class=\"kb-gal-image-radius\" style=\"max-width:400px;\"><div class=\"kb-gallery-image-contain kadence-blocks-gallery-intrinsic kb-gallery-image-ratio-inherit kb-has-image-ratio-inherit\" style=\"padding-bottom:66%;\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/10-Restoration-plans4.jpg\" width=\"400\" height=\"265\" alt=\"\" data-full-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/10-Restoration-plans4.jpg\" data-light-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/10-Restoration-plans4.jpg\" data-id=\"20709\" class=\"wp-image-20709\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/10-Restoration-plans4.jpg 400w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/10-Restoration-plans4-300x199.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/div><\/div><div class=\"kadence-blocks-gallery-item__caption\">\u00a9 Pierre-Yves MAHE\/Speos.fr <br><br>B\u00fasqueda del pozo de donde Ni\u00e9pce extra\u00eda el agua para sus experiencias a partir de los planos de la Casa establecidos entre 1775 y 1830.<\/div><\/a><\/figure><\/div><\/li><li class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kb-gallery-item-has-link kadence-blocks-gallery-item-has-caption\" style=\"max-width:400px;\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/11-Restoration-puit2.jpg\" data-description=\"\u00a9 Jean-Louis MARIGNIER\/Speos.fr Primera reapertura del pozo de donde Ni\u00e9pce extra\u00eda el agua que serv\u00eda para lavar sus heliograf\u00edas.\" class=\"kb-gallery-item-link\"   role=\"button\" aria-haspopup=\"dialog\"><div class=\"kb-gal-image-radius\" style=\"max-width:400px;\"><div class=\"kb-gallery-image-contain kadence-blocks-gallery-intrinsic kb-gallery-image-ratio-inherit kb-has-image-ratio-inherit\" style=\"padding-bottom:65%;\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/11-Restoration-puit2.jpg\" width=\"400\" height=\"262\" alt=\"\" data-full-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/11-Restoration-puit2.jpg\" data-light-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/11-Restoration-puit2.jpg\" data-id=\"20712\" class=\"wp-image-20712\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/11-Restoration-puit2.jpg 400w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/11-Restoration-puit2-300x197.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/div><\/div><div class=\"kadence-blocks-gallery-item__caption\">\u00a9 Jean-Louis MARIGNIER\/Speos.fr <br><br>Primera reapertura del pozo de donde Ni\u00e9pce extra\u00eda el agua que serv\u00eda para lavar sus heliograf\u00edas.<\/div><\/a><\/figure><\/div><\/li><li class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kb-gallery-item-has-link kadence-blocks-gallery-item-has-caption\" style=\"max-width:400px;\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/12-Restoration-puit.jpg\" data-description=\"\u00a9 Pierre-Yves MAHE\/Speos.fr B\u00fasqueda e identificaci\u00f3n del conjunto de la red de irrigaci\u00f3n de la propiedad de Gras, remontando al menos a 1750.\" class=\"kb-gallery-item-link\"   role=\"button\" aria-haspopup=\"dialog\"><div class=\"kb-gal-image-radius\" style=\"max-width:400px;\"><div class=\"kb-gallery-image-contain kadence-blocks-gallery-intrinsic kb-gallery-image-ratio-inherit kb-has-image-ratio-inherit\" style=\"padding-bottom:73%;\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/12-Restoration-puit.jpg\" width=\"400\" height=\"295\" alt=\"\" data-full-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/12-Restoration-puit.jpg\" data-light-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/12-Restoration-puit.jpg\" data-id=\"20715\" class=\"wp-image-20715\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/12-Restoration-puit.jpg 400w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/12-Restoration-puit-300x221.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/div><\/div><div class=\"kadence-blocks-gallery-item__caption\">\u00a9 Pierre-Yves MAHE\/Speos.fr <br><br>B\u00fasqueda e identificaci\u00f3n del conjunto de la red de irrigaci\u00f3n de la propiedad de Gras, remontando al menos a 1750.<\/div><\/a><\/figure><\/div><\/li><li class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kb-gallery-item-has-link kadence-blocks-gallery-item-has-caption\" style=\"max-width:400px;\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/13-Restoration-trou.jpg\" data-description=\"\u00a9 Pierre-Yves MAHE\/Speos.fr Localizaci\u00f3n del emplazamiento del pozo de donde Ni\u00e9pce extra\u00eda el agua que serv\u00eda para sus experiencias.\" class=\"kb-gallery-item-link\"   role=\"button\" aria-haspopup=\"dialog\"><div class=\"kb-gal-image-radius\" style=\"max-width:400px;\"><div class=\"kb-gallery-image-contain kadence-blocks-gallery-intrinsic kb-gallery-image-ratio-inherit kb-has-image-ratio-inherit\" style=\"padding-bottom:66%;\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/13-Restoration-trou.jpg\" width=\"400\" height=\"266\" alt=\"\" data-full-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/13-Restoration-trou.jpg\" data-light-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/13-Restoration-trou.jpg\" data-id=\"20718\" class=\"wp-image-20718\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/13-Restoration-trou.jpg 400w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/13-Restoration-trou-300x200.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/div><\/div><div class=\"kadence-blocks-gallery-item__caption\">\u00a9 Pierre-Yves MAHE\/Speos.fr <br><br>Localizaci\u00f3n del emplazamiento del pozo de donde Ni\u00e9pce extra\u00eda el agua que serv\u00eda para sus experiencias.<\/div><\/a><\/figure><\/div><\/li><li class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kb-gallery-item-has-link kadence-blocks-gallery-item-has-caption\" style=\"max-width:400px;\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/14-Restoration-sol.jpg\" data-description=\"\u00a9 Pierre-Yves MAHE\/Speos.fr Redescubrimiento de los pisos antiguos posteriores a Ni\u00e9pce (hacia 1870).\" class=\"kb-gallery-item-link\"   role=\"button\" aria-haspopup=\"dialog\"><div class=\"kb-gal-image-radius\" style=\"max-width:400px;\"><div class=\"kb-gallery-image-contain kadence-blocks-gallery-intrinsic kb-gallery-image-ratio-inherit kb-has-image-ratio-inherit\" style=\"padding-bottom:68%;\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/14-Restoration-sol.jpg\" width=\"400\" height=\"275\" alt=\"\" data-full-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/14-Restoration-sol.jpg\" data-light-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/14-Restoration-sol.jpg\" data-id=\"20721\" class=\"wp-image-20721\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/14-Restoration-sol.jpg 400w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/14-Restoration-sol-300x206.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/div><\/div><div class=\"kadence-blocks-gallery-item__caption\">\u00a9 Pierre-Yves MAHE\/Speos.fr <br><br>Redescubrimiento de los pisos antiguos posteriores a Ni\u00e9pce (hacia 1870).<\/div><\/a><\/figure><\/div><\/li><li class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kb-gallery-item-has-link kadence-blocks-gallery-item-has-caption\" style=\"max-width:300px;\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/15-Restoration-mur2.jpg\" data-description=\"\u00a9 Pierre-Yves MAHE\/Speos.fr Patrick Barbottin observa las modificaciones de los muros de la torre de la casa.\" class=\"kb-gallery-item-link\"   role=\"button\" aria-haspopup=\"dialog\"><div class=\"kb-gal-image-radius\" style=\"max-width:300px;\"><div class=\"kb-gallery-image-contain kadence-blocks-gallery-intrinsic kb-gallery-image-ratio-inherit kb-has-image-ratio-inherit\" style=\"padding-bottom:100%;\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/15-Restoration-mur2.jpg\" width=\"300\" height=\"300\" alt=\"\" data-full-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/15-Restoration-mur2.jpg\" data-light-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/15-Restoration-mur2.jpg\" data-id=\"20724\" class=\"wp-image-20724\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/15-Restoration-mur2.jpg 300w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/15-Restoration-mur2-150x150.jpg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/div><\/div><div class=\"kadence-blocks-gallery-item__caption\">\u00a9 Pierre-Yves MAHE\/Speos.fr <br><br>Patrick Barbottin observa las modificaciones de los muros de la torre de la casa.<\/div><\/a><\/figure><\/div><\/li><li class=\"kadence-blocks-gallery-item\"><div class=\"kadence-blocks-gallery-item-inner\"><figure class=\"kb-gallery-figure kb-gallery-item-has-link kadence-blocks-gallery-item-has-caption\" style=\"max-width:400px;\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/16-Restoration-enregistrement.jpg\" data-description=\"\u00a9 Pierre-Yves MAHE\/Speos.fr Christopher Davies, cameraman, filma la totalidad de las investigaciones sobre la Casa Ni\u00e9pce (aqu\u00ed en el laboratorio de Dendro-Cronolog\u00eda en Besan\u00e7on).\" class=\"kb-gallery-item-link\"   role=\"button\" aria-haspopup=\"dialog\"><div class=\"kb-gal-image-radius\" style=\"max-width:400px;\"><div class=\"kb-gallery-image-contain kadence-blocks-gallery-intrinsic kb-gallery-image-ratio-inherit kb-has-image-ratio-inherit\" style=\"padding-bottom:66%;\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/16-Restoration-enregistrement.jpg\" width=\"400\" height=\"264\" alt=\"\" data-full-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/16-Restoration-enregistrement.jpg\" data-light-image=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/16-Restoration-enregistrement.jpg\" data-id=\"20727\" class=\"wp-image-20727\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/16-Restoration-enregistrement.jpg 400w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/10\/16-Restoration-enregistrement-300x198.jpg 300w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/div><\/div><div class=\"kadence-blocks-gallery-item__caption\">\u00a9 Pierre-Yves MAHE\/Speos.fr <br><br>Christopher Davies, cameraman, filma la totalidad de las investigaciones sobre la Casa Ni\u00e9pce (aqu\u00ed en el laboratorio de Dendro-Cronolog\u00eda en Besan\u00e7on).<\/div><\/a><\/figure><\/div><\/li><\/ul><\/div>","protected":false},"excerpt":{"rendered":"<p>En 1999, Pierre-Yves Mah\u00e9, fundador de la Escuela de fotograf\u00eda&nbsp;Sp\u00e9os, es el nuevo inquilino, de la parte de la casa donde Ni\u00e9pce hab\u00eda instalado su taller-laboratorio, en el dominio de Gras, en Saint-Loup de Varennes. Pierre-Yves Mah\u00e9 es el primer fot\u00f3grafo que ocupar\u00e1 ese lugar, desde la muerte del inventor en 1833. Esta residencia hist\u00f3rica&#8230;<\/p>\n","protected":false},"author":1,"featured_media":26637,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"class_list":["post-1979","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La restauraci\u00f3n de la Casa - Nic\u00e9phore Ni\u00e9pce&#039;s House Museum<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/bicentennial-of-photography.org\/es\/restauracion-casa-niepce\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La restauraci\u00f3n de la Casa - Nic\u00e9phore Ni\u00e9pce&#039;s House Museum\" \/>\n<meta property=\"og:description\" content=\"En 1999, Pierre-Yves Mah\u00e9, fundador de la Escuela de fotograf\u00eda&nbsp;Sp\u00e9os, es el nuevo inquilino, de la parte de la casa donde Ni\u00e9pce hab\u00eda instalado su taller-laboratorio, en el dominio de Gras, en Saint-Loup de Varennes. 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