{"id":1816,"date":"2015-01-07T11:41:39","date_gmt":"2015-01-07T10:41:39","guid":{"rendered":"https:\/\/bicentennial-of-photography.org\/la-vie-de-nicephore-niepce-2\/"},"modified":"2024-12-06T18:24:42","modified_gmt":"2024-12-06T17:24:42","slug":"vida-nicephore-niepce","status":"publish","type":"page","link":"https:\/\/bicentennial-of-photography.org\/es\/vida-nicephore-niepce\/","title":{"rendered":"La vida de Nic\u00e9phore Ni\u00e9pce"},"content":{"rendered":"<style>.kb-row-layout-id1816_35dbae-56 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id1816_35dbae-56 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id1816_35dbae-56 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}.kb-row-layout-id1816_35dbae-56 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id1816_35dbae-56 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}}@media all and (max-width: 767px){.kb-row-layout-id1816_35dbae-56 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id1816_35dbae-56 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-right-golden kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column1816_2a5ccd-fb > .kt-inside-inner-col,.kadence-column1816_2a5ccd-fb > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column1816_2a5ccd-fb > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column1816_2a5ccd-fb > .kt-inside-inner-col{flex-direction:column;}.kadence-column1816_2a5ccd-fb > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column1816_2a5ccd-fb > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column1816_2a5ccd-fb{position:relative;}@media all and (max-width: 1024px){.kadence-column1816_2a5ccd-fb > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column1816_2a5ccd-fb > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column1816_2a5ccd-fb\"><div class=\"kt-inside-inner-col\"><div class=\"wp-block-image wp-image-18238\">\n<figure class=\"aligncenter size-full\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/niepce-nicephore-portrait-jeune.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"670\" height=\"657\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/niepce-nicephore-portrait-jeune.jpg\" alt=\"\" class=\"wp-image-18238\" style=\"object-fit:cover\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/niepce-nicephore-portrait-jeune.jpg 670w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/niepce-nicephore-portrait-jeune-300x294.jpg 300w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/niepce-nicephore-portrait-jeune-600x588.jpg 600w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/niepce-nicephore-portrait-jeune-580x569.jpg 580w\" sizes=\"auto, (max-width: 670px) 100vw, 670px\" \/><\/a><figcaption class=\"wp-element-caption\">Nic\u00e9phore Ni\u00e9pce joven<\/figcaption><\/figure>\n<\/div><\/div><\/div>\n\n\n<style>.kadence-column1816_2e3460-9e > .kt-inside-inner-col,.kadence-column1816_2e3460-9e > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column1816_2e3460-9e > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column1816_2e3460-9e > .kt-inside-inner-col{flex-direction:column;}.kadence-column1816_2e3460-9e > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column1816_2e3460-9e > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column1816_2e3460-9e{position:relative;}@media all and (max-width: 1024px){.kadence-column1816_2e3460-9e > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column1816_2e3460-9e > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column1816_2e3460-9e\"><div class=\"kt-inside-inner-col\">\n<p class=\"wp-block-paragraph\">\u2022 <strong>7 de marzo 1765<\/strong>: <strong>Nacimiento de Jos\u00e9 Ni\u00e9pce<\/strong> en Chalon-sur Sa\u00f4ne (mas tarde adoptar\u00e1 el sobrenombre de Nic\u00e9phore) Su padre es abogado y consejero del rey y recaudador de dep\u00f3sitos y consignaciones de Chalon-sur-Sa\u00f4ne. Tiene una hermana y dos hermanos.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2022 <strong>1786<\/strong>: Jos\u00e9 entra en el colegio de los Hermanos Oratorianos en Angers, y se apasiona por la f\u00edsica y la qu\u00edmica.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2022 <strong>1788<\/strong>: Abandona el Oratorio y entra en la Guardia Nacional en Chalon-sur-Sa\u00f4ne. Firma sus cartas con el <strong>sobrenombre de Nic\u00e9phore<\/strong>.<\/p>\n<\/div><\/div>\n\n<\/div><\/div>\n\n\n<p class=\"wp-block-paragraph\">\u2022 <strong>1789<\/strong>: Revoluci\u00f3n Francesa.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2022 <strong>1792<\/strong>: Enrolamiento en el ej\u00e9rcito revolucionario (campa\u00f1a en el Sur de Francia y en Cerde\u00f1a).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2022 <strong>1794<\/strong>: Nic\u00e9foro deja el ej\u00e9rcito y permanece en Niza. Contrae matrimonio. Su hermano mayor, Claudio se re\u00fane con \u00e9l.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2022 <strong>1795<\/strong>: Nacimiento de su hijo Isidoro.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignright\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/domaine-gras-histoire-niepce.jpg\"><img decoding=\"async\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/domaine-gras-histoire-niepce-300x210.jpg\" alt=\"Domaine du Gras \u00e0 Saint-Loup-de-Varennes.\" class=\"wp-image-712\"\/><\/a><figcaption class=\"wp-element-caption\">Domaine du Gras \u00e0 Saint-Loup-de-Varennes.<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">\u2022 <strong>1797<\/strong>: Viaja a Cerde\u00f1a con su familia y su hermano. En el curso de ese viaje Nic\u00e9foro y su hermano Claudio habr\u00edan <strong>pensado en la fotograf\u00eda<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2022 <strong>1798<\/strong>: De regreso a Niza, los dos hermanos se libran a sus primeros trabajos de inventores y se concentran en la puesta a punto de un principio motor basado en la dilataci\u00f3n del aire en el curso de una explosi\u00f3n.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2022 <strong>1801<\/strong>: Nic\u00e9foro y su familia junto con Claudio vuelven a Chalon-sur-Sa\u00f4ne donde se ocupan de la gesti\u00f3n del patrimonio familiar del cual se ocupaba Do\u00f1a Ni\u00e9pce desde la muerte del padre en 1785.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2022 <strong>1807 <\/strong>: Los dos hermanos obtienen una patente por diez a\u00f1os, firmada por Napole\u00f3n, por el motor que nombran <a title=\"Pyr\u00e9olophore\" href=\"https:\/\/bicentennial-of-photography.org\/es\/el-pireoloforo-un-nuevo-principio-motor\/\">Pireol\u00f3foro<\/a>. Se trata del primer motor en el mundo a combusti\u00f3n interna. Una maqueta de barco de dos metros de largo, remonta la corriente del Sa\u00f4ne por medio de este motor.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/pyreolophore-niepce-nicephore.jpg\"><img decoding=\"async\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/pyreolophore-niepce-nicephore-300x208.jpg\" alt=\"Premier plan du pyr\u00e9olophore\" class=\"wp-image-709\"\/><\/a><figcaption class=\"wp-element-caption\">Premier plan du pyr\u00e9olophore<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">\u2022 <strong>1807 &#8211; 1809<\/strong>: Elaboraci\u00f3n de un proyecto de bomba hidr\u00e1ulica para reemplazar la <a title=\"Machine de Marly\" href=\"https:\/\/bicentennial-of-photography.org\/es\/maquina-marly-invencion-niepce\/\"><span style=\"text-decoration: none;\">m\u00e1quina de Marly<\/span><\/a> que serv\u00eda para alimentar con agua el Castillo de Versailles.<\/p>\n\n\n<div class=\"wp-block-image wp-image-23353 size-full\">\n<figure class=\"alignright\"><img loading=\"lazy\" decoding=\"async\" width=\"93\" height=\"108\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/11\/pastel.jpg\" alt=\"\" class=\"wp-image-23353\"\/><figcaption class=\"wp-element-caption\">Pastel<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">\u2022 <strong>1811<\/strong>: Trabajos sobre el cultivo del<br><a title=\"Le pastel des teinturiers\" href=\"https:\/\/bicentennial-of-photography.org\/es\/pastel-invencion-niepce\/\">pastel<\/a> destinado a reemplazar al \u00edndigo, faltante a causa del bloqueo continental.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2022 <strong>1816<\/strong>: Un a\u00f1o antes de la expiraci\u00f3n de la patente, Claudio deja Chalon-sur Sa\u00f4ne para radicarse Paris y luego en 1817 en Inglaterra, para tratar de explotar el invento.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2022 <strong>1816 &#8211; 1818<\/strong>: Solo, Nic\u00e9foro se lanza a la b\u00fasqueda de la fijaci\u00f3n de im\u00e1genes proyectadas en el interior de la c\u00e1mara oscura. Primeras experiencias-primeros reveses. B\u00fasqueda de canteras de piedras calc\u00e1reas alrededor de Chalon-sur Sa\u00f4ne para encontrar en Francia <a title=\"Les pierres lithographiques\" href=\"https:\/\/bicentennial-of-photography.org\/es\/piedras-litograficas-invencion-niepce\/\">piedras aptas para la litograf\u00eda<\/a>.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignright\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/velocipede-histoire-photo-niepce.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"196\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/velocipede-histoire-photo-niepce-300x196.jpg\" alt=\"V\u00e9locip\u00e8de sur lequel Ni\u00e9pce apporta des perfectionnements.\" class=\"wp-image-721\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/velocipede-histoire-photo-niepce-300x196.jpg 300w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/velocipede-histoire-photo-niepce-600x391.jpg 600w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/velocipede-histoire-photo-niepce-580x378.jpg 580w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/velocipede-histoire-photo-niepce.jpg 670w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption class=\"wp-element-caption\">Draisina de Ni\u00e9pce<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">\u2022 <strong>1818<\/strong>: Una imagen ha sido fijada hace tres meses. Nic\u00e9foro construye una <a title=\"Le v\u00e9locip\u00e8de\" href=\"https:\/\/bicentennial-of-photography.org\/es\/velocipedo-invencion-niepce\/\">draisina<\/a>, que perfecciona con un asiento regulable.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2022 <strong>1822<\/strong>: Realizaci\u00f3n de una reproducci\u00f3n de un dibujo sobre una placa de vidrio recubierta con bet\u00fan de Judea, gracias a la sola acci\u00f3n de la luz (retrato del Papa P\u00edo VII).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2022 <strong>1823<\/strong>: Reproduction de dessins par contact sur des vernis au bitume de Jud\u00e9e.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2022 <strong>1824<\/strong>: Obtenci\u00f3n de \u00ab distintas tomas con la c\u00e1mara obscura \u00bb (fotograf\u00edas) sobre piedras litogr\u00e1ficas. En ese momento el tiempo de exposici\u00f3n es de cinco d\u00edas. El 16 de septiembre de 1824, Nic\u00e9phore Ni\u00e9pce escrib\u00eda lo siguiente a su hermano Claude, que viv\u00eda entonces en Inglaterra: <em>\u00abTengo la satisfacci\u00f3n de poder anunciarte finalmente que, gracias al perfeccionamiento de mis procesos, he logrado obtener una vista tal como la deseaba, aunque apenas me atrev\u00eda a esperarlo, ya que hasta ahora solo hab\u00eda obtenido resultados muy incompletos. Esta vista se tom\u00f3 desde tu habitaci\u00f3n, hacia Le Gras; y para ello utilic\u00e9 mi c\u00e1mara oscura m\u00e1s grande y mi placa m\u00e1s grande. La imagen de los objetos se representa con una nitidez y fidelidad asombrosas, hasta en los detalles m\u00e1s peque\u00f1os y en sus matices m\u00e1s delicados. Como esta contraprueba est\u00e1 casi sin colorear, se puede apreciar mejor su efecto mirando la placa de forma oblicua: es entonces cuando se vuelve perceptible a la vista, gracias a las sombras y reflejos de luz; y este efecto, debo decir, querido amigo, tiene realmente algo de m\u00e1gico. (\u2026) Mientras tanto, puedes, desde hoy, considerar como demostrado e indiscutible el \u00e9xito de la aplicaci\u00f3n de mis procesos a las vistas, ya sea en piedra o en vidrio.\u00bb<\/em><br>Esta carta marca el <a href=\"https:\/\/bicentennial-of-photography.org\/es\/2024\/09\/09\/bicentenario-de-la-invencion-de-la-fotografia-una-celebracion-imperdible\/\">nacimiento de la fotograf\u00eda, que celebra su bicentenario en 2024<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2022 <strong>1824 \u00e0 1826<\/strong>: Im\u00e1genes grabadas sobre cobre, tratando con el m\u00e9todo de agua fuerte, las im\u00e1genes obtenidas con el bet\u00fan.<br>Ni\u00e9pce solicita a un grabador Parisino, Agustin Lemaitre, para que lo aconseje y efect\u00fae copias sobre papel a partir de sus placas grabadas.<\/p>\n\n\n<div class=\"wp-block-image wp-image-23361 size-full\">\n<figure class=\"alignright\"><img loading=\"lazy\" decoding=\"async\" width=\"140\" height=\"198\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/11\/Charles_chevalier_1862.png\" alt=\"\" class=\"wp-image-23361\"\/><figcaption class=\"wp-element-caption\">Charles Chevalier<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">En <strong>1825<\/strong>, Ni\u00e9pce se orienta tambi\u00e9n hacia los \u00f3pticos parisinos, Vincent y Charles Chevalier,<br>quienes le proporcionan toda clase de \u00f3pticas para perfeccionar su c\u00e1mara obscura. Es el a\u00f1o del casamiento de su hijo con Eug\u00e9nie de Champmartin.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2022 <strong>1826<\/strong>: Las im\u00e1genes obtenidas son grabadas sobre esta\u00f1o. Extracci\u00f3n de una f\u00e9cula a partir de una calabaza llamada giraumont. Producci\u00f3n de una fibra textil apta para el tejido de una planta de asclepias de Siria.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft\"><a href=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-View_Le_Gras.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"209\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-View_Le_Gras-300x209.jpg\" alt=\"Oeuvres de Nic\u00e9phore Ni\u00e9pce\" class=\"wp-image-620\" srcset=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-View_Le_Gras-300x209.jpg 300w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-View_Le_Gras-600x417.jpg 600w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-View_Le_Gras-580x403.jpg 580w, https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2015\/01\/catalogue-Niepce-View_Le_Gras.jpg 670w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption class=\"wp-element-caption\">Point de vue du Gras, premi\u00e8re photographie par Nic\u00e9phore Ni\u00e9pce<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">\u2022 <strong>1827<\/strong>: Una toma sobre esta\u00f1o no grabado (el \u00fanico ejemplar conservado de una imagen realizada por Ni\u00e9pce en la c\u00e1mara obscura que corresponde a esta etapa de sus trabajos).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2022 <strong>1828<\/strong>: Im\u00e1genes no grabadas sobre plata pulida obtenidas por medio del tratamiento de la imagen sobre bet\u00fan con vapores de Iodo.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2022 <strong>1829<\/strong>: Asociaci\u00f3n con Louis Jacques Mand\u00e9 Daguerre, especialista de la c\u00e1mara obscura, para mejorar la luminosidad y la calidad de las im\u00e1genes en el interior de la c\u00e1mara obscura<\/p>\n\n\n<div class=\"wp-block-image wp-image-23368 size-full\">\n<figure class=\"alignright\"><img loading=\"lazy\" decoding=\"async\" width=\"130\" height=\"192\" src=\"https:\/\/bicentennial-of-photography.org\/wp-content\/uploads\/2019\/11\/daguerre.png\" alt=\"\" class=\"wp-image-23368\"\/><figcaption class=\"wp-element-caption\">Louis Jacques Mand\u00e9 Daguerre<\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">\u2022 <strong>1830<\/strong>: Fracaso de los dos socios en las tentativas de blanquear el bet\u00fan pardo para poder obtener im\u00e1genes directamente positivas.<br>Daguerre descubre el residuo de la destilaci\u00f3n de la esencia de lavanda, sin atribuirle ninguna propiedad fotosensible.<br>En junio ambos hombres trabajan juntos durante dos semanas en St-Loup-de-Varennes.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2022 <strong>1831<\/strong>: Trabajos sobre toda clase de resinas sin obtener resultados positivos.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2022 <strong>1832, junio<\/strong>: Nueva visita de Daguerre a la casa de Ni\u00e9pce. Los socios utilizan a continuaci\u00f3n como producto fotosensible el residuo de la destilaci\u00f3n de la esencia de lavanda y obtienen im\u00e1genes en menos de 8 horas de tiempo de exposici\u00f3n. Nombran al nuevo m\u00e9todo : <a title=\"Nic\u00e9phore Ni\u00e9pce et Daguerre\" href=\"https:\/\/bicentennial-of-photography.org\/niepce-nicephore-daguerre-invention-photographie\/\"><span style=\"text-decoration: none;\">El Fisautotipo<\/span><\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2022 <strong>1832, noviembre<\/strong>: Daguerre regresa otra vez a St-Loup-de-Varennes para trabajar con Ni\u00e9pce sobre el nuevo m\u00e9todo.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u2022 <strong>5 de julio de 1833<\/strong>: Ni\u00e9pce muere s\u00fabitamente sin que ninguna de sus invenciones hayan sido reconocidas.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/speos-photo.com\/en\/\" target=\"_blank\" rel=\"noopener\">&gt; Descubra Sp\u00e9os, la escuela de fotograf\u00eda que conserva la Casa Ni\u00e9pce (sitio web en ingl\u00e9s)<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u2022 7 de marzo 1765: Nacimiento de Jos\u00e9 Ni\u00e9pce en Chalon-sur Sa\u00f4ne (mas tarde adoptar\u00e1 el sobrenombre de Nic\u00e9phore) Su padre es abogado y consejero del rey y recaudador de dep\u00f3sitos y consignaciones de Chalon-sur-Sa\u00f4ne. Tiene una hermana y dos hermanos. \u2022 1786: Jos\u00e9 entra en el colegio de los Hermanos Oratorianos en Angers, y&#8230;<\/p>\n","protected":false},"author":1,"featured_media":26631,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"class_list":["post-1816","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La vida de Nic\u00e9phore Ni\u00e9pce - Nic\u00e9phore Ni\u00e9pce&#039;s House Museum<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/bicentennial-of-photography.org\/es\/vida-nicephore-niepce\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La vida de Nic\u00e9phore Ni\u00e9pce - Nic\u00e9phore Ni\u00e9pce&#039;s House Museum\" \/>\n<meta property=\"og:description\" content=\"\u2022 7 de marzo 1765: Nacimiento de Jos\u00e9 Ni\u00e9pce en Chalon-sur Sa\u00f4ne (mas tarde adoptar\u00e1 el sobrenombre de Nic\u00e9phore) Su padre es abogado y consejero del rey y recaudador de dep\u00f3sitos y consignaciones de Chalon-sur-Sa\u00f4ne. 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